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Photos from Chelsea Galleries Friday, January 8

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Photos from Glittering Generalities at RSG, Brook [...]

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How Did You Do That? A Sculptors Inc. Exhibition [...]

Looking down on Chelsea from a rooftop vantage point… Gorgeous and cold, and so much going on. Took a walk to a few Chelsea galleries to have a peek at current shows.

At Mixed Greens, Howard Fonda “Squonk’s Tears”
531 W. 26th Street


At James Cohan Gallery, “Demons, Yarns, & Tales,” Tapestries by Contemporary Artists
James Cohan Gallery is pleased to present the exhibition Demons, Yarns & Tales featuring hand-woven tapestries created by thirteen internationally renowned artists, including avaf, Peter Blake, Gary Hume, Jaime Gili, Francesca Lowe, Beatriz Milhazes, Paul Noble, Grayson Perry, Shahzia Sikander, Fred Tomaselli, Gavin Turk, Julie Verhoeven, and Kara Walker. The exhibition was created by the London-based art organization, Banners of Persuasion, who commissioned each artist to design a tapestry, a medium foreign to his or her usual practice.












I stopped keeping track of where we were for a bit … in an art coma I guess…




… until we got to the Stephen Haller Gallery, where Nobu Fukui’s ‘mixed media on panel’ paintings really knocked my socks off. Gorgeous, frenetic, a bit ridiculous, and dense.









I fell in love with ‘Anna Jóelsdóttir, priest chews velvet haddock : A painting installation’ at Stefan Stux Gallery, too.











And last was an interactive, very full and overwhelming installation of image and text, complete with hundreds of framed sketchbooks in vitrines by Jay Schmidt and David Dunlap called “The Living Breathing Thing” at CUE Art Foundation.



Bye bye, New York. Lots of good art, but I am still glad I live in Baltimore.
Related Stories
Baltimore art news updates from independent & regional media

This week's news includes: BOPA names Lou Joseph as director, Andaleeb Badiee Banta leaving the BMA for NGA, AVAM exhibition highlights the Key Bridge, NGA announces acquisitions from Native American artists, new dates for Artscape, American Craft Council show returns to Baltimore, and more!

In the Artist's Solo Show at Swann House, Human Form Submits to the Wild

V. Walton's practice continues to address nature, ableism, and racism, but the sculptures shown in Terra and their relationship to one another probe our understanding of the human body while situating that body as part of a greater, mysterious whole.

The best weekly art openings, events, and calls for entry happening in Baltimore and surrounding areas.

This Week: Joyce J. Scott + Josh Franco in conversation at SAAM, Wye Oak Lecture Series at MCHC, Edgar Reyes and valentina at Connect+Collect, Maryland Opera at St. Paul's, Charm City Craft Mafia's Holiday Heap, Current Space Art Market, Baker Artist Portfolios Literary Spotlight, and more!

December exhibitions that provide hope, insight and inspiration, centered specifically in the past, present and future of Baltimore

As we head towards 2025, it's worth remembering that artists see the future in ways the rest of us don’t, so we have to keep our attention focused on them so we can find new sources of strength and solidarity.

Reading

Photos from Chelsea Galleries Friday, January 8

Previous Story

Photos from Glittering Generalities at RSG, Brook [...]

Next Story

How Did You Do That? A Sculptors Inc. Exhibition [...]

Looking down on Chelsea from a rooftop vantage point… Gorgeous and cold, and so much going on. Took a walk to a few Chelsea galleries to have a peek at current shows.

At Mixed Greens, Howard Fonda “Squonk’s Tears”
531 W. 26th Street


At James Cohan Gallery, “Demons, Yarns, & Tales,” Tapestries by Contemporary Artists
James Cohan Gallery is pleased to present the exhibition Demons, Yarns & Tales featuring hand-woven tapestries created by thirteen internationally renowned artists, including avaf, Peter Blake, Gary Hume, Jaime Gili, Francesca Lowe, Beatriz Milhazes, Paul Noble, Grayson Perry, Shahzia Sikander, Fred Tomaselli, Gavin Turk, Julie Verhoeven, and Kara Walker. The exhibition was created by the London-based art organization, Banners of Persuasion, who commissioned each artist to design a tapestry, a medium foreign to his or her usual practice.












I stopped keeping track of where we were for a bit … in an art coma I guess…




… until we got to the Stephen Haller Gallery, where Nobu Fukui’s ‘mixed media on panel’ paintings really knocked my socks off. Gorgeous, frenetic, a bit ridiculous, and dense.









I fell in love with ‘Anna Jóelsdóttir, priest chews velvet haddock : A painting installation’ at Stefan Stux Gallery, too.











And last was an interactive, very full and overwhelming installation of image and text, complete with hundreds of framed sketchbooks in vitrines by Jay Schmidt and David Dunlap called “The Living Breathing Thing” at CUE Art Foundation.



Bye bye, New York. Lots of good art, but I am still glad I live in Baltimore.
Related Stories
Baltimore art news updates from independent & regional media

This week's news includes: BOPA names Lou Joseph as director, Andaleeb Badiee Banta leaving the BMA for NGA, AVAM exhibition highlights the Key Bridge, NGA announces acquisitions from Native American artists, new dates for Artscape, American Craft Council show returns to Baltimore, and more!

In the Artist's Solo Show at Swann House, Human Form Submits to the Wild

V. Walton's practice continues to address nature, ableism, and racism, but the sculptures shown in Terra and their relationship to one another probe our understanding of the human body while situating that body as part of a greater, mysterious whole.

The best weekly art openings, events, and calls for entry happening in Baltimore and surrounding areas.

This Week: Joyce J. Scott + Josh Franco in conversation at SAAM, Wye Oak Lecture Series at MCHC, Edgar Reyes and valentina at Connect+Collect, Maryland Opera at St. Paul's, Charm City Craft Mafia's Holiday Heap, Current Space Art Market, Baker Artist Portfolios Literary Spotlight, and more!

December exhibitions that provide hope, insight and inspiration, centered specifically in the past, present and future of Baltimore

As we head towards 2025, it's worth remembering that artists see the future in ways the rest of us don’t, so we have to keep our attention focused on them so we can find new sources of strength and solidarity.