“Cara Ober”
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While most Baltimore artists are now familiar with The Rubys, the new artist grants designed to “support the region’s gems” with up to ten thousand dollars per project, few are ...
FAQs Content Questions How do I get my work highlighted in your online publication? If you have a performance, event, exhibition or show happening within the greater Baltimore ...
How to organize a studio visit, how to build relationships between artists and collectors, and what to do when your studio is a hot mess.
Do You Want to Collect the Art of Your Time and Place? Do you want to invest in the excellence that the visual arts bring to your city? Connect + ...
Cara Ober, Editor-in-Chief / Publisher Cara Ober is an artist, arts writer, curator, and the founding editor and publisher at BmoreArt, Baltimore's art and culture magazine. She writes regularly about artist, ...
A few months ago I ran into an art colleague in the magazine section of Barnes and Noble. I was sneaking a furtive peek in the newest New American Paintings, ...
I picked up Sarah Thornton's 'Seven Days in the Art World' on a whim at Barnes & Noble, after hearing a buzz about it on NPR. I was expecting the ...
If Utrecht is your favorite art supply store, you might be sad about this. Although I never shopped there exclusively, over the years I have been known to purchase Utrecht-brand ...
Material is a young art fair but is now all grown up, both figuratively and literally.
A Walters’ security guard summed it up when describing the ‘staying power’ of this year’s Sondheim finalists. “Visitors stay in certain rooms for a long time and the others, they ...
It’s been three weeks since my ER doctor called to confirm that I tested positive for Covid-19 on April 3, a full 14 days after qualifying for a test that should have been available the first day I had a fever of 102—not eight days and a serious bout of pneumonia later.
You would think that I would be on the same page as our major collecting institution in Baltimore, but I do not understand their “art math.”
Unlike Basel, where you know the names of every single artist and gallery, at Maco there was so much space for discovery.
These ten exhibits of 2020 provide a fractured but highly ambitious roadmap, messy and democratic and full of brilliant tangents, the perfect puzzle for a precarious and undetermined future.