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Lisa Yuskavage’s porn-inspired, rainbow-hued paintings of women in fantasy landscapes are featured at the BMA through Sept 19 in Wilderness, a survey show co-organized with the Aspen Museum of Art
This year, dozens of curators were invited to organize exhibitions around the theme HEARSAY:HERESY—a timely prompt in this age of fake news and ever raging culture wars, yet one that often manifested in decidedly Medieval aesthetics.
Models Abbey Parrish and Paris Roberts bring historic vintage pieces to life in a photo essay by Jill Fannon
Harmonious images of Baltimore created after six years, tens of thousands of photos, and thousands of miles on a bike with a camera.
The Guild’s original animating purpose—to encourage curiosity about clay, push craftsmanship, and, perhaps most vitally, sustain a community clay studio—continues to motivate its membership.
"I like to encourage them that this is yours; own it, own its greatness. I say there’s always a blessing in the lesson."
Canine Comfort: Our Art Dogs, a series of portraits of dogs in Baltimore-based artists' studios
"I wanted to convey the feeling of the isolation and emptiness of the space but also connection . . . almost like you’re falling in love with that stranger, or at least having an intense curiosity."
Culture Strike is essential reading for art museum professionals, board members, artists, and cultural community members
Nicole Dyer has an intimate knowledge of scarcity and overindulgence, and her exuberant canvases, papier-mâché sculptures, and installations explore the universal hunt for satisfaction through depictions of everyday products from the supermarket that surround us.
“Someone told me years ago, you have to be your biggest fan and always remind yourself of that when you’re in doubt.”
Cho describes herself as a convergence of art and science, an artist and environmental scientist who wants to blur the boundaries between her fields through her compelling acrylic paintings.
The National Aquarium in Baltimore is a place for our children to wonder, dream, and stare starry-eyed at a world much larger than their home.
“I do not have the collage without photography. There is no photography without community,” Wallace says.
By displaying contemporary works by African and diasporic artists with objects of historical measure into a setting for conversation, gatherings, and family, the Ojikutus have built a life around art devoid of the artificial distinctions that most museums have perpetuated for centuries