“joan cox”
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Due to insularity, technology, the art market, and a majority of writing about art, we now carry a bevy preconceived notions about the kind of art we are supposed to love, how to love it, and how it's supposed to make us feel.
This week's news includes: BMA acquires 162 new works, Pink Flamingos named the greatest, restaurants leaving the city, and more reporting from Baltimore Fishbowl, Baltimore Banner, Baltimore Magazine, and other local and independent news sources.
Updates from local media and Baltimore-based journalists
A range of strategies for beginning a collection-from how to conduct research, studio visits, payment plans, and the need for cultural ownership and preservation
This Week: Design Week at Good Neighbor, Greg Dohler, Chrissy Fitchett, Kei Ito, Erika Larsen, Rebecca Marimutu and Geoff Robertson in discussion at Catalyst Contemporary, Baltimore Jewelry Center's Summer Fundraiser, and more!
This week's news includes: Samuel Hoi to retire from MICA, Baltimore Jewelry Center awarded a TEDCO grant, BMA to exhibit Matisse etchings, Smithsonian galleries reopen, BSO welcomes Jonathon Heyward, and more...
This Week: George Ciscle moderates a panel discussing Maurice Berger and Fred Wilson, Form and Gesture group show opening at Silber Gallery, Erin Fostel solo show opening at C. Grimaldis Gallery, Valerie Cassel Oliver talk at Towson, Art for Ukraine at Current Space, and more!
Highlights from MICA's Grad Show III by A.F. Oehmke Grad Show III is currently on view and features work from the Community Arts, LeRoy E. Hoffberger School of Painting, Rinehart ...
It's like reality is bending.
Naeem considers her shift from law to art history, which had been an early passion, to be just that: a shift and not a U-turn.
Schmidt works at a tiny scale so that viewers to have to get close to his paintings, to have an intimate and “one-on-one relationship with the surfaces.''
Is there a way to bring much-needed investment to Greenmount West without displacing the artists?
“Everything in this house represents the person, so every piece of art is an intimate connection to that artist,” Fostel says. “Having their work on our walls constantly keeps them in mind.”
Updates from local media and Baltimore-based journalists
David was one of us, a crazy good art citizen. He leaves a bountiful legacy behind.