BmoreArt

This year, dozens of curators were invited to organize exhibitions around the theme HEARSAY:HERESY—a timely prompt in this age of fake news and ever raging culture wars, yet one that often manifested in decidedly Medieval aesthetics.

Harmonious images of Baltimore created after six years, tens of thousands of photos, and thousands of miles on a bike with a camera.

Culture Strike is essential reading for art museum professionals, board members, artists, and cultural community members

A throng of Baltimore people protected stage divers from being hurt, allowing the brave and die-hard fans to leap into a sea of fans and surf in ecstasy and glory.

"I wanted to convey the feeling of the isolation and emptiness of the space but also connection . . . almost like you’re falling in love with that stranger, or at least having an intense curiosity."

Canine Comfort: Our Art Dogs, a series of portraits of dogs in Baltimore-based artists' studios

"I like to encourage them that this is yours; own it, own its greatness. I say there’s always a blessing in the lesson."

What does the future hold for those venues, bars, and clubs that facilitate the communion of music and crowd?

“Someone told me years ago, you have to be your biggest fan and always remind yourself of that when you’re in doubt.”

Like a good therapist, Populoh’s inquisitive nature gets anyone in conversation with her to view the world from a new perspective.

Largely self-taught, Beale now mostly allows her intuitive process to guide her from design to realization of new pieces.

Lucien’s work is an investigation of how everyday materials can function as metaphors recalling an absence or intimacy of the human body

Gatewood's photos function as moments of healing, which build up to create a more conscious future.

The founder of Taharka Brothers, Sean Smeeton, was my dad’s mentor when he was a teenager.

“Everything that he did was going to be honoring the craftsman and artist,” says Golpira. “He always said to me, ‘Artists shouldn’t be on the edge of town... We’re primary to society. We should be in the center of town.’”

In 2020, Lawrence and Darryl outgrew their studios, and decided to lease a space together in the newly renovated Art@520 building in Old Town.