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"The different traditions are also not the only things coming together. There is also the integration of modern and traditional art forms."
Beats Not Bullets, the brainchild of Kevin “Ogun” Beasley, was started six years ago as a way to teach students in Baltimore how to produce and create music.
For Woody, music and community are one and he strives to make music that “sounds like my city.”
In the 1990s, ballroom dance organizations adopted the term Dancesport in a global effort to be a part of the Olympic games.
Entering 2022, it is gratifying that this city's music is still full of such vitality.
After almost a year’s search, Creative Alliance announced its new executive director this week.
For the team behind Creative Alliance, building trust is an ongoing process.
Nearly 40 years ago, Baltimore School for the Arts started an annual winter tradition to perform the Tchaikovsky's Nutcracker featuring high school and TWIGS dancers in the BSA’s grand ballroom.
Around the end of August, Double Dagger announced their two-date shows at Ottobar and Current Space as a “once in a decade” event that would only be held in Baltimore in mid-October.
A discussion with Laure Drogoul about her show at Maryland Art Place and the 14 Karat Cabaret, an “Exquisite Corpse Manifest”
BmoreArt interviewed Barber over email about addressing violence, the fraught usage of animals as metaphors, shapeshifting concepts of “justice” and “community,” and more.
Mdou Moctar's music carries memories through traditional guitar rhythms, a fusion between the desert nomads and modern diaspora.
Color-saturated images of favorite Baltimore-based bands inspired by fashion, design, and art
"I’m inspired by these musicians that weren’t satisfied with the presenting platforms or ensembles that existed, so they just created new ones."
A throng of Baltimore people protected stage divers from being hurt, allowing the brave and die-hard fans to leap into a sea of fans and surf in ecstasy and glory.