Reading

Unconventional Skateboarding at Zeakness Festival

Previous Story
Article Image

The Internet is Exploding: 10 Must-Read Articles [...]

Next Story
Article Image

BmoreArt’s Picks: June 13-19

Since I migrated to the States six years ago, Baltimore has given me a state of flow, whether it be indie art or skateboarding. Being a part of both skateboarding and music communities, I have noticed the potential of multi-purpose spaces, especially non-traditional DIY venues. In a variety of cities, commercial development of urban spaces homogenizes and consumes, effectuating the accumulation and decay of unused space. In Baltimore, a DIY practice is a way for creative communities to push back against spatial homogeneity and capitalism; it’s a way to practice spatial diversification and this informal process has been reproduced, transferred, and utilized from generation to generation.

From my own perspective, DIY skateboarding has been a great motivation and unifying factor in a number of independent events and projects, convincing small groups to utilize spaces seen by most others as a wasteland.

When Zika Farm started in 2016, the people who were involved in this project had witnessed two other DIY spots, Shrimptown and Bell Foundry, being torn down. The group of skaters assembled in Baltimore call themselves “Farmers” and they have been building various features ever since: shapes of concrete and metal filled with cinder blocks, rocks, empty beer cans, waste, and dirt. Now the Zika Farm has evolved into more than a skate spot. It hosts music shows, late night DJ sets, [art] farmers’ markets, and invites artists to paint or install their work. It is a place for people to create and practice what we call “having fun.”

The first event at Zika Farm this year was the skateboard contest, Zeakness. The name was inspired by Baltimore’s famous American thoroughbred horse race, the Preakness Stakes. Held on May 27, the focal point of Zeakness was the wooden Mega Ramp that had been built (it took less than two days) for one of the event categories.

Many skaters were eager to climb up to the top of the ramp to experience the excitement of skating this enormous feature. Regardless of success or failure, everyone on the scene cheered for them as long as they dared to try. Surrounded by the vibe of this unconventional skateboarding contest, “competition” was not the focus, but whether you enjoyed it and experienced all the fun the DIY space brings.

 

Photos by Brad Ziegler and Josh Sinn.

 

Photo by Brad Ziegler
Building the miniramp in 2022, Photo by Brad Ziegler
Photo by Brad Ziegler
Photo by Brad Ziegler
Photo by Brad Ziegler
Photo by Josh Sinn
Photo by Josh Sinn
The contest categories include Mini Ramp, Death Race, Big Qp, and Megaramp, Photo by Josh Sinn
Nico Trevizo, Photo by Brad Ziegler
Photo by Brad Ziegler
Pro skater, Rodney Jones, photo by Brad Ziegler
Photo by Brad Ziegler
Shane Mills, Photo by Josh Sinn
Related Stories
From Concrete to Colorful

By working at such a large scale to cover not only walls, but at times the ground, ceiling, and pieces of furniture, Jessie and Katey are able to transform the surrounding environment, often gray and concrete, into an immersive chromatic experience.

A Decade of the New-York-Based French Artist's Work Bellows in a New Baltimore Art Venue

With Babble, Babble, a provocative gathering of a decade’s worth of his work, Antoine Catala (Toulouse, France, b. 1975) powerfully orchestrates a dystopic display of language as a failed tool for human understanding and community.

MAP's Annual Survey of Recent MFA Grads Places Artists from UMD, UMBC, and MICA in Discourse

This iteration of MAP's annual showcase of new regional talent reminds us why seeing artworks and artists in-person is vital, sprawl be damned. The exhibition closes Saturday, September 7.

Gallery Shows Perfect for Autumm's Back to School Attitude

Summer '24 at C. Grimaldis Gallery, Monica Ikegwu at Galerie Myrtis, Inaugural Exhibition at The Crow's Nest, Balancing Acts at The Peale, and Esther Kläs at CPM Gallery