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Family traditions, community education, cultural preservation, and storytelling have influenced Cheatam and Flounders' work and inspired the creation of Islam & Print.
For Chabwera, painting is an opportunity to turn inwards and reflect on the mind, body, and self. She then gradually externalizes those reflections through a singular piece or series.
"I was raised by a village and grew up in a multicultural environment, so community is the secret to my work's success."
Shared commercial kitchens have long been used to create positive economic, environmental, health, and social effects for communities—a mission that Our Time Kitchen hopes to foster in Baltimore.
While the atmosphere on the Water Taxi was decidedly leisurely (it was a sunset cruise, after all), the underlying excitement was unmistakable. A constant flow of folks congregated around the book display even when the initial rush had passed.
At 24 years old, Tyler is a prolific musician, producer, and festival organizer.
“The imprints of elemental properties inherent to ceramics fired in a wood kiln often yield mesmerizing finishes; it almost adds a fourth dimension to the artworks.”
Like his artwork, Alli offers a glimpse into the boundless potential of the human imagination.
There is an interesting juxtaposition between the medium of tintype and the subject of refugees. Volkova’s project aims to fix, however momentarily, a population defined by movement—people dislocated by war.
For the second annual Baltimore MET Gala, the stylish elite took on the theme of the four elements: earth, air, fire, and water.
In the spirit of the store and the promise of second chances, we asked members of the Second Chance team to share a bit about their current favorite objects in the store.
Frazier and Griffin's shared vision has made possible a series of narrative works that bring otherwise overlooked corners of Baltimore to the forefront of public attention.
As Union Market’s newest edition, Chela Mitchell’s savvy, self-reliant approach is a graceful affront to the status quo.
There’s a chance one of Graham Coreil-Allen’s artworks has saved your life. Coreil-Allen’s collaborative “painting” practice—colorfully cascading across sidewalks, asphalt, and other infrastructure—is as much about the objective probability of preventing deaths as subjective aesthetics.
Mobtown is about more than just connecting with a dance partner, it’s about connecting with the city you live in and the people around you.