For as long as she can remember, Beth-Ann Wilson has been “artsy.” Even as a child, her head was “always in the clouds.” Wilson, a 39-year-old painter and the founder and owner of Night Owl Gallery, traces the roots of her practice to 7th grade when, following her father’s cancer diagnosis and abrupt passing, her art teacher encouraged her to enroll in an after-school art program. “She knew what was happening with my family and told my mom that I was responding well to art,” Wilson recalls with a surprising smile.
Finding levity amidst melancholy is one of Wilson’s, perhaps more nuanced, strengths. An energetic painter whose work radiates bright hues and bold strokes, the artist manages to cast light onto even her most shadowed memories. She applies her creative vigor to transform, not only her internal world, but also the communities around her. This talent is particularly visible in her nearly eight years managing Night Owl Gallery.
Night Owl, which reopened in 2023 in the Station North Arts District, spans two floors. The exhibition space (open: Thursday and Friday 4 – 8 PM, Saturday 11:30 AM – 5 PM, and by appointment) is located on the second floor of a red brick building at the corner of W. Lafayette and Maryland Ave. Splashed across its north-facing side is a Bauhaus-inspired mural created by local artist Jaz Erenberg. The Gallery’s entrance can be found at the top of an exterior flight of stairs on W. Lafayette, while an interior staircase leads to six resident artists’ studios.
Night Owl’s seamless fusion of gallery and workspace reflects Wilson’s unwavering faith in art’s transformative capacity: that is, her belief that creative collaboration paves the way for social connection. This philosophy both drives Wilson’s practice and inspired her to expand Night Owl’s artist representation in 2017.
Though the Gallery was initially intended as a showroom for her paintings, Wilson reminisces that she couldn’t keep the walls filled. “People were buying my art faster than I could make it.” Around this same time, the artist recollects growing overwhelmed and discouraged by Donald Trump’s demeaning remarks about women.
Rather than allow the ominous political atmosphere to stifle her, however, Wilson attempted to breathe oxygen back into her practice and the Baltimore community. The painter invited female-identifying artists to contribute to a group show celebrating femininity and in dialogue with the 2017 Women’s March on Washington. A selection of the work was displayed, salon-style, in the gallery space. This was Night Owl’s first group exhibition and the beginning of a venture that has shown no signs of slowing.
Night Owl aims to spotlight current concerns through art, creativity, and the Baltimore community. Additionally, Wilson stresses, “I want to challenge the [general] feeling of being left out.” So many people, she reflects, are familiar with the sentiment of “not belonging… it’s the worst.” This underlying push towards inclusivity means Night Owl functions like a community center as much as an exhibition space. The Gallery emanates a sense of safety, inviting visitors to socialize as they explore its intimate nooks.
Wilson’s aspiration to use Night Owl Gallery to weave artists and the Baltimore community together is motivated by her fiery desire to spur change through creative alliance. ‘Community programming’ is a “common denominator,” she explains, linking the Gallery’s exhibitions regardless of theme or subject matter. The painter describes the joy she experiences watching people make connections: “I love seeing individuals [from all walks of life] become aware of each other and collaborate.”
In today’s fast-paced commercial art world, Night Owl’s commitment to community and grassroots growth is particularly refreshing. Wilson and her creative vision remind us to slow down and appreciate our relationships with, not only the art we consume, but also each other. Like Night Owl, Wilson is an inspiration to any gallery seeking to utilize art to spark change and transformation.