Rebekah Kirkman is BmoreArt's Managing Editor. An artist, writer, and editor, Rebekah moved from Florida to Baltimore in 2010 to study painting at MICA. She worked for the Baltimore City Paper as visual arts editor, intern manager, and fact-checking coordinator from 2014 to 2017. She writes criticism, essays, and profiles with a strong interest in social/political concerns surrounding the arts. Her freelance work has appeared in the Baltimore Beat, Baltimore Fishbowl, The Outline, and elsewhere. Email Rebekah to talk about editorial stuff at email@example.com.
Stories by Rebekah Kirkman
The horror and trauma here are more implicit and embedded into the place, more chronic than acute, and all too familiar.
A group of former trustees and members of Baltimore Museum of Art’s accessions committees sent a letter to Maryland Attorney General Brian E. Frosh requesting that their offices investigate the BMA for its recent decision to deaccession three major works.
MICA faculty assert that the pandemic has magnified longstanding problems, and the Board of Trustees responds
Ubaldo gave Reem no stipulations; he just wanted something that felt "empowering" and true to Reem's style.