Reading

Cara Ober: ‘i am who i pretend to be’ opens at RSG March 8

Previous Story

Melissa Dickenson: Imaginary Oceans opens at Shin [...]

Next Story

Steven Pearson: Heroes and Villains at SubBasemen [...]

http://www.randallscottgallery.com

March 8 – April 11
Reception Saturday, March 8 at 7 p.m.
www.randallscottgallery.com
with Essay by Dr. Michael Salcman

The most unlikely pairing of visual elements, culled from home décor, fashion, old reference manuals, and action painting forms the visual vocabulary of Baltimore based painter Cara Ober. These works act as an entry point into the artist’s unconscious; the connections between disparate images create a visual poetry, full of meanderings and musings, paired with suggestion and associations. Ober’s method for constructing meaning is of her generation; she catalogues, documents, and pieces together fragments into internal maps, which document a moving through time.

Photobucket

These explorations, presented in text, color and visual layers create a multidimensional narrative. As in life, there is no singular meaning, no clear definition. Ober’s narratives, by use of juxtaposition and unlikely relationships, can be read in any number of ways, encouraging a viewer to roll in their own associations and to enrich the experience.

Photobucket

Cara Ober earned her MFA from the Maryland Institute College of Art in 2005. Based in Baltimore, MD, Ober teaches at MICA, Johns Hopkins University and Towson University. She also writes for several local publications on the arts and curates an exhibition space in Baltimore that showcases works on paper. In the past year, her work has been shown in a number of local and national exhibits, including second prize in The 2007 Bethesda Painting Awards, and a solo show at Flashpoint In Washington D.C.

Related Stories
It's important that we agree on the conditions to declare that we have arrived.

This week, Baltimore's creative scene was profiled in Le Figaro, France's oldest newspaper, but the concept of a "Baltimore Renaissance" is false.

An Interview with David London Discussing His Vision for the Future

The Foundation Celebrates its 60th Anniversary as Director Melissa Warlow Retires After 35 Years of Service

Baltimore art news updates from independent & regional media

This week's news includes: A post-election statement from MCAAHC, Reginald F. Lewis exhibition at the Lewis Museum, Tom Miller Week returns, the future of BOPA, Angela Franklin and Chevelle Makeba Moore Jones at JELMA, tattoo artist Bill Waverly, and more!

The History of Communication Has Always Been a History of Calculated Risk

The cheekily titled If Books Could Kill (on view through August 5, 2025) focuses on toxic materials—mercury, arsenic, and lead—that were used by scribes, illustrators, and printers in a variety of historical contexts.