Reading

By Land and Sea: Behind the Scenes at the Kinetic Sculpture Race 2023

Previous Story
Article Image

BmoreArt’s Picks: May 16-22

Next Story
Article Image

Lullabies as Legacies: The Iris Music Project Col [...]

According to the AVAM, Kinetic Sculptures are amphibious, human powered works of art custom built for the race. Each May, the American Visionary Art Museum (AVAM) produces and hosts the East Coast Kinetic Sculpture Race Championship on the shore of Baltimore’s Harbor in central Maryland.  The eight-hour race covers 15 miles—mostly on pavement, but also including a trip into the Chesapeake Bay and through mud and sand.

Kinetic Sculpture Racing began in Ferndale, California in 1969 when artist Hobart Brown upgraded his son’s tricycle into a 5-wheeled pentacycle and was challenged to a race down Main Street. (Hobart did not win.) Over the decades since, the California race evolved into a 3-day all-terrain Kinetic Grand Championship including treacherous sand dunes, water crossings, and elaborate sculptures and costumes. 

The Baltimore Kinetic Sculpture Race came back in person Saturday, May 6. Opening ceremonies began at AVAM at 9:30 a.m., the race started at 10 a.m., with most teams crossing the finish line between 3:15–4:30 p.m.

Please enjoy Jill Fannon’s photos of a variety of kinetic sculpture racers as they gear up for a day at the races.

 

Text from AVAM Website, Kinetic Sculpture Page

Related Stories
Setting the Stage

Ashworth emphasizes that while the space has technological origins, its primary mission is to serve as a venue for human creativity, allowing individuals to engage authentically and expressively in theater.

From Concrete to Colorful

By working at such a large scale to cover not only walls, but at times the ground, ceiling, and pieces of furniture, Jessie and Katey are able to transform the surrounding environment, often gray and concrete, into an immersive chromatic experience.

A Decade of the New-York-Based French Artist's Work Bellows in a New Baltimore Art Venue

With Babble, Babble, a provocative gathering of a decade’s worth of his work, Antoine Catala (Toulouse, France, b. 1975) powerfully orchestrates a dystopic display of language as a failed tool for human understanding and community.

MAP's Annual Survey of Recent MFA Grads Places Artists from UMD, UMBC, and MICA in Discourse

This iteration of MAP's annual showcase of new regional talent reminds us why seeing artworks and artists in-person is vital, sprawl be damned. The exhibition closes Saturday, September 7.