“joan cox”
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Updates from local media and Baltimore-based journalists
David was one of us, a crazy good art citizen. He leaves a bountiful legacy behind.
Kyrae Dawaun, Danni O’Brien, Alexander D’Agostino, Sharon Shapiro, Marisa Stratton, and Ju Yun each have an investigative approach to art-making and present new, invigorating works in their solo shows.
Ostermann’s visual art functions as a commentary on and celebration of celebrity culture and so-called feminine touches like roses and lipstick. Her paintings often mash up imagery of specific objects, like Kim Kardashian’s engagement ring, with stand-ins for fertility and farce, like sliced oranges
This week's news includes: Brittany Young steers B-360 into the future, Hammerjacks is back (again), a podcast profile of Espi Frazier, and more reporting from Baltimore Brew, Technical.ly Baltimore, INERTIA, and other local and independent news sources.
“Everything in this house represents the person, so every piece of art is an intimate connection to that artist,” Fostel says. “Having their work on our walls constantly keeps them in mind.”
Stay home, stay healthy, stay engaged in the arts.
This Week: Single Carrot Theatre's Is Edward Snowden Single?, BMA Violet Hour: The Monument Quilt, tet[R]ad closing reception at MAP, Jamie Grace Alexander, Rob Ferrell, and Abbey Parrish panel discussion presented by Gormley Gallery, The Peale presents Unmarked film screening, and more!
This Week: Justyne Fischer and Morgan Monceaux exhibition continues at New Door Creative, PRIDE month at Creative Alliance, BSO's Symphony in the City with Wordsmith at Patterson Park, C. Grimaldis Gallery hosts a reception for Ben Marcin, Katie Pumphrey and Ray Winder at the BMA, and more!
The Guardians at The Peale, Rapid Lemon Productions' at Motor House, BMA hosts Monica Ikegwu and Tawny Chatmon in conversation with Myrtis Bedolla, MAP's UNDER $500, Current Space Art Market, Station North Holiday Market, Chris Bathgate at Connect+Collect, A Wake at Area 405
Stay home, stay healthy, stay engaged in the arts.
Schmidt works at a tiny scale so that viewers to have to get close to his paintings, to have an intimate and “one-on-one relationship with the surfaces.''
Majolica Mania is the result of a near-constant effort by enthusiasts to get decorative arts curators to take this fantastical subset of ceramics seriously.
This year marks the 15th for Artscape's $25,000 Sondheim Prize