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Three succinct reviews covering selection of contemporary sculptures, abstract paintings, and the boundaries of photography in Baltimore.
As BOPA continues to create new pathways to support Artscape and other major initiatives for the arts in the region through its strategic plan process, I hope that School 33 is brought back into the spotlight as one of Baltimore’s “Big Three” nonprofit exhibition spaces, where it belongs.
On taking things apart to put them back together
Smail’s carefully constructed work is built crisply, with shifting visual echoes.
Walking into one of Artise Fletcher’s textile workshops, which explore societal beauty standards and individual relationships to hair, audiences typically “come into it skeptical, not knowing what to expect,” she says.
The exhibition opens up the inexhaustible problems of the double, demonstrating how art is particularly well suited to explore them.
Featuring Jackie Andrews, Mara Colecchia, Nicole Dest-Forrester, Caitlin Duckwall, Luci Jockel, Andy Lowrie, Kerianne Quick, Sarah Parker, Risa Reyes, and Ashlee Wetta.
"Ex-tend, Ex-cess: Metamorphosis in Clay" is a compelling celebration of the versatility of ceramics. "fortune:folly" is a powerful and captivating show in which kelli rae adams explores and criticizes current financial systems.
How did a notoriously hard-to-grow fruit spawn a whole industry?
Considering the process of an art career in conjunction with creating good art is essential in achieving goals that might have previously been unattainable
By recontextualizing personal and universal experiences and focusing on artists who are Black, Indigenous, and people of color, the show presents an opportunity for other BIPOC artists to continue breaking the mold of what abstraction can look like: a fundamentally multifaceted form of expression.
Aesthetic intimacy shifts us from positions of consumer-consumable into the relational reciprocity that can shift the way we perceive art and artists.
No longer an athlete, or even a die-hard sports fan, Donahue is more concerned with the storytelling aspects of sports.
Walker hitchhiked to Baltimore at age 18 and fell in love with the architecture and culture of the city immediately.
The book's title, River’s Dream, comes from Hatleberg's desire for his child to be able to enter the same dream state of heightened perception he himself works in.