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Armory Week in New York is overwhelming. We asked Chelsea insider Dylan Farley to share her "must-see" picks, including a group show of Baltimore artists curated by Derrick Adams.
Berry will curate and promote the new art gallery’s rotating series of exhibitions exploring the intersection of arts and democracy that will be free and open to the public.
Água até Aqui @aguaateaqui (High Water Mark) is an initiative that aims to be a visual alert for the extreme consequences of the climate crisis currently in south Brazil but applicable everywhere.
Thaís Franco, Collections Management Director of KURA Arte, reports from São Paulo's largest art fair, offering local insight on the Brazilian artists making waves in Venice.
Get the Picture: Bianca Bosker’s Journey Among Inspired Artists and Obsessive Art Fiends Who Taught Her How to See (February 2024 Viking)
At the national pavilions there’s an appropriately diverse set of strategies for addressing the legacies of colonialism and immigration from both traumatic or optimistic perspectives.
The 60th Venice Biennale takes on themes of displacement, environmental injustice, racism, colonialism, but also manages to avoid easy cliches by treating artists from marginalized backgrounds as individuals with agency.
A Roundup of Madrid Art Fairs, including ARCO and its numerous satellite fairs, which close on Sunday, March 10
There is no other “must-see” event on the ever-more-esoteric Aztec calendar of art world “can’t miss” events that fills me with as much eager anticipation and simultaneous existential dread. But the art here makes it all worth it.
This year, I’m sharing my art week event picks—based on expertise gleaned spending the better part of the past decade always searching for some elusive superlative in the capital of extremes.
Is this a good year for galleries? That depends on who you ask. At the main fair, booths with challenging or innovative artworks are about as common as faces with intact buccal fat—they're few and far between and take some effort to spot.
The Museu de l’Art Prohibit is, according to its founders, the first of its kind: a museum dedicated to the collection, preservation, and display of art that has been censored (in one way or another) elsewhere. Its contents are equal-opportunity offenders—having already outraged every religion.
Actress (on strike) and writer (no longer on strike!) Liz Eldridge on why John Waters' mainstream acceptance restores her faith in filmmaking.
I so wish more art spaces from the Baltimore/DC region participated in smart, well-curated smaller fairs like this—putting local artists in dialogue with international peers and in front of international audiences and kingmakers.
Visits to two museums in San Juan: the Museo de Arte de Puerto Rico and the Museo de Arte Contemporáneo de Puerto Rico