Reading

Studio Visit with Zoe Charlton

Previous Story

Loyola Collects opens Thursday, October 9

Next Story

Franz West at BMA – on the Cover of Artforu [...]

I stopped by Zoe’s studio on Friday, October 3 to check out her new drawings. She has a solo show opening this Thursday at Towson University and another opening in three weeks at Conner Contemporary in DC.

We looked at some new life-sized figure drawings… based on family members, and also a collaboration with her model. Zoe chooses to draw from life and finds her excellent local models on Craigslist.



We also looked at some smaller figurative works. These will be on display at Towson later in the week. I am always fascinated by the random objects in artist’s studios, their books, image sources, and ragged ‘to do’ lists. This studio did not disappoint.




The Charlton-Dulaney library

Tutus and other props for the models. This studio would also be a convenient spot to put together a last minute Halloween costume.


To do list? Actually this is a list of behaviors observed by the artist in Patterson Park.


I have to admit I am a wee bit jealous of Zoe’s golden paint and colored ink collection.

I loved all the faux hair props that Zoe uses from time to time, for even more theatricality in her models.

Related Stories
In the past six months the BmoreArt core team has evolved to include new editors, contributors, and team members

BmoreArt's team grows to include new editors, a designer-in-residence, media and gallery coordinators, and a video intern

A visual artist sees mushrooms as an avenue of hope in her work

Cramer began exploring mushrooms after years of creating myopic biological imagery and a constant worry about humanity’s impact on the environment.

Art Jewelers Tackle Contemporary Reproductive Rights with Ancient Forms

In Plan B, currently on view at the Rebecca Myers Gallery at Cross Keys through the end of March, artists and jewelers address contemporary reproductive politics using a form from ancient pottery: the Greek amphora.

A Baltimore Homecoming, of Sorts, for a Painter and Fabricator Celebrating Movement in all Traditions

“I came back to oil, my first love, because it's how I move—it's slow, rich, flexible and giving. I needed this generosity and consistency after so much searching.”