Visual Art

Visual Art

  Alexis Granwell's solo exhibition, Traces of Remains, on view in the Holtzman MFA Gallery at the Center for the Arts at Towson University, invites viewers to decode the works ...

Granted, she stands at a distance – and, granted, her clothes are virtually obscured by the dense thicket of flashlights and reflectors that hang improbably from her form, making her ...

Print/Collect is an ongoing arts project organized by Jennifer Coster, primarily funded by a $10,000 “Launch Artists in Baltimore” grant awarded to recent MICA alumni by the college.  Its inaugural ...

“They also serve who stand and wait,” John Milton once claimed, in a wrenching meditation on his premature blindness. It’s a sentiment that is evoked, as well, by Gregory Vershbow’s ...

A Review of the 2013 Exhibition of Sondheim Finalists by Ian MacLean Davis and Cara Ober

A Walters’ security guard summed it up when describing the ‘staying power’ of this year’s Sondheim finalists. “Visitors stay in certain rooms for a long time and the others, they ...

Oasis Places, the current exhibition at Maryland Art Place is the 10th Anniversary iteration of “Curator’s Incubator,” a professional development program for emerging curators. Initially established by former & long-time ...

 One More   Attention, paid Fifteen years after I first encountered (during an open studio tour at Yale in the mid-1990s), Tony Shore’s paintings on velvet, I can still recall ...

The insipid absurdity of the layout evokes unnatural treatment of organisms, and the allocation of visceral nature as decoration to be consumed.

Caitlin Cunningham's solo show at sophiajacob, informally referred to as "Tan Penis Island," is a carefully assembled collection of references around the subject of Tahiti and the insidious effects of Western hegemony, manifesting in a range of found ephemera and Cunningham's own constructed pieces.

“Movies are an empathy machine, drawing us into other lives, allowing us to identify with those of other races, genders, occupations, religions, income levels or times in history. Good films ...

Any curated show imposes various meanings – or elicits particular associations, or crafts a range of contexts: choose your wording – upon the involved works of art. But the BMA’s ...

"Do you ride?" I was asked this as a casual ice-breaker at the opening reception for "Motorcycles + Art," a group exhibition at Gallery 788 @ MAP last Thursday. It's ...

The work presented in "Jumbo Mumbo," Seth Crawford’s solo exhibition at Gallery CA, is hilarious and abrasive. It's funny like purchasing a fake nose at a novelty store only to ...

According to MICA, "Ashley Minner, who completed her BFA in General Fine Arts in 2005, her MA in Community Arts in 2007. and her MFA in Community Arts in 2011, ...

There are two distinct bodies of work included in this exhibition, markedly different in scale and visual temperament, but unified through process and medium.

Beginning in 2009, Baltimore painter Paul Jeanes drastically altered his approach to making art. Trained and encouraged as a representational painter, the works in "The Clearing" lay out a progression of ...

Terence Hannum is a relatively new artist in Baltimore, but he is already making an impression with a unique brand of mixed media work. After a solo exhibit at Stevenson ...

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