Cara Ober is an artist, arts writer, curator, and the founding editor and publisher at BmoreArt, Baltimore's art and culture magazine. She writes regularly about artist, museum, and material culture, with emphasis on context and subtext in the art world. In 2019, she was awarded a Rabkin Art Writers Grant and was commissioned by the Warhol Foundation to write "Artspeak and Audience" for Common Field's Field Perspectives Series. In addition to her regular writing and editing for BmoreArt, Ober has published articles in Vulture: New York Magazine, Hyperallergic, Burnaway, Art Papers, ARTnews, and The Baltimore Sun. Cara has taught classes and lectured at MICA, Johns Hopkins, American University, UMBC, and Goucher College. She holds an MFA in painting from MICA and a degree in fine arts from American University. You can email her at firstname.lastname@example.org. (Photo Credit: Grace Roselli via her Pandora's Box Project portrait series)
Stories by Cara Ober
The new plan will direct significant increases to smaller and midsize arts organizations and make cuts to the major institutions who have historically received the lion’s share of state funding.
Lisa Yuskavage’s porn-inspired, rainbow-hued paintings of women in fantasy landscapes are featured at the BMA through Sept 19 in Wilderness, a survey show co-organized with the Aspen Museum of Art