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Through the imaginative, mystical works she produced—works she insisted she received—Lucille transcended location and met the reader, you could say, at the heart of humanity, where place is merely background.
Ultimately, what I love about this book is that Blakeney makes me feel like I could jump right in and start sprucing up my own house tomorrow.
A cooperative rather than collective, Red Emma’s tweaks the sometimes oppositional, puritanical perspective of radicalism, expanding without compromising.
Safia Elhillo’s Home Is Not a Country is more than a book, it’s a complex adventure, perfect for restless Aries.
Dr. J’s aerial exploits become the associative catalyst for explorations as wide-ranging as pickup-basketball, photography, the slave trade, familial history, and flight of all kinds.
Returning to the beginning, in order to perhaps understand the future, is not easy.
As McCoy puts it, “It is an artistic callout for city officials to see the cause of their neglect.”
Design With Love is a collaboration by Katie Swenson, the director of the Enterprise Frederick P. Rose Architectural Fellowship, and Harry Connolly, a Baltimore-based photographer
Cole’s belief in language as freedom is the catalyst for her life’s work—to motivate Black girls and women to use language as a tool for finding their own authentic power.
Darren is definitely intrigued by the loads of money he could make as a salesperson at Sumwun, but there is more to it.
Issue 10: Power is BmoreArt's second print journal released since Covid-19 closures
The Black Futures project will remain a bastion of the wonder of Black mastery as well as the beauty of Black mundanity.
As the eclipses shake us up, we welcome lively Sagittarius season.
While forward-thinking, Black Futures is simultaneously about Black pasts and Black presents.