Magazine
Judy Chicago’s newest body of work gapes at catastrophe. In The End: A Meditation on Death and Extinction, on view at the National Museum of Women in the Arts through ...
It’s a subtle and quiet idea: photograph one place for a long while. Fair Lawn, Scott Opirhory’s book of photography and accompanying show at Full Circle Fine Art Services’ Gallery ...
After my fourth trip, I finally think I'm beginning to understand Miami Art Week. It's a microcosm of the art world and, when I close my eyes and think about ...
You know that weird feeling of panic you experience in a big-box store in the suburbs? When you look around a Walmart or Target and realize the sheer amount of ...
It's hard to believe Untitled Art Fair started in 2012, because the beachfront fair simultaneously feels young and new, but also institutional and grand. In many mental calendars, the curated ...
A prescient examination of the problems facing the delicate balance of our aquatic ecosystems.
Mera Rubell may be the only art collector in Miami who has ridden the city’s oft-forgotten metro. And she’s a fan.
Artist Richard “Rick” Cleaver is showing me the childhood snapshots of his husband, curatorial powerhouse George Ciscle, that he keeps pinned to the door of his home studio. “Why on ...
Institutional critique from women working in the arts on the importance of making lasting, structural changes rather than vague pronouncements on equity for women in museum collections.
Amber Robles-Gordon’s multimedia installation at the Nicholson Project delves into emotional and physical histories of the bodies of women of color in scientific and medical contexts.
This week: Larry Cook's Eternal Splendor at Galerie Myrtis, Expanded Dialogue at Guest Spot at the Reinstitute and MONOPractice, and C – Magnetic Cultures: Four Chinese Artists at Cardinal.
"For art to inspire, it must be seen,” Gregory and Atwell told me during an interview. “One of our greatest joys is sharing our collection and hopefully spurring further thought in young minds.”
Despite a generation between them, Phylicia and Edward Ghee share kindred qualities as artists and caretakers whose joy and resilience guide their paths.
In Zevel, Zachary Z. Handler creates a shrine to his experience growing up in the ‘80s and ‘90s.
As soon as we go inside, into the art and out of the heat, I can tamp down my existential climate dread and cynicism a bit.