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343 results
Losing yourself in a good book is a timeless way to manage uncertainty, unease, and being cooped up in a house with the family and roommates that you love so, so, so much, but seriously can you just turn down the volume on your video games please?
You Wu and their art will undoubtedly survive any impending apocalypse.
Proprietary technologies and planned obsolescence collide to make data harder to extract once a file format is no longer supported, leading to a growing concern about the impact of this current “digital dark age.”
MICA Graduate Irene Woodbury shares her own experiences living with small children under quarantine in Venice during the Coronavirus Outbreak
All of these cancellations are, of course, in the best interest of everybody’s health, but especially those of us whose immune systems are less resilient or suppressed.
Grammy-level performances, beautiful decorations, hands-on art workshops, and 500 of Baltimore's best-dressed individuals
Nestled on a lively strip in Mount Vernon, Akwaaba House is an 18th-century, three-story building that exudes a love of Black life.
What if the observation, repetition, and cultivation of pleasure found in ornamentation were central to human existence?
Baltimore filmmaker Marnie Ellen Hertzler’s Crestone feels like a great piece of outré journalism. It found the sweet spot of making you feel as though you’re there watching something happen and commenting on it all only when necessary.
A less cloying way for “mainstream” movies to ponder #MeToo, an encouraging trend in Hollywood movies
BmoreArt's Picks: May 3-9 | This Week: 2020 Scholastic Art Exhibition at School 33, The Cliff Banquet presents Collective Dreaming at MICA BBOX, Helen Zughaib: Unfinished Journeys at Creative Alliance, and more!
The exhibition centers hope, humor, and ritual as humanizing strategies to investigate and negotiate the impacts of migration.
In Flourish, Malech's poems rarely alight anywhere near where they begin—often introducing unexpected themes into the fray.
What looks like a staid costume drama is more like if Chantal Ackerman got ahold of a Merchant-Ivory movie.
"The canon has purposely left out certain creatives and we’re trying to rectify that. Let’s not see this moment as a trend."