BmoreArt

This Week:  UMBC hosts Tomashi Jackson and Nia Evans, Jonna McKone + Elena Volkova opening reception at Connect + Collect, artist lecture with Stephanie Garmey at Towson, a conversation with Michael Harrower, Aja Lans, and Anand Pandian of Johns Hopkins University at The Peale, panel discussion moderated by Laure Drogoul at MICA, Ami Dang w/ Eyas performance for ‘Scene Seen’ at good neighbor, Urban Oasis closing reception + artist talk at Stem & Vine, DA LOVE WE SHARE closing reception + artist talk at Gallery CA, and the 3rd annual 28 Days of Black Futures campaign at SNF Parkway — PLUS apply for MSAC Folklife Apprenticeship and more featured opportunities!

 

BmoreArt’s Picks presents the best weekly art openings, events, and performances happening in Baltimore and surrounding areas. For a more comprehensive perspective, check the BmoreArt Calendar page, which includes ongoing exhibits and performances, and is updated on a daily basis.

To submit your calendar event, email us at [email protected]!

 

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< Events >

 

Tomashi Jackson and Nia Evans: “Pedagogy Study Hall”
Tuesday, February 25 :: 6-7pm
@ UMBC CADVC

The Center for Art, Design, and Visual Culture (CADVC) hosts an Exploratory Research Residency that invites artists and interdisciplinary collaborators to take advantage of scholarly resources and to build partnerships at UMBC and in the Baltimore region. In 2025, CADVC hosts Tomashi Jackson’s “Pedagogy Study Hall” project as part of this program.

In collaboration with policy analyst and economic advocate Nia Evans, Tomashi Jackson’s “Pedagogy Study Hall” project will host a series of intermedia series of public discussions about investment and disinvestment in the arts and humanities, looking to Baltimore as a critical case study in grassroots organizing in a system of gross structural inequity.

Baltimore offers a critical forum for exploring a range of formal and informal organizational approaches to arts education and community development through the arts. It also provides an important model for exploring informal cultural economies that support local art education and production in the interstitials between, and in the absence of, major financial investment.

Public programs associated with this residency:

February 25, 6–7 p.m.: Conversation with Tomashi Jackson and Nia Evans, Lion Brothers Building, 875 Hollins Street, Baltimore.

Sign up for limited spaces will be available via this link.

April 8, evening (time to be announced): Conversation about structures of cultural support with Ryan Patterson, Nick Hartigan, and Denise Griffin Johnson, at the Lion Brothers Building, 875 Hollins Street, Baltimore.

Registration details will be announced.

April 15, live online, evening (time to be announced): Panel on public funding in arts and education.

Registration details will be announced.

 

 

In Silver and Earth :: Jonna McKone and Elena Volkova | Opening Reception
Wednesday, February 26 :: 6-8pm
@ Connect + Collect

Join us on Wednesday, February 26th, from 6-8 pm at the Connect+Collect gallery to view the new exhibition In Silver and Earth featuring works by Jonna McKone, and Elena Volkova.

Photographers Jonna McKone and Elena Volkova explore the intersections of time, memory, and history through distinct but resonant photographic practices. Both artists turn to slow, meticulous processes to interrogate how place and identity are inscribed and reinterpreted through personal and collective experience.

 In Silver and Earth reflects the materials central to their practices. Silver, the foundation of traditional photographic processes, and earth, a marker of place and history, serve as essential elements in crafting their imagery. These materials ground their work in both the tangible and symbolic, highlighting delicate landscapes and portraits.

Together, McKone and Volkova reframe traditional modes of seeing, offering works that blur boundaries between past and present, land and body, resilience and impermanence. McKone’s delicate landscapes and nuanced explorations of human interaction with nature remind us of the enduring imprint of the past, while Volkova’s quiet moments of stillness in everyday life and visceral portraits evoke an innate resilience that persists through time. Both artists ask us to witness not just the beauty and fragility of our world, but also the unseen forces that have shaped it—forces that, like memory itself, are often obscured yet undeniable.

Through their collaboration, McKone and Volkova offer an invitation to sit in the quiet tension of these fragile truths, acknowledging the violence and the beauty that emerge when histories are reexamined through new lenses.

 

Stephanie Garmey :: Reverie&Alchemy | Artist Lecture
Thursday, February 26 :: 6:30pm
@ Towson University Center for the Arts

Each object in a Cabinet nods towards epic adventure, and taken as a whole, tells a symbolic story that presents the viewer with essential questions about the transience of human life and our place in the world. The artists and collections in this exhibition together tell a wondrously complicated and contradictory tale about this particular place and its inhabitants, both current and in the past. Who are we, who were we and who do we want to be?

Garmey, featured in Reverie&Alchemy, creates work in a variety of media approaches including sculpture, encaustics, book arts, embroidery, and cut paper. She explores the natural world with a sense of whimsy, curiosity, and love towards all things natural, and is inspired by her collections of natural objects and taxidermy. Garmey received a BFA and MFA from Maryland Institute College of Art, and an MA in painting from Purdue University of Indiana. She teaches at Maryland Institute College of Art.

 

 

What We Can Learn from an Archaeology of the Future
Thursday, February 27 :: 5pm
@ The Peale

A public conversation with Michael Harrower, Aja Lans, and Anand Pandian of Johns Hopkins University

Archaeology relies on materials from the past to make sense of human history and even the circumstances of the present. But what would it mean to do an archaeology of the future? The question may seem paradoxical, but the reality is that the material culture of our time will far outlive contemporary civilizations and their people. Hundreds of years from now, when archaeologists of the future sift through the remnants of this time, what would they find? How would they interpret the lives of those who inhabited this time of ours, making sense of what we did and why? What would it mean to try to absorb meaningful lessons from the enormous amounts of waste we are leaving behind for the future?

Join us for a conversation on archaeology and our imagination of the past and future, anchored in a new exhibition at the Peale Museum, “The Future of Here: A Glimpse of a River Culture to Come.” The exhibition presents speculative material artifacts from a distant future beyond our fossil-fueled present, as a showcase of what people of that future time might produce, and how they might make creative use of the many things we leave behind. The objects in the exhibition are built from the waste and detritus of our time, turning things that might seem to lack any value into elements of ritual and everyday practice in a speculative future beyond the present. Like the work of archaeology more generally, the exhibition encourages visitors to think about what can be learned from the details and discards of mundane life. If try to think as archaeologists about the future, and the cultures and artifacts that might come one day, how might we look differently at our habits and practices in the present, and their implications for future peoples?

This event is a chance to take in “The Future of Here” exhibition and to think about these ideas together with two archaeologists from Johns Hopkins University, Michael Harrower and Aja Lans, along with one of the curators of the exhibition, Anand Pandian, an anthropologist at Johns Hopkins.

Michael Harrower is an archaeologist whose research concentrates on long-term histories of civilizations in Africa and Arabia. His research has concentrated on spatial, political, and ideological dynamics of water, and most recently focuses on ancient trade and discovery of archaeological sites using satellite imagery.

Aja Lans is a Black feminist and archaeologist whose research primarily focuses on the lived experiences of African descended peoples in North America. She specializes on objectification of human remains contained within university and museum collections, arguing for the repatriation of Black Ancestors who are “owned” and the preservation of Black burial grounds.

Anand Pandian is a cultural anthropologist working on a new book project on decay, waste, and the crafting of ecological futures. “The Future of Here” grows out of a course he co-taught at Johns Hopkins with artist Jordan Tierney in the fall of 2024.

This conversation is co-sponsored by the Department of Anthropology and the Undergraduate Program in Archaeology at Johns Hopkins University. 

 

 

Stirring the Pot: Collage and Bricolage as a Disrupter Panel Discussion
Thursday, February 27 :: 5-6:30pm
@ MICA Brown Center

Please join us for a panel discussion on Thursday, February 27, 5:00 – 6:30 pm in Brown 320, MICA Brown Center. This event is held in conjunction with the exhibition, LAYERS: The Art of Contemporary Collage, currently on view in MICA’s Decker Gallery (Fox Building, Floor 1).

Born of nonsense, with its roots in the Dada Movement, collage has been described as the primary medium of the 20th century. Contemporary artists working in a globally influenced, culturally diverse, and digitally advancing world now use collage as an important strategy.

Its multi-layering of images and mediums reflects the cultural and technological flux of life today. By subverting definitions of what is relevant materially and conceptually, artists disrupt expectations and inspire us to imagine a new direction.

Panel Discussion:
This panel is organized and moderated by MICA faculty Laure Drogoul. It brings together four Baltimore-based artists to share their work and discuss individual artwork strategies.

PANELISTS
Oletha DeVane – Born in Baltimore, Maryland, Oletha DeVane received her B.F.A. from the Maryland Institute College of Art and M.F.A. in painting from the University of Massachusetts in Amherst. As a multidisciplinary artist, her social, political and spiritual concerns are the content of her art practice.

Jeffrey Kent is an American multidisciplinary artist and curator whose life’s work has been a conduit for self-healing and communal wellness. His artwork is conceptual, with the most defining elements borrowing from his reflections on America’s racialized history and his place in it. The throughline of his varied artistic forms is his ability to demonstrate the inextricable links between historical meta-narratives and his story.

Valeska Populoh (she/her) works as an artist, educator and cultural organizer. Embracing a wide array of tactics, from puppetry to participatory performance, Valeska’s work is motivated by an interest in healing and repair, in our relationships to each other and to the natural world. She is inspired by art forms that extend the life of ‘single use’ objects and transform often overlooked materials that are near at hand and connect us to the places we live.

Jordan Tierney – Jordan’s artistic practice involves a daily pilgrimage to the urban streams and forests buffers of Baltimore, surrendering to whatever the Jones Falls watershed can teach her. By observing the struggling environment and collecting flotsam and jetsam she finds in the streams, she builds a story based in the near future. Believing a healthy culture grows from the soil up, she fabricates her work from what she can find on foot.

MODERATOR
Laure Drogoul is an interdisciplinary artist, bricoleur and cobbler of situations. Her installations and interactive performances embrace play, humor, and sometimes horror as a way to invite the viewer to be an active participant. Laure’s works explore cultural and environmental phenomena with the hope of fostering a deeper understanding of our shared world.

 

 

An Intimate Evening featuring Ami Dang w/ Eyas: Celebrating ‘Scene Seen”
Thursday, February 27 :: 7-10pm
@ good neighbor

The sounds of acclaimed composer, musician, and artist Ami Dang will fill the good neighbor Design Garage on Thursday, February 27. Join your neighbors for an unforgettable evening of music and community celebrating the release of ‘Scene Seen: Baltimore Band Portraits: 2016-2024’ by Micah E. Wood.

We’ll start with a vinyl listening session and drinks from our beloved bar menu, which features hand-made cocktails alongside beer, wine, and NA beverages. Then we will be joined by transcendent Baltimore indie-pop musician, Eyas. Close out the evening by watching a spellbinding performance by Ami.

Doors will open at 7 pm, and there are two ticket types available: standing room only, and seated, which comes with one (1) drink ticket.

We can’t wait to celebrate Baltimore music with you!

About Ami Dang

Amrita “Ami” Kaur Dang is a South Asian-American, Sikh composer, vocalist, sitarist and multimedia artist from Baltimore. Combining ideas from Indian music with electronic media, her work invites the audience to reframe their assumptions about the colonial history of music, the arts, technology, and performance and its place in the contemporary musical landscape.

About Eyas

Jenna Balderson (Eyas) is a Filipina musician/producer from Baltimore, MD. Her voice, like her production, is layered, textured, and transcendent, inspired by a wide array of music blending indie-pop, jazz, RnB, and folk. She’s featured on tracks by JPEGMAFIA, notcharles, and more.

About good neighbor

good neighbor recreates the feeling of stepping into a loved one’s home through its award-winning cafe, shop, and internationally acclaimed hotel guesthouse by good neighbor. At good neighbor, every object, every sip, every bite, and every stay exists to inspire and nurture curiosity about the wider world and its shared community.

 

 

Urban Oasis: Nature in the City | Closing Reception + Artist Talk
Friday, February 28 :: 6-9pm
@ Stem & Vine

Stem & Vine and The Black Art Today Foundation presents the Closing Reception & Artist Talk for the Urban Oasis: Nature in The City Art Exhibit

Join us at Stem & Vine for the closing reception and artist talk for Urban Oasis: Nature in the City, an exhibition featuring the works of:

Alma Roberts| Anita Henley Carrington | Artkina Celestin | Babacar Pouye | Bryane Broadie | David Zambrano | David Amoroso | Derrick Vaughn | Dion Pollard | Erasto Curtis Matthews | Jacob Goldsmith | K Starks | Karen Y. Buster | Karen Darden | KayLee Daryl | Kibibi Ajanku | Larry Poncho Brown | Levi Robinson | Marie Antoinette | Mary Claggett | Qrcky | Ramsey Brisueno | Russell Lewis | Tanya Bracey | Tommi Blake | Dr. Yemonja Smalls

About the Exhibit:

“Urban Oasis: Nature in the City” invites viewers into a visual exploration of the unexpected harmony between human-made environments and the natural world. This exhibition, housed amidst the verdant embrace of Stem & Vine, seeks to illuminate the often-overlooked beauty and resilience of nature thriving within urban landscapes.

Through a collection of two-dimensional artworks, we delve into the intricate relationship between city and nature. The artists featured in this exhibition offer diverse perspectives on this theme, capturing the ephemeral moments of urban flora, the hidden ecosystems within concrete jungles, and the profound impact of nature on human experience.

From the towering skyscrapers that frame unexpected pockets of greenery to the delicate balance of urban wildlife, these works invite contemplation on the interconnectedness of all living things. By showcasing the beauty and complexity of urban nature, we hope to foster a deeper appreciation for our environment and inspire a sense of stewardship for the natural world. Let us celebrate the unexpected oasis that emerges in the heart of the city.

About Stem & Vine:

Stem & Vine is the premier destination in Baltimore City where the beauty of plants, the depth of science, and the richness of cultural expression converge harmoniously. We believe in empowering our community through the beauty of botanicals, the knowledge of science, and the richness of cultural expression. Our Black-owned Plant Shop in Baltimore City is dedicated to nurturing growth and cultivating the art of living well in every aspect of life.

 

 

DA LOVE WE SHARE | Closing Reception + Artist Talk
Friday, February 28 :: 7pm
@ Gallery CA

Gallery CA presents DA LOVE WE SHARE, a special exhibition in honor of Black History Month, featuring the work of Gallery CA residents artists Dominic Green, Noreen Smith, Ashley Johnson, Bakari Jones, and Cheyanne Zadia, curated by resident artist Charles Mason III. Gallery CA sits on the first floor of the City Arts Apartments building, an arts-based community in the center of Baltimore’s Greenmount West neighborhood. The neighborhood has long been a nexus in the city’s art scene and a home to many artists within the city’s dynamic cultural landscape, and it’s with this context that curator Charles Mason III sought work touching on the themes of community, love, and ultimately the idea of home.

 

 

28 Days of Black Futures – Baltimore’s Legacy of Black Liberation
Sunday, March 2 :: 10am-7pm
@ SNF Parkway

Baltimore’s Legacy of Black Liberation Private Screening and Experience celebrates the 3rd annual 28 Days of Black Futures campaign, CLLCTIVLY’s narrative power campaign supporting Black-led social change in Baltimore. This year’s celebration showcases the creativity and innovation of Black visionaries shaping the future. From film screenings to panel discussions to live performances, there’s something for everyone to enjoy. Come together with the community to honor and uplift Black voices and stories. Don’t miss out on this incredible opportunity to be inspired and empowered by the brilliance of Black futures!

 

 

< Calls for Entry >

 

Prairie Ronde Artist Residency
deadline March 1

We’re looking for individuals who are highly independent, engaged and curious. We do not limit our residency to any specific medium, but rather are looking for diverse artists who can creatively interact with The Mill.

We host three sessions annually and accept 2 – 4 residents per session. Accepted residents receive a stipend of $2,000 for 5 – 6 weeks, a $500 travel grant and private housing. We work with residents to share their work with the community (a gallery show, public workshop or other).

 

 

Core Residency
deadline March 1
posted by Millay Arts

Session 1: April-July
Session 2: August-November

Our historic Core Residency, offered to those selected by our blind jury process, is fully-subsidized. If invited to participate, the only fee is a $100 nonrefundable deposit.

The core residency features a creative cohort of 6-7 multidisciplinary artists, selected through our blind jury process, and includes private bedroom and studio (with bedding/linens), shared living spaces, laundry room, workstation, B&W darkroom and use of our Alumni and Nancy Graves Memorial libraries.

Groceries are provided along with communal dinners (prepared by our in-house chef).

As an Artist-in-Residence, it is our hope that your participation as an integral member of a small, supportive and inspirational cohort will forge lifelong friendships as well as professional relationships and future collaborations.

 

 

New Visionary Magazine, Issue 14: The Manifestation Issue
deadline March 2

We’re thrilled to announce that this is our first-ever themed issue, and the theme is Manifestation!

This special edition invites visual artists to explore and interpret the concept of manifestation through their own unique lens. As artists, you have the extraordinary ability to bring ideas, dreams, and intentions to life—turning a blank canvas, raw materials, or even a fleeting thought into something tangible, meaningful, and impactful.

Whether it’s about creating new identities, visualizing possibilities, mood boarding your wildest dreams, or transforming aspirations into reality, this issue celebrates the magic of aligning intention with action. From personal transformations to universal connections, we welcome diverse perspectives and interpretations for this special edition.

This issue will be curated by Marina Press Granger, founder of The Artist Advisory™ and an experienced curator who has dedicated her career to empowering artists. Her intention for this issue is to spotlight the power of creativity to shape not only artwork but also our lives and futures. Granger is the founder of The Artist Advisory™, a New York City consulting firm offering career guidance to visual artists, galleries, and art-minded businesses. With nearly 15 years of experience working in NYC galleries and museums, Granger curated numerous gallery exhibitions and art fair booths. In addition to her analytical business acumen, informed by a BA and MA in Art History, Granger incorporates the Principles of Classical Chinese Feng Shui to enhance the success of the artists and businesses she supports. Her work has been featured in Forbes, The Art Gorgeous, The Art Zealous, Time Out New York, and more. Born in Kyiv, Ukraine, Granger has lived in New York since 1991.

 

 

Henson Foundation Puppetry Grants
deadline March 3

The Jim Henson Foundation awards grants each year for the creation of innovative new works of contemporary puppet theater. Our definition of a puppet is an object that is given the appearance of life through direct or indirect manipulation by the human hand. The Foundation’s Board of Directors judges applications based on the excellence of the puppetry including puppet design, manipulation and theatrical execution.

There are three Artist Grants available: Workshop Grants ($3,000), Production Grants ($7,000), and Family Grants ($4,000). All Artist Grants are to be used towards puppetry. This includes the building and performing of the puppets and the integration of the puppets in the piece.

Production Grants of $7,000 are awarded for the production of new works ready to premeire in the coming year. Workshop Grants of $3,000 are for the development and workshopping of these pieces. Workshop Grants and Production Grants can be combined over a two year period for the greatest benefit to the piece; keep in mind, however, that a Production Grant does not need to be preceded by a Workshop grant and a Workshop Grant in no way ensures a future Production Grant. Less than half of Workshop Grant recipients receive Production Grants.

Family Grants of $4,000 fund the development of new and innovative work specifically for children, families, and teenagers ready to premiere in the coming year. Please keep in mind that Family Grants will be evaluated by the same high artistic standards as works for adults.

Since The Jim Henson Foundation began awarding grants in 1982, there has been astonishing growth in both the quantity and quality of puppet theater in this country. This has made it increasingly difficult to narrow the applicant pool, so we have instituted a policy that we hope will more evenly distribute our funds among the many artists worthy of support. Artists who received a grant in the previous year are not eligible to submit a proposal in the current year. Artists who received a Workshop Grant in the previous year are eligible to apply in the current year, but only for a Production Grant to further develop the previously funded piece.

Grants are made only for the development of new full-length works of excellent live puppet theater. The Foundation does not award funds for the presentation or remounting of existing work. Grants cannot be applied retroactively; substantial portions of a proposed project must take place after the funds are awarded.

 

 

Folklife Apprenticeship
deadline March 7
posted by Maryland State Arts Council

Folklife Apprenticeships support traditional arts education by funding a mentor artist and apprentice artist to work together for one year.

During the grant period, the mentor artist passes down their knowledge to the apprentice artist.

Folklife Apprenticeships support living cultural traditions and are distinct from registered apprenticeships offered through the Maryland Apprenticeship Training Program (MATP), which supports workforce development.

 

 

Hospice Cup Poster Competition
deadline March 7
posted by Maryland Federation of Art

Hospice Cup, Inc. is a 501(c)(3) organization founded in 1981 to help local and regional hospices raise funds for patient programs. In collaboration with Maryland Federation of Art, Inc. (MFA), the organization hosts an annual competition for a piece of artwork to serve as the backdrop for their yearly poster. The winning work will be chosen through MFA’s People’s Choice Voting Gallery and at the reception. The winning artwork will be considered a donation to Hospice Cup, Inc., and will be the representative image for the 2025 Hospice Cup Event and will be reproduced on posters, t-shirts, and other promotional material. The winning piece of art will be used by the Hospice Cup for its annual poster. We encourage compositions that are of a ratio no wider or taller than 3:2 (i.e. 36″ x 24″ or 24″ x 36″) for better placement in a standard poster size. Work submitted for the poster competition will be on display in MFA’s online People’s Choice Voting Gallery from March 10 – April 4, 2025. The winner will be announced during a reception held on the evening of April 16 from 6 – 8 PM, featuring the top four pieces. For more information, visit hospicecup.org. Artwork may be offered for sale. Any original 2D work in any media is eligible for entry. Artwork must feature sailboats, preferably racing in a regatta in the Chesapeake Bay. There is no fee to enter work for consideration. For more information, visit hospicecup.org.

 

 

Artists in Residencia x Artnet
deadline March 7

Through the ages, artists, musicians and writers have retreated into the picturesque village of Deià to be inspired by the Tramuntana Mountains, the sublime sea views and the luminous Mediterranean light. This year – and for the first time in collaboration with Artnet – La Residencia invites three artists to embark on a journey of creativity through Infinite Horizons.

Encouraging artists to engage with the longstanding craft traditions of Mallorca and integrate tactile elements such as ceramics, painting, or sculpture into their work, the residency programme provides a sanctuary for creative exploration and the opportunity to push the boundaries of artistic practice, inspired by the infinite possibilities of the horizon.

First residency: May and June 2025

Second residency: July and August 2025

Third residency: September and October 2025
For more information about the programme and how to apply for 2025, please click here.

 

 

Call for Art: Earth’s Echo: Voices of Environmental Justice
deadline March 9
posted by The Universities at Shady Grove

We invite artists to submit their work for an upcoming art exhibition addressing community impact and environmental justice. This exhibition seeks to amplify the voices of those affected by environmental harm and highlight the resilience, struggles, and creativity of impacted communities.

The “Earth’s Echo: Voices of Environmental Justice” exhibition will explore the intersection of environmental challenges and social inequities, focusing on the human stories behind environmental harm and resilience.

We are looking for artwork that reflects:
• The lived experiences of communities impacted by environmental harm.
• The cultural, social, or emotional consequences of environmental injustices.
• Acts of resistance, resilience, or advocacy in the face of these challenges.

 

 

SOLOS 2026 Call for Proposals
deadline March 10
posted by Museum of Contemporary Art Arlington

Museum of Contemporary Art Arlington is currently accepting proposals for SOLOS 2026, a series of solo exhibitions by Mid-Atlantic artists. Contemporary artists living or working in the Mid-Atlantic region are invited to propose solo exhibitions to take place in one of the Museum’s gallery spaces.

Proposals are accepted through an open call and selected by an outside selection panel, in consultation with Museum of Contemporary Art Arlington staff. The exhibitions selected for SOLOS 2026 will take place in one of two time slots, either February 13 – May 24, 2026 or June 12 – September 6, 2026. Once artists are selected, MoCA Arlington staff will work with artists to determine the timing for the selected artists.

 

 

Lab Milan’25 edition
deadline March 12
posted by Malamegi Lab

The Malamegi Lab Art Award is an international competition open to all artists. The competition is open to works in various disciplines, including drawing, painting, sculpture, photography, graphic design, mixed media, digital art, and video. The competition will select 12 finalist artists, who will have the opportunity to win prestigious prizes and exhibit their works in a high-profile group exhibition. The prizes include: Artwork Acquisition Award, Group Exhibition, Cash Prize, and Monographic Catalogue. The Award represents an important opportunity for artists to establish themselves and connect with the world of contemporary art. Don’t miss the chance to showcase your work internationally and become part of a network of emerging talents. A global platform, prestigious prizes, and unique opportunities. Don’t let this extraordinary opportunity slip away.

 

 

Haystack Open Studio Residency
deadline March 14

Haystack’s Open Studio Residency fosters a dynamic exchange of ideas among peers and provides two weeks of studio time and an opportunity to work in a community of makers. The program supports approximately 50 participants—from the craft field and other creative disciplines—who have uninterrupted time to work in six studios (ceramics, fiber, glass, graphics, metals, and wood) to develop ideas and experiment in various media. Participants can choose to work in one particular studio or move among them depending on their interests and the nature of their work.

Each of the studios are staffed by technicians who can assist with projects. Please note that technicians will not be leading workshops. If you are interested in learning specific skills, you may wish to apply to one of the summer workshop sessions. Individuals must be 21 years of age or older to participate in Haystack’s Open Studio Residency.

The Haystack Fab Lab will also be open and available, providing an opportunity for experimentation with digital fabrication as a way for residents to augment and complement their creative practices. In addition to open studios, there will be time for participants to share work and discuss ideas across disciplines. Individuals working in craft, art, design, writing, and other creative disciplines—and who are self-directed and focused—are encouraged to apply.

 

 

2025 Art of Racing
deadline March 14
posted by The Maryland Jockey Club

1/ST and The Maryland Jockey Club, Inc. proudly present The Art of Racing—a nationwide competition celebrating the spirit, power, and beauty of Thoroughbred racing and the historic Preakness Stakes, now in its landmark 150th year. The Art of Racing 2025 invites artists nationwide to submit their original, two-dimensional artwork from Thursday, January 30th, through Friday, March 14th. This competition honors the rich artistic legacy of Pimlico Race Course and The Preakness Stakes.

Artists of all levels can showcase their interpretations of Pimlico Race Course, the Preakness, or thoroughbred racing.

Art produced by artificial intelligence (AI), such as Midjourney, etc., will not be accepted for the competition.

 

 

Call for Submissions: 2D Public Art Installation
deadline March 15
posted by Rochester Contemporary Art Center

Rochester Contemporary Art Center invites artists to propose three images for a temporary public art installation in the East Avenue neighborhood of Rochester, NY. Of particular interest are projects that connect visitors to the location, community and/or history of the neighborhood, challenge visitors and passersby, and address important social and political issues. RoCo welcomes visual artists of all genres, and we keep all submissions on file for future reference and consideration.

The selected series of three images will be exhibited to the public 24/7 from approximately June-November of 2025. The images will be printed on a weather-safe material at about 9′ h x 6′ w. Selected projects will require the following resolution: 12,000 px (h) x 8,000 px (w). The artist will receive a $400 stipend & use fee for exhibiting preexisting images – all production and installation costs are covered by RoCo.

The deadline for submissions is March 15, 2025 at 5pm EST. For the full guidelines and images of the location, click here.