BmoreArt

The 2025 Sondheim Exhibit of finalists emphasizes the evocative power of materials in five mini solo exhibits.

Claire McCardell: The Designer Who Set Women Free is the first comprehensive look at the life and career of the woman who redefined women's clothing.

In curating CoatTails, Cornelia Stokes demands that conversations about fashion must reflect the nuances and diversity of Black experiences.

"Politics have always been intertwined with music. I don't feel there's more of it now; it depends on what's happening in the world at any given moment." -Tommy Rouse

“We’re teaching from the inside out by really getting down deep into the issues that are keeping [students] from who they really want to be and translating that to the stage but also translating it to daily life."

The performances, and videos in 'Paradise Portals,' are illustrations of human struggle, which despite the many forms our storytelling takes as a species, is the thing our work always comes back to.

In Issue 19, we celebrate Baltimore’s “hidden gems” through the stories of individuals and organizations often operating below the public radar but making a solid contribution to city life.

Future Ghost, a Queer performance collective that is the brainchild of Lyam B. Gabel and Joseph Amodei, created the production out of a desire to bring light to not just the disease, but to the people who experienced and lived through this uniquely disastrous phenomenon.

In curating CoatTails, Cornelia Stokes demands that conversations about fashion must reflect the nuances and diversity of Black experiences.

In Upendo's latest album "For the Love of it All" the band brings experience and heritage to new compositions.

A lighting ceremony for Charlton's work at the North Avenue Market, was hosted with big crowds, programming, and performances.

This month, storied art publisher Phaidon ships a hefty tome dedicated to one of the city's most overlooked (but important) photographers, who immortalized a sleazy queer Baltimore that no longer exists.

Ludlam wrote the play in the 1980s, and the current production at Everyman Theatre proves the genre has resonated for not only decades but centuries—still just as luridly, in this case also hilariously, entertaining. 

On the heels of a successful solo show, we catch up with Zody Burke to talk about her upcoming show in New York, an experimental studio practice, and the pitfalls of getting lost in translation as an American artist in Europe.

Judah Adashi hated the idea that Freddie Gray would be forgotten to most people, especially in Baltimore. Through music and art, he wanted to change that.

What happens when two women, each born into royal circumstances with claims to the throne of England, grow up to become bitter rivals? We have the makings of an imperial tale of political and religious intrigue that is as riveting now as it must have been almost 500 years ago.