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Mini reviews of exhibits at the Glenstone Museum and the Baltimore Museum of Art
Much like the artist’s enduring body of work, the heart of 'Full Circle' is found in its layers.
"WHEN EVERYTHING IS POLITICAL, NOTHING IS / WHEN NOTHING IS POLITICAL, EVERYTHING IS"
Curated by Joe Tropea, Visions of Night: Baltimore Nocturnes at the Maryland Center for History and Culture beautifully and seamlessly integrates Baltimore nightlife of the past and present.
With 82 galleries representing 37 countries, the surprisingly compact fair is dense with content.
These arrangements are subtle and pleasing, though on closer inspection, starkly funny.
Kyrae Dawaun, Danni O’Brien, Alexander D’Agostino, Sharon Shapiro, Marisa Stratton, and Ju Yun each have an investigative approach to art-making and present new, invigorating works in their solo shows.
Fostel’s drawings are as much about what’s there as what’s not.
Flanked by ranks of Quattrocento holy figures, Stephen Towns’ protagonist feels at once at home and strikingly distinct.
Barber, David, and Dorman transport viewers to fictitious and prophetic scenarios of apocalypses and hopeful futures that suspend disbelief through immersion in surreal realms.
The intimate group show, Order and Uncertainty: Five Abstract Painters, features painters who share what curator Timothy App calls a classical impulse to bring order to abstraction: Power Boothe, the late Julie Karabenick; Patsy Krebs, WC Richardson, and Linling Lu.
The first object I meet immediately implicates me in a process of dismantling.
CENTENNIAL: On The Topic Of Now at Current Space, Open House: Art, Craft, and Domesticity at MICA's Decker Gallery, and a new art gallery/retail space in the former ICA Baltimore building on North Avenue.
Entering 2022, it is gratifying that this city's music is still full of such vitality.
Lauren Frances Adams, Mequitta Ahuja, LaToya M. Hobbs, and Cindy Cheng received significant project support from the BMA to create new bodies of work.