For those not able to make it to New York for Print Week, I hope this can serve as a recap of some of the ‘hot off the press’ work from contemporary publishers and galleries. There was a good energy around the Armory and many who were unable to attend last year were glad to see all the new editions.
(above: Michael Heizer, Untitled, 2013, Enamel and Acrylic Urethane on Aluminum, Durham Press)
Chitra Ganesh, Architects of the Future, 2014, Portfolio of 5 Screenprint & Woodblock prints, Durham Press
Emil Lukas, Bubble-up, 2014, Portfolio of 2 Etchings & 7 Screenprints, Durham Press
Dan Flavin, Untitled (to European Couples), 1971-1973, Portfolio of 9 Screenprints, Barbara Krakow Gallery
Ed Ruscha, Cameo Cuts, 1992, Set of 6 two-color lithographs, Barbara Krakow Gallery
Chuck Close, Woodbury types, 2012, Two Palms
Mel Bochner, Photography Before the Age of Mechanical Reproduction, 2011, gelatin-silver print [I], platinum print [II], collodion print [III], albumen print [IV], cyanotype print [V] & salt print [VI], Two Palms
Assortment of Elizabeth Peyton prints, Two Palms. Pays to look in the closet!
Walton Ford, Untitled, 1998-2004, Set of 6 Color etching and aquatints with drypoint, Sims Reed Gallery
Anish Kapoor, Shadow V, 2013, Set of 4 Color etchings, Paragon Press
Grayson Perry, The Island of Bad Art, 2013 (?), Etching, Paragon Press
Two etchings by Lucian Freud & one drawing and two etchings by Frank Auerbach, Marlborough Graphics
Bruce Conner, 100 Series, 1970, Offset Lithographs, Senior & Shopmaker Gallery
Raymond Pettibon, Untitled (A Sea of Grinding Tectonic Plates…), 2008, Color Lithograph, Brooke Alexander, Inc.
Luc Tuymans, The Temple, 1996, Portfolio of 8 etchings with aquatint, Brooke Alexander, Inc.
Juliao Sarmento, Curiosity’s Eye, 2013, Mixografia print, Mixografia
Tiago Gualberto, Pay Per Doll 2, 2012, Color lithograph, Tamarind Institute
Chris Ballantyne, Parking Lot with Palm Trees, 2013, 7 Color lithograph, Tamarind Institute
Ed Ruscha, Safe and Effective Medication, 2001, Lithograph & Robert Longo, Jonathan, 1988, Lithograph, Mary Ryan Gallery
Robert Rauschenberg, Soviet/American Array III, 1990, 9 Color Intaglio, ULAE
Ryan & Trevor Oakes, Skidmore, 2013, Lithograph, ULAE
Mark Fox, Jeezlepete IX, 2013, Three dimensional intaglio constructed in 35 colors, ULAE
Bernar Venet, Effondrement: Arcs (I), 2013, Polymer gravure, etching and photo-etchings printed from three plates, World House Editions
Katia Santibanez, Etching and drypoint, 2 Etching and aquatints, 4 Etchings, Etching, aquatint and spit bite, 2013, Poligrafa Obra Grafica
Chuck Close, Self-Portrait, 2014, 84-color woodcut, Pace Prints
Wangechi Mutu, Second Born, 2013, 24-karat gold, collagraph, relief, deigital printing, collage, and hand coloring, Pace Prints
Robert Rauschenberg, Sky Garden, 1969, 6 color lithograph and screenprint, Gemini G.E.L. at Joni Moisant Weyl
Terry Winters, Clocks and Clouds, 2013, 6 Color lithographs, Gemini G.E.L. at Joni Moisant Weyl
)If you’re still having trouble finding Daniel Smith Standard Black #7 etching ink I think the fine folks at Gemini might be to blame.) Richard Serra, Mandela, 2012, Etching, Gemini G.E.L. at Joni Moisant Weyl
Kristian Krokfors, Shelter 1-4, 2013, Screenprints, Pratt Contemporary
Martin Puryear, From Above (Beijing) & Side (Beijing), 2013, Etching, aquatint and drypoint, Paulson Bott Press
Tauba Auerbach, 4 prints from the Mesh/Moire series, 2012, Color Softground Etchings, Paulson Bott Press
Hernan Bas, Revised Endpapers for “The Homosexual Neurosis” (blue), 2013, Aquatint, Paulson Bott Press
Richard Woods, Remnant no. 1-7, 2012, Woodcut, Alan Cristea Gallery
Christian Marclay, Splat, 2013, Screenprint, Graphicstudio USF
Alyson Shotz, Sledgehammer/Glass/Light, 2012, 6 archival pigment prints on self-adhesive polypropylene film, Graphicstudio USF
Jia Aili, Red, 2013, Photogravure and line etching, Graphicstudio USF
Alyson Shotz, 2013, Color aquatints with collagraph embossing, Crown Point Press
David Shapiro, Clearing, 2014, Intaglio, colored pencil, Tandem Press
Freya Payne, 2012, Etchings, Flowers Gallery
Glen Baxter, Trouble in the Design Museum, 2013, Letterpress gravure hand colored, Flowers Gallery
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* Benjamin Levy is a curator and printmaker living in Baltimore. He is the Curatorial Assistant in the Department of Prints, Drawings & Photographs at the Baltimore Museum of Art and a 2009 graduate of MICA.
