Reading

Echo Chamber and Golden Afternoon at School 33 Friday, January 14, 2011 6pm-9pm

Previous Story

REFERENCE @ NUDASHANK January 14

Next Story

Femme Fatale at CCBC Catonsville Feb. 4

SCHOOL 33 ART CENTER HOSTS
TWO OPENING RECEPTIONS
Friday, January 14, 2011
6pm-9pm

Jordan Tierney and Geoff Grace: Echo Chamber
Jordan Tierney and Geoff Grace see what most might not—they collect and then create. Very often the found objects or images dictate the process, but the end result is specifically theirs…a tangible, yet ephemeral point of view that seeks out beauty in desolation and creates poetry from that which is cast aside or forgotten.

Geoff Grace spends a great deal of time observing his subjects. His art is reflective and quiet at first glance, but it is loaded with historical traditions and references to biology.

Jordan Tierney transforms discarded objects, objects full of “Ju Ju” and the weight of history. Often carved of wood, her work is solid and substantial, yet magical and weightless lyricism is at its core.

Both artists create work that feels older than it actually is, work that echoes past lives. They employ a sense of patina or a weathered quality, yet the work is contemporary, fresh, and potent in its impact.

Tim Cambell: Golden Afternoon
In ‘Golden Afternoon,’ Tim Campbell combines found text, popular imagery, abstract painting, and sound in a body of work that addresses landscape as an exhausted mode of representation. Works referencing terrorist manifestos, 19th century fiction, and American cartoons raise questions about the divide between nature and technology in American imagery. Campbell is interested in how layering, erasure, repetition and duplication can challenge the singularity of a painting’s image. He is also interested in our relationship to a natural world that is closely entwined with a technological one, and in how the construction of images can direct our understanding of these two realms.

Related Stories
An Interview with This Year's Featured Authors, Kwame Alexander and Jami Attenberg

“This is a love letter to Baltimore,” says Du Pree, executive director of the CityLit Project, describing the annual festival, now in its 21st year.

On Touching COR-TEN, One Percent for the Arts, and the Effort to Label and Preserve its Legacy

Here, before us at the school, are stripped-down, geometricized versions of four individual caterpillars, poised at different moments in their movements—stretching upward toward the sky, looking ahead, or reaching toward the ground, as if scouting for fallen leaves on the brick foundation...

Baltimore news updates from independent & regional media

This week's news includes: 25th Annual Maryland Film Festival, Aubrey Plaza cast in John Waters' Liarmouth, Lena Stringari appointed Chief of Conservation at the National Gallery - with reporting from Baltimore Fishbowl, Banner, Brew, and other local and independent news sources!

How Happenstance, a First Memory, and Improvisation Shaped Who the Artist is Today

Wendel Patrick is an associate professor of music engineering at the Peabody Institute at Johns Hopkins University; he is also a composer, producer, beatmaker, pianist, sonic architect, photographer, and videographer. But how has he sustained a career with such a diverse breadth of work?