Executive Director & Publisher
Cara Ober is an artist, arts writer, curator, and the Executive Director and Publisher at BmoreArt, Baltimore’s platform for art and culture, which includes web and print publishing, artist books, a gallery, and events series. She writes regularly about artist, museum, and material culture, with emphasis on context and subtext in the art world. In 2022, Ober was awarded the Sue Hess Legacy Arts Advocate of the Year Award in MD.
In 2019, she was awarded a Rabkin Art Writers Grant and was commissioned by the Warhol Foundation to write “Artspeak and Audience” for Common Field’s Field Perspectives Series. In addition to her regular writing and editing for BmoreArt, Ober has published articles in New York Magazine, Hyperallergic, Burnaway, Art Papers, ARTnews, and currently writes a monthly art column at The Baltimore Banner.
Cara has taught and lectured at MICA, Johns Hopkins, American University, UMBC, and Goucher College. She holds an MFA in painting from MICA and a degree in fine arts from American University. You can email her at [email protected]. (Photo Credit: E. Brady Robinson)
Boards need to diversify. What does that mean anyway?
When we talk about diversity we’re supposed to be talking about more than just race, but in our beautiful city that’s 63 percent Black—one of the Blackest metropolitan areas in America—isn’t it, like, kinda mostly about race?
Opening Night Celebration and Fashion Show at the Maryland Historical Society
The catwalk performance featured 100 looks by Baltimore-area couture designers, boutiques, stylists, artists, jewelers, and vintage shops.
Strategies to help make your experience of art more direct, effective, and pleasurable
Due to insularity, technology, the art market, and a majority of writing about art, we now carry a bevy preconceived notions about the kind of art we are supposed to love, how to love it, and how it's supposed to make us feel.
