Professional Development & Career

Professional Development & Career

What We All Lose with the Termination of The Contemporary

The Contemporary prioritized diversity and authentic conversation in a city that desperately needed it, and took the time necessary to do copious research and build respectful relationships, rather than bulldozing an ego-driven agenda or leveraging art

At The Pérez Art Museum, Contemporary Local Artists are the Key to Thriving Museum Culture

I was shocked that the visible presence of local working artists was seen as an asset, rather than a liability, by this particular institution.

Abandoning the Gallery Safety Net with Matthew Mann, A DIY Guide for the Mid-Career Artist Given the chance, any DC-based artist or patron might spend time reminiscing about the galleries ...

Inside a Wing of a Former Sail Cloth Factory in Baltimore’s Woodberry Neighborhood, Two Sisters Merge Craft and Industry by Rachel Bone  Like any solid success story, Biggs and Featherbelle ...

A Panel Discussion with ARTS.BLACK Editors Jessica Lynne and Taylor Renee Aldridge moderated by Cara Ober Photos by Thea Harvey-Brown and Audio Editing by Jack Livingston On Saturday, June 24 BmoreArt ...

Living With Art: A Home and Studio Visit with Painter Erin Fitzpatrick by Cara Ober Chances are, if you've been living in Baltimore for a year or more, you've seen ...

The Birth of ARTS.BLACK & its Place in Art Criticism: An Interview with Editors Jessica Lynne & Taylor Renee Aldridge by Kelly Louise Barton Founded with the belief that art ...

Amy Boone-McCreesh visits the Old Goucher Studio of René Treviño René Treviño came to Baltimore in 2003 to attend MICA for Graduate School. I first met him during a tour of ...

Paul Rucker Named a Guggenheim Fellow in 2017 by Cara Ober On April 6, 2017, the Board of Trustees of the John Simon Guggenheim Memorial Foundation approved the awarding of ...

Amy Boone-McCreesh Visits the Baltimore Studio of Amanda Burnham Amanda Burnham considers herself to be a perpetual renderer; these drawings sometimes remain in their original format, but often become large, ...

Talking Artists and Development with AS220 Co-Founder Bert Crenca by Bret McCabe Le Mondo plans to open a venue at 404 N. Howard St. this year. This space, called Mondo, ...

Highlights from Teaching MA MICA Graduate Thesis Exhibition by Amy Boone-McCreesh February marked the official start of MICA’s ambitious thesis exhibition schedule. MICA offers over fifteen different graduate programs across ...

Sharon Louden's New Book Explores the Impact of Artists Who Promote the Work of Other Artists by Cara Ober After an extensive book tour for her first publication, Living and Sustaining ...

Interview with Curator Kimberly Graham by Alexandra Oehmke For decades the late William Christenberry’s photographs of the Deep South have been championed by the art world. The photos show a ...

An Interview with John Paradiso by Paul Shortt John Paradiso blends craft, masculinity, and sexuality in fiber artworks that address male identity. His work confronts viewers with beefcake men, pansies ...

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