Stories by C.M. Watts
In the Artist's Solo Show at Swann House, Human Form Submits to the Wild

V. Walton's practice continues to address nature, ableism, and racism, but the sculptures shown in Terra and their relationship to one another probe our understanding of the human body while situating that body as part of a greater, mysterious whole.

Dismantling the Monolith

Multiplicity is not a show about Black collage, it’s about Blackness in American collage which is entirely different.

Chela Mitchell Gallery

As Union Market’s newest edition, Chela Mitchell’s savvy, self-reliant approach is a graceful affront to the status quo.

Sadie Barnette's New Eagle Creek Saloon at STABLE Arts is a commemorative installation named for the first multi-racial queer bar in San Francisco, operated by Barnette’s father, Rodney from 1990 to 1993

If this spirit of pride and activism can permeate multiple communities across geographic locations, gaining collective mass, what can be said for our ability to harness that power to shape the future?