“Cara Ober”
222 results
A shopping list of twelve Valentine's Day gift options, all made in Baltimore
Steer plans to build on CA's programmatic and fiscal strength, looking to build new structures for long-term thinking.
I believe that the only way that artists can avoid real estate victimhood is to own it.
Stay home, stay healthy, stay engaged in the arts.
I learned a few things on the internet this week.
The Views from the Train series mimics the contemplative act of looking out the window and speculating on the various ways of living in the world
Instead of a traditional ceremony, the class of 2020 has a chance to invest creative energy in unique, authentic, and personal forms of celebration
Opinion Editorial See? I can do it too. I can create a sensationalized and misleading headline in order to attract readers. It was the headline from the Washington Post's June ...
One of the perks of being an Artist or Premium-level subscriber at BmoreArt are our events! This one was hosted by arts patron Kris Kudrnac, with pizza from Dizzy Cow, beer from Guilford Hall Brewing, and ice cream from the Charmery.
Canine Comfort: Our Art Dogs, a series of portraits of dogs in Baltimore-based artists' studios
Administered by Creative Capital, the Warhol Writers Program offers three categories of project grants—articles ($15,000), books ($50,000), and short-form writing series ($30,000)—meant to counteract the systemic lack of funding for arts writing and to recognize its significant cultural value.
Color-saturated images of favorite Baltimore-based bands inspired by fashion, design, and art
Stories conjured in plastic, clay and wood: 4 art exhibits mix meaning and material
For visual artists, curators, performers, composers, and publishers, the purposeful creation of new archives, as well as the respectful transformation of past collections, is a common threat that unifies us on a quest to tell new stories and to diversity existing archives.
Zohore’s new performance, enacted across the street from the BMA’s iconic marble steps, co-opts the literal subject of Da Vinci’s “The Last Supper” and considers the museum’s deaccessioning through the lens of religious sacrifice.