In the Artist's Solo Show at Swann House, Human Form Submits to the Wild
V. Walton's practice continues to address nature, ableism, and racism, but the sculptures shown in Terra and their relationship to one another probe our understanding of the human body while situating that body as part of a greater, mysterious whole.
Dismantling the Monolith
Multiplicity is not a show about Black collage, it’s about Blackness in American collage which is entirely different.
Chela Mitchell Gallery
As Union Market’s newest edition, Chela Mitchell’s savvy, self-reliant approach is a graceful affront to the status quo.
Sadie Barnette's New Eagle Creek Saloon at STABLE Arts is a commemorative installation named for the first multi-racial queer bar in San Francisco, operated by Barnette’s father, Rodney from 1990 to 1993
If this spirit of pride and activism can permeate multiple communities across geographic locations, gaining collective mass, what can be said for our ability to harness that power to shape the future?
The DC-based artist's new work explores community through reclaimed cultural practices around music and dance.
Born in Puerto Rico and raised in Arlington, VA, Robles-Gordon returned to exhibit her work in San Juan, but the trip inspired a performance as the focus for her latest project
A Review of 'Called to Create' at the National Gallery of Art
Highlighting 40 new acquisitions and the power of potential.
Phylicia Ghee’s 'Liminality: Midwifery and the Sacred Womb' at The Nicholson Project
After a residency at The Nicholson Project in DC, Ghee created a container for intergenerational inquiries about care and caregivers
A Curator Carves Out Space for artists at the Black Artist Research Space
Established in 2020, BARS is a haven for Black artists and culture movers that exists far beyond its own walls and expands in every direction.
Gilliam, who died on June 25, had an artistic practice dedicated to the interrogation of self and spirit
Much like the artist’s enduring body of work, the heart of 'Full Circle' is found in its layers.
Joseph Orzal and his team envision a departure from the art-world machine
It all started in a DC living room eight years ago.
