And this year you’re returning to the smaller format you started with, correct? Could you talk about that decision?
We are looking to make it an intimate setting so that we can really connect with everyone who’s attending. We want it to be something that— since we’ve been gone for two years—offers a more personal experience with everyone. We also need to start at a smaller scale because we’ve had a pretty large turnover in our all-volunteer base.
So we’re looking forward to having something that we can manage and wrap our hands around, a fresh start to learn from that isn’t the full-scale festival. It really serves both purposes but also to get back on the radar of the artists and the patrons at large. You know, we’ve been gone for a while, so this year is about letting everyone know we’re back and doing a bit of a preview of what’s to come.
It sounds cheesy, but it’s a return to our roots. That’s exactly why we did the first one, which we called Nights on the Fringe, in 2012. We wanted to get momentum. We needed to prove to ourselves that we could do it, and get something going. In this case, it’s more of welcoming ourselves back and celebrating and getting back in touch with audiences and artists. But it feels like we’re starting, but this time with years of experience and history.
Is there anything you’re especially looking forward to seeing as an audience member this year?
An artist who is totally new to me! L. Rodgers—a singer-songwriter from Baltimore I had never heard but who has this amazing voice and loyal following—I can’t wait to see live.
And Aaron Henkin returning to hosting! He has been hosting our Nights on The Fringe for years. We started the organization in 2012, and the first Fringe was this kind of variety-show-act-type thing. Later, we pivoted to being a more full-blown festival. But then in 2016 we brought back the model of doing this kind of variety show late-night vaudeville affair because it was just so fun, and Aaron has been really supportive and incredibly generous and he’s a fun host. He’s so good with the crowd.
I love the idea of variety shows, it’s such a good way to condense theater into something more accessible as opposed to the kind of FOMO you get running around to different venues, and maybe not knowing what to see…
It’s an opportunity for people to see a number of different acts all in one night under one ticket so they can find out what they do and don’t like. It’s really low-risk and really great reward potential because you have a chance to see six new artists that you might love. And if you don’t like one, then it’s 10 minutes, 15 minutes, and you’re onto the next. It’s really personal, it’s really intimate.
And this year it’s a more celebratory event. It’s a bigger stage, bigger theater. So it’s really a completely different type of program than the festival, but still a really great microcosm of fringe theater and arts.
And it’s so cool you guys are doing it at The Peale! I think a lot of people haven’t seen the museum since its renovation so this is also a nice way to activate that space. How did you end up partnering with The Peale?
We’ve talked with [Chief Strategy Officer] Nancy Proctor over there for years now, about different ideas, trying to brainstorm a way we could work together and the stars kind of aligned. A friend of ours who’s a Fringe regular, F. William Chickering, or “Chick” is now the Board President at The Peale. Chick oversaw a lot of the renovation process, and with that connection we were able to forge ahead and make this happen, which is rewarding because it’s something we’ve always had on the backburner as a bookmarked goal for years.