Magazine
Rosa Leff's self-taught paper-cutting practice began at her dining room table
Buy a $50 print by a Baltimore-based artist and support the MD Food Bank
A discussion with five Baltimore-based artists whose art practices have been affected by coronavirus
The coronavirus crisis has affected everything, from world geopolitics to our small art worlds, says the Venezuelan artist and MICA MFA candidate
FOLLOWING is a series of profiles and interviews of the art world social media accounts that make us think, laugh, cry, love, or sometimes just “like.”
The antidote to the greed and selfishness that got us all here is kindness and compassion. They say that begins at home. Lucky us.
Look no further than these Baltimore- and DC-based galleries and artist-run spaces currently selling affordable art.
We all expended a tremendous amount of labor—myself, the artists, art handlers, the gallery director, friends, family—to get the show open. And now, the result of COVID-19 is that effort sits in a gallery unviewed.
We are living through a major historical event and it's essential that we record our experiences.
Craft materials, like art materials, need to be utilized to generate new and personal meanings that have relevance, that also engage with the world of ideas.
We now know that this will be a matter of months, rather than weeks: the Cleveland Museum of Art has already canceled all programming through the end of June, and the Metropolitan Museum of Art expects to remain closed at least through July.
He could have easily written beautiful and empty things, instead his life's work was naming racism and calling out the art world’s whiteness.
You Wu and their art will undoubtedly survive any impending apocalypse.
All of these cancellations are, of course, in the best interest of everybody’s health, but especially those of us whose immune systems are less resilient or suppressed.
What if the observation, repetition, and cultivation of pleasure found in ornamentation were central to human existence?