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Indecent Exposure offers a distinctly Waters-esqe aesthetic and campy humor, with hundreds of images collaged from myriad film stills, as well as photography, sculpture, sound work, video, and a flower photo that will squirt water if you come too close.
As, Not For: Dethroning our Absolutes curated by Jerome Harris Explores the Work of Black Graphic Designers by A.F. Oehmke Today, it is impossible to look at any cultural industry ...
An interview with 2017 Maryland Teacher of the Year, Sia Kyriakakos by Catalina Sofia Dansberger Duque Athanasia Kyriakakos (Sia) remembers dancing with her father years ago at a Greek party. ...
Takeaways from the 2018 Baltimore Artist Retreat from Participating Artists and Consultants by Cara Ober My first summer camp experience was magical and transformative. It was an art camp organized ...
An Interview with Muralist Team Jessie Unterhalter and Katey Truhn by Elena Kindy Jessie Unterhalter and Katey Truhn are a Baltimore-based artist duo tackling large spaces through collaborative, geometric and colorful ...
ReModel Speaker Series March 29: An Introduction by Cara Ober For many artists, the relationship between the artist and art gallery is a dream within an enigma wrapped inside a ...
An Interview with Claudia La Rocco, Open Space Editor-in-Chief by Cara Ober I discovered SFMOMA’s Open Space, “a hybrid, interdisciplinary publishing platform for artists, writers, et al.” the way we ...
A Conversation between Culture Producers: Cara Ober, Sharon Louden, Zoë Charlton, and Tim Doud discuss altruism among artists and how this can manifest in a career. This program originally aired ...
This program originally aired on Untitled Radio on Thursday, December 7, 2017 at 3pm EST, live from the Untitled art fair in Miami Beach. During Untitled, Miami Beach 2017, we ...
The Contemporary prioritized diversity and authentic conversation in a city that desperately needed it, and took the time necessary to do copious research and build respectful relationships, rather than bulldozing an ego-driven agenda or leveraging art
I was shocked that the visible presence of local working artists was seen as an asset, rather than a liability, by this particular institution.
Abandoning the Gallery Safety Net with Matthew Mann, A DIY Guide for the Mid-Career Artist Given the chance, any DC-based artist or patron might spend time reminiscing about the galleries ...
Inside a Wing of a Former Sail Cloth Factory in Baltimore’s Woodberry Neighborhood, Two Sisters Merge Craft and Industry by Rachel Bone Like any solid success story, Biggs and Featherbelle ...
A Panel Discussion with ARTS.BLACK Editors Jessica Lynne and Taylor Renee Aldridge moderated by Cara Ober Photos by Thea Harvey-Brown and Audio Editing by Jack Livingston On Saturday, June 24 BmoreArt ...
Living With Art: A Home and Studio Visit with Painter Erin Fitzpatrick by Cara Ober Chances are, if you've been living in Baltimore for a year or more, you've seen ...