BmoreArt

This show is richly rewarding, due in large part to a range of rarely seen objects and some truly clever juxtapositions.

By displaying contemporary works by African and diasporic artists with objects of historical measure into a setting for conversation, gatherings, and family, the Ojikutus have built a life around art devoid of the artificial distinctions that most museums have perpetuated for centuries

In her practice as a creative director, curator, and writer, Tiffany Auttrianna Ward asks questions about archives, storytelling, endurance, and existence in both physical and digital space, exploring themes of migration, identity, Blackness, and womanhood.

Is there a way to bring much-needed investment to Greenmount West without displacing the artists?

Tsucalas's work is punctuated with razor-sharp compositions, a curious sensitivity, and a plucky sense of humor, both romantic and critical.

Young is a Baltimore native and founder of B-360, an organization designed to enhance STEM education, engage community, and strengthen the workforce, all through the beloved pastime of dirt bike riding and maintenance.

Through his work, Chyno constructs better realities not only for himself but for many other people in this city.

Sohn uses commercial ceramics techniques overwhelmingly used to create uniform multiple objects, and experiments with the process at various stages to create unique objects that can’t be mass reproduced

The scenes are distorted and dreamlike, and Munroe knows just when to stop and let the material do the work.

Tsedaye Makonnen focuses her work in particular on people migrating from Africa across the Atlantic Ocean and Mediterranean Sea, historically and in the present day, drawing parallels between the two.

The wolves feel like stand-ins for Americans, full of desire for the traditional trappings of empire while simultaneously feeling empty and repulsed by the barren world that surrounds us.

Each piece selected and displayed within the walls of the Walters—an institution with its own admitted history of othering and white supremacy—reveals the evolution of an artistic practice by a multidimensional creator making multidimensional work.

Largely self-taught, Beale now mostly allows her intuitive process to guide her from design to realization of new pieces.

Lucien’s work is an investigation of how everyday materials can function as metaphors recalling an absence or intimacy of the human body

Fulton wants Sophomore to be a place for people to have experiences—some of them hopefully a little more profound than my remembrance of being sweaty and late—a place where friends can gather and conversations can be sparked.

Painter Monica Ikegwu’s goal is to take “ordinary people and make them into art in the ordinary clothes that they're wearing.

In 2020, Lawrence and Darryl outgrew their studios, and decided to lease a space together in the newly renovated Art@520 building in Old Town.

Overwhelming in every sense and incredible in scale, scope, and color, the Orbis Tertius -Hlaer-to-Jangr exhibition at ICA Baltimore is a feast for the senses.

The founder of Taharka Brothers, Sean Smeeton, was my dad’s mentor when he was a teenager.

Taking over an entire floor of the museum, the show is a massive undertaking that showcases 100 works in a survey spanning Clark’s career.