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Crafting Cadences of Connection: An Interview with Brandon Woody

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For The Love Of It All marks the recording debut of trumpeter and composer Brandon Woody, serving as a manifesto and celebration of love’s enduring power. Joined by his band Upendo—pianist Troy Long, drummer Quincy Phillips, bassist Michael Saunders, plus special guest vocals from Imani-Grace and synth from Vittorio Stropoli—Woody extends an invitation into a shared communion through music.

Recently signed to the prestigious Blue Note Records, Woody stands on the threshold of a transformative journey in the jazz landscape. In a conversation about his artistic evolution, he reflected on the profound connection between his personal experiences and his work. He envisions his debut album as a collective odyssey, capturing the ebbs and flows of life, with love as the guiding force. “Music is not just about glitz and glamour; it’s about being present and vulnerable,” he states, emphasizing the raw honesty he strives for in his performances.

“For the Love of it All” album cover

Woody believes that the contributions of his band members are deeply woven into the fabric of the album, creating a rich tapestry of sound that reflects their shared experiences. “It’s a collective sound,” he notes, highlighting how the spirit of collaboration has shaped their artistry. His musical expression is inherently rooted in his heritage and the history of Black musicians, influenced by the legacies of his family and the vibrant pulse of the Baltimore music scene.

For Woody, music transcends mere storytelling; it serves as a powerful vessel for healing and unity, capable of bridging divides and drawing together diverse audiences. “We can unite people from different communities like few other things can,” he remarks, capturing the essence of connection that he aims to foster through his art. Through For The Love Of It All, he emerges as both an innovator and a storyteller, inviting listeners to embark on an exploration of love, heritage, and the transformative power of music—a journey that resonates with our shared humanity.

Photo by Shan Wallace
Photo by Shan Wallace

Jaddie Fang: Your album For The Love Of It All is described as a manifesto. Can you explain what this title means to you personally and artistically?

Brandon Woody: The album is like a manifesto that reflects both our collective journey as a group and my personal experiences in music, capturing both the highs and lows. It’s about our deep love for music, which is the driving force behind what we do. It’s important to me that this isn’t about money or fame; it’s about the music itself. I never want to lose that perspective, because without it, the essence of what we do would change significantly.

How did your collaboration with the members of Upendo influence the sound of your debut album?

The collaboration with Upendo was crucial to the album’s sound. Every member plays an essential role, contributing significantly to what we create. Troy and I, for example, started writing music together back in high school and then continued when I moved back to Mount Vernon in 2018. It was during that time we formed the core of what the Upendo sound is today. We had a monthly gig at An die Musik that lasted for a whole year, and it allowed our sound to evolve through collaboration. Everyone who has ever been part of this band has deeply influenced this project. This sound is the result of a collective effort from all of us.

The track “Real Love, Pt. 1” is noted as a balancing act between individuality and community. What elements of your personal experiences did you incorporate into the single?

Every element of my personal experience is woven into this song. It feels like a full expression of leaving everything on the stage in a very honest way. “Real Love” tackles the concept of love as infinite—there are no boundaries to it, and it can take many forms.

How do you translate that feeling into sound in your compositions?

The melody of “Real Love” embodies this complexity. I envision a peaceful beach alongside a volcano—it represents simultaneously calm and explosive energy. My aim is to create songs that feel like anthems—melodies that are memorable and singable. I focus on crafting melodies that are simple yet beautiful, allowing a range of emotions and experiences to coexist. Growing up in Baltimore heavily shapes my sound. Ultimately, the beauty is in embracing all these contrasting elements and how they come together in the composition.

Upendo photographed by Jamie Sandel
I envision a peaceful beach alongside a volcano—it represents simultaneously calm and explosive energy. My aim is to create songs that feel like anthems—melodies that are memorable and singable.
Brandon Woody

The melody of “Real Love” embodies this complexity. I envision a peaceful beach alongside a volcano—it represents simultaneously calm and explosive energy. My aim is to create songs that feel like anthems—melodies that are memorable and singable. I focus on crafting melodies that are simple yet beautiful, allowing a range of emotions and experiences to coexist. Growing up in Baltimore heavily shapes my sound. Ultimately, the beauty is in embracing all these contrasting elements and how they come together in the composition.

How has your education influenced your musical journey?

My education has been incredibly impactful, thanks to dedicated teachers who went above and beyond. I began my music journey at Leith Walk Elementary, learning trumpet, and later attended the Eubie Blake Jazz Summer Program. At a very early age, I attended both church and the Kingdom Hall, and the music I heard every Sunday had a big influence on me. My parents played a crucial role, ensuring my brother and I participated in enriching programs surrounded by skilled musicians.

How do you incorporate aspects of your heritage and the history of Black musicians into your music?

It’s inherently woven into everything I do. I don’t consciously have to incorporate my heritage—it’s already a part of me. My music is inspired by my ancestors and the influential figures in my community. The Baltimore sound, as well as the experiences of my family—my grandmother, grandfather, and mother—are all ingrained in me. By being honest about my experiences, I naturally reflect my heritage in my music.

Photo by Jamie Sandel
Photo by Jamie Sandel

How did the local music scene in Baltimore help you grow as an artist?

The local music scene in Baltimore has been my greatest source of inspiration. I’ve had the privilege of learning from legendary musicians like Theljon Allen and Gary Thomas. Their influence and support have motivated me throughout my journey.

After college, when I moved back to Baltimore, I quickly started my band and built a community over the past six years. The support I’ve received has been amazing; even before the release of my album. I feel incredibly grateful for the friendships and encouragement I’ve found within the local scene.

What role do you believe musicians play in fostering community and connection, particularly in today’s society?

Musicians play a vital role in bringing people together through music. I see our performances as a force for connection, with the intention of healing—not just for myself but for our audience as well. We can connect individuals from different communities—people of all ages, races, and backgrounds—creating a unique sense of unity that few other things can achieve.

Being vulnerable and honest on stage creates a meaningful experience; it’s about showing up authentically as our true selves, imperfections and all. I aim to inspire a feeling of urgency and passion in my performances—playing as if each moment could be the last. That conviction and authenticity is what I believe fosters deep connections within the community. It’s something worth celebrating.

 

Brandon Woody’s album For The Love Of It All was released on May 9, 2025 and is available here.

Header Image: Brandon Woody, photo by Shan Wallace All images courtesy of Brandon Woody

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