Blurry Pics from the Sondheim Prize – Congrats to Winner Geoff Grace!

Previous Story

Too Many Openings AGAIN – Saturday, July 12

Next Story

Photos from MICA Summer MFA Thesis Shows


As you could tell from his honest and impromptu acceptance speech, Geoff Grace is a super nice person. And he’s funny. No theatrical art histronics, no drama, just a humble teacher, musician, thinker, and do-er. He seemed genuinely surprised to win the award, despite his participation in two previous Artscape finals. I have to admit I didn’t see it coming, despite the glowing description in this week’s CP: “There’s simply something awkwardly and familiarly vulnerable in the human impulse to want to trap reality and cozily hold it to the bosom as a framed memory on the wall–an act as crazy beautiful as a beast that adapted to eat from the tops of hard to reach foliage that still has to bow down to drink.”

I love the piece ‘it’s the linger, not the long’ because it’s warm and poetic. I love it because I like reading other people’s love letters. I love it because it doesn’t TRY to say anything, but says volumes. And I love it because it’s just a little bit goofy and sentimental. This prize couldn’t have happened to a nicer guy.

Bio: Geoff Grace, an active member of the Baltimore art and music scene, has exhibited nationally and widely in the area. His exhibition history includes shows at Baltimore spaces Gallery Four, Maryland Art Place, the 5th Story, School 33 Art Center, the Rosenberg Gallery, the Contemporary Museum, Artscape, The Baltimore Museum of Art and Area 405, as well as public art pieces in the Station North Arts & Entertainment District and at Lexington and Howard Streets. He was also a semi-finalist for the 2006 Sondheim Prize and a finalist for the 2007 award. Grace grew up in Maryland and returned to Baltimore in the summer of 2000 after time spent in California, Florida, and on the Pacific Ocean. He received his Bachelor of Fine Arts and Master of Arts in Teaching from the Maryland Institute College of Art. He currently teaches art and photography at Overlea High School in Baltimore County. For the 2008 Sondheim Prize Finalists exhibition, Grace created an installation of photographs, drawings, and objects with clay wall drawings called it’s the linger, not the long (2008).

Grace and his congratulatory blown glass … vase? What is that?

Paintings by Tony Shore, Sondheim 2007 Winner

Drury Bynum and Jamie Campbell

David Page, Alzaruba, & Lauren Schott

Paul & Rene examine Molly Springfield’s drawings up close

Work by Laure Drogoul, 2006 Sondheim Winner


Line for the Bar

Kini Collins and Jed Dodds

The Two Lynnes

A Mystery Man relaxing with his thoughts…

Laure Drogoul and Jack Livingston

Art Mavens checking out Geoff Grace’s installation

Doreen Bolger and Mike Rabinowitz, no. 1 art fan

Christine & Robert Tillman

The Sparrow and I

Christine and Kriston (most misspelled name in the art press today!)

Special Thanks to Joseph and Rachel for the fabulous after-Sondheim party!

Related Stories
Picks, Trends, and Observations from Fairs, Galleries, and the Rubell Museum (Including a Theory as to why Everything is Suddenly Periwinkle)

Is this a good year for galleries? That depends on who you ask. At the main fair, booths with challenging or innovative artworks are about as common as faces with intact buccal fat—they're few and far between and take some effort to spot.

DIY Space Tarantula Hill Makes its Big-Screen Debut in "The Sweet East," Opening this Week at The Senator

A new film captures a last bastion of anachronistic DIY paradise. The Senator Theater will host screenings and Q&A sessions with the filmmakers December 8 and 9.

Baltimore news updates from independent & regional media

‘City of Artists’ on WYPR’s Midday, Black Butterfly Farm, Artscape returning to August, George Ciscle and Christine Sciacca on “The Truth in This Art” podcast, Morton Street Dance Theater,  Iron Crow Theatre, Dan Deacon, North Avenue Holiday Market, and more.

An Interview with the Artist Ahead of her Screening and Exhibition Reception at Stevenson University

To say the work is political would be an understatement. To paraphrase her aunt at the opening: "Hey Heidi why don’t you tell us where you stand politically?" But it is more than that, it is about being an artist, being a mother, being a partner, and being a feminist in these ever so uncertain times