Reading

Review of Eleanor Farley: Act A Fool at Open Space by Sean Ostrowski

Previous Story

A Visit to MICA’s National Portfolio Day by [...]

Next Story

Baltimore Art Events and Openings December 12  [...]


Eleanor Farley’s Act A Fool at Open Space is a collection of pieces assembled from toys, colorful building materials, bits of trash, the artist’s hair, and a lot of glitter. The variety of sculptures, photographs, collages and paintings are a frantic assembly tittering on the edge of collapse, which hides behind a veil of saccharine sweetness. Farley states her work “uses humor to focus on what it means to build and sustain upon an imperfect foundation.” Notable pieces include: a bulbous mass covered in pink glitter supported by a single stiletto heel, a jet black statue with Farley’s ponytail hanging from it, an archway shaped to fit a human silhouette, and a photo series of a model with large happy faces painted on her naked body.

Entering the show for the first time, a smile comes instantly. Farley’s work has an entertaining wit where surprises are found as often as the sparkles. This can be contributed to her transformation of the everyday materials she uses. Some of the most satisfying pieces in the show are Farley’s collages. The row of partly assembled, partly exploded collaged images sit on a small shelf, aside from the main gallery. Plastic toys, paint, labels, and decorative scrapes are stuck to the backs of used packaging. Overall, these pieces encapsulate the aesthetic of the show, capturing the moment when the joy ride turns to nausea.

It may be here that Act A Fool takes a sharp turn. Somewhere during the show a double take happens. The room spins. The stiletto is being crushed under weight of something grown out of control. That blonde ponytail hanging off a pointed rock becomes unsettling. A bitter taste emerges under the rapidly dissolving candy coating. Are the cheerful faces on the model calling attention to expectations placed on body image?

Farley’s show creates an environment in constant collapse. It never really falls apart, but is never truly supported. Act A Fool functions as a darkly humorous critique of a culture that is quick to notice its faults, but not willing to fix them.

Act A Fool is being held at Open Space Gallery until Dec. 22. See it at Open Space’s open hours on Fridays, Saturdays and Sundays.

Author Sean Ostrowski is a MICA Graduate and Baltimore-based Designer, Artist, and Writer.


Related Stories
Bringing the Life and Legacy of Baby Laurence to Stage

It is late February 2025, the premier night of The Baby Laurence Legacy Project: Tracing Steps, Ali’s epic two-hour performance three years in the making, yet as the interdisciplinary artist begins to dance, I can feel the separative notions of time and place bend to the summoning of her feet.

Baltimore art news updates from independent & regional media

This week's news includes: Artscape updates, Trans Visibility quilt displayed on the Mall, Preakness past and present in photos, Joyce J. Scott receives honorary doctorate from UB, John Waters weighs in on Carly Hayden's firing and how to (mis)behave at his book signings, Guns of Steel, and more!

"the dance floor, the hospital room, and the kitchen table" revisits the AIDS Crisis with Candor and Courage

Future Ghost, a Queer performance collective that is the brainchild of Lyam B. Gabel and Joseph Amodei, created the production out of a desire to bring light to not just the disease, but to the people who experienced and lived through this uniquely disastrous phenomenon.

Party Photos from BmoreArt's Release for Issue 19 on May 15

In Issue 19, we celebrate Baltimore’s “hidden gems” through the stories of individuals and organizations often operating below the public radar but making a solid contribution to city life.