Reading

Photos from the FAX exhibit at the Contemporary Museum

Previous Story

Photos from Pamela Phatsimo Sunstrum’s R [...]

Next Story

Photos from David Page’s Fall Solo Exhibit [...]


I have to admit, the FAX show at the Contemporary Museum in Baltimore was a lot more fun than I expected. I don’t own a fax machine, let alone a phone line, and I suspect many people are in the same boat, so this is the first ‘challenge’ that participating artists had to deal with. The second challenge of the exhibit is learning to ‘think’ in fax machine language. How do you make an image ‘read’ clearly via fax machine? What kinds of images actually look cool after being faxed?

Most traditional artwork is going to look super lame undergoing this transformation, so artists had to accommodate. The strongest, most appealing faxes were bold graphics with funny, and often political, messages. Freed from the pressure to make something pretty or saelable, the artists in this show (caveat: myself included) resorted to other means: tools like printers and copy machines replaced paint and paper, and unnecessary details were eliminated in order to make way for the kinds of ‘happy’ accidents and marks that a fax machine makes.



Contemporary museum director Irene Hoffman and RRR!


Faxes by Soledad Salame

… canoodling with Peter Boyce


The faxes will keep rolling in until the show ends on December 20, 2009. I would suggest visiting on more than one occasion, to see the accumulation grow in the next few months. Also, this means if you are one of those flaky (ahem) artists who forgot to fax your work in time for the opening, no problem! Keep faxing ’em in and hope the Contemporary doesn’t run out of paper.

Faxes by Tauba Auerbach
Faxes by Julieta Aranda


The Contemporary Museum’s Fall Season: FAX
September 12 – December 20, 2009

FAX is a traveling exhibition co-organized by The Drawing Center, New York, and iCI (Independent Curators International), New York, and circulated by iCI. The guest curator is Joao Ribas. The exhibition and the accompanying catalogue were made possible, in part, by members of the Drawing Room, a patron circle founded to support innovative exhibitions in The Drawing Center’s project gallery; and by support to iCI from The Horace W. Goldsmith Foundation, and iCI Benefactor members Agnes Gund, Gerrit and Sydie Lansing, and Barbara and John Robinson.

Related Stories
After 180 applicants, Baltimore's last five mayors have selected their choices for official portraits by Baltimore-based artists

The Baltimore Mayoral Portrait Competition has selected Ernest Shaw Jr., Kennedy Ringgold, Gaia, Megan Lewis, and Karen Warshal for $20,000 commissions

Baltimore art news updates from independent & regional media

The Walters' new podcast "Free Admissions," Central Baltimore Partnership (CBP) and Johns Hopkins University (JHU) unveil new plan for Station North, Baltimore Center Stage announces their new season, Baltimore Youth Film Arts funding falters, and more!

A Conversation with the Multimedia Artist and Activist on Her Dear Black Girl Project and the Power of Making Space for Community

"I was raised by a village and grew up in a multicultural environment, so community is the secret to my work's success."

The best weekly art openings, events, and calls for entry happening in Baltimore and surrounding areas.

City of Artists II at Connect + Collect; Jason Patterson and Thomas James in conversation at Banneker-Douglass Museum; opening reception for Heejo Kim & Markus Baldegger at Grimaldis Gallery; Bromo Art Walk + After Party; Andrew Thorp at Hotel Indigo, and more!