A Conversation With One of the Most Acclaimed Jewelry Designers and Artisans of Our Time
"My work is naturally African informed, but it's not intentionally created to look like Africa. It is meant to be a reminder of an origin outside of the constructs and the labels that have been placed upon us as people of African descent."
In "Ersatz Strata" at Estonia's Temnikova & Kasela Gallery, the Myths, Museums, and Materials of the Anthropocene Get Remixed
"Ersatz Strata," Burke and Zetterholm’s triumphant two-person show (on view through August 15) is itself largely about parodying the myth of “objectivity” in the ways artefacts or artworks are presented, framed, and viewed in institutional contexts—and how they might be in the future.
The Phillips Collection Presents a Survey of Joan Miró's Relationship with a More Optimistic America
On Friday, June 26, from noon to 1 p.m. join Phillips Curatorial Assistant Grace McCormick for a talk exploring the contributions and influence of women artists within the exhibition and the broader artistic networks surrounding Joan Miró.
Cave Presents Seven Recent Works at the 61st Venice Biennale
Among myriad works in In Minor Keys that touch on loss and care, ornament and protest, violence and healing, or the body and nature, Nick Cave’s figurative bronzes are the central cast of this grand mise-en-scène.
"Rob Wants to Make People Happy; He Aims to Please" is on View at von ammon co. This Month
"Every act of art feels like a resurrection to me.... an act of trying to bring it to life, like Frankenstein trying to breathe life into his monster. I only feel something is complete when it goes from a flat line to having some heartbeat."
Originally from Baltimore and now based in LA, Smith is an abstract painter and sculptor who manipulates mountains of fabric.
“All my creativity, spirituality, and skills that I utilize today—and wherever I go—came from Baltimore,” Smith says.
A Conversation with the Artist Ahead of His Upcoming Exhibition at Erin Cluley Gallery in Dallas, Texas
"Star-Crossed: Recent Works by René Treviño" opens at Erin Cluley Gallery in Dallas, Texas on February 21 with a reception from 5–7 pm
Pop Nostalgia and Melancholy Technicolor Criticality Collide with the American Fever Dream
Da Corte has several ambitious mixed-media installations presently on view at Glenstone—injecting an unexpected bit of kitschy neon suburban dystopia into the bucolic institution's minimalist halls. It's a show worth the pilgrimage.
"The Hour Of The Dog" and the Politics of Enmity at the BMA
If official security doctrine dreams of a purified nation, sealed against contamination, "The Hour of the Dog" insists on mixture, residue, and relation. It asks us to remain in the twilight—to resist the comfort of absolutes, to listen again, and differently, to voices that refuse to fade.
The Miami Beach Fairs You Might've Missed Served Sleazy, Sexy, DIY Vibes and Accessible Art
An Interview with the Painter on her ABMB Debut with Galerie Judin
Blending vampy slasher-flick theatrics with Pettit's classically-trained skill, it's a weird, fitting entrance to Galerie Judin's booth—which we've affectionally been calling "the one with the spooky girls."
A Millefleur Shuffling of Galleries, Prices, and Fresh Blood
I must admit, I did not see this millefleur zeitgeist coming like a tsunami.
The Best Shows, Parties, and Tips to Make the Most of Art Week
Let's highlight satellite events and the locals on the front lines of the culture wars who’ve always given the global artworld a hearty bienvenida. Here are my picks for a week jam-packed with the best of Miami flavor, helpful travel tips, and suggestions in Magic City's art scene.
A Baltimore context imbues the exhibition with the feeling of an ecclesiastic gathering of old friends, a family reunion, a sacred circle.
A quintessentially modern American painter, Sherald employs centuries-old painting techniques in order to arrive at images that belong in the art historical cannon
Nimble, Collaborative, and (Almost) Global—The Kids are Alright
Robin Vuitch—a proudly self-described “MICA dropout”—wins the prestigious Premi Fundació Úniques, a new director thinks a more collaborative artworld can survive market turbulence, and fair highlights.
The 2025 Armory Show VIP Preview in Photos, featuring two Baltimore-based Galleries
Photos by E. Brady Robinson of art, visitors, artists, and culture workers at the Armory VIP Preview on September 4, 2025
The Smithsonian American Art Museum's Centuries-Spanning Look at Race and Sculpture Opened Just After the Election, Provoking an Executive Order to Rewrite History
Curators Karen Lemmey, Tobias Wofford, and Grace Yasumura spoke truth to power. Power threw a tantrum.
Do Women Still Have to be Naked to Get Into the Met Museum?
Guerrilla Girls: Making Trouble is exactly the show we need right now.
Observations and Highlights from the Best Satellite Fairs
Springtime for discounts in Chelsea, winter for artists and galleries...
