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BmoreArt News: Artscape, iWitness at the Lewis Museum, James Baldwin

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This week’s news includes: Artscape 40, SubScape, a new media exhibition opens at the Lewis Museum, changes at the SNF Parkway Theatre, the thriving Baltimore vintage scene, John Waters’ LA exhibition closes, celebrating James Baldwin, transforming a SW DC underpass, and FRESH BLACK FILMS series comes to Baltimore  — with reporting from Baltimore Magazine, Baltimore Fishbowl, Baltimore Brew, and other local and independent news sources.

Header Image: Dancing continued after midnight at The Royal Blue. (Sam Levin / The Baltimore Banner)


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Friday's packed dance party at The Royal Blue -J.M. Giordano

Photos: Artscape After Hours 2024
by J.M. Giordano
Published August 5 in Baltimore Magazine

Excerpt: Rain? What rain? Despite storms that closed Artscape proper (and cancelled anticipated headliners Chaka Khan and Sheila E.) on Friday and Saturday nights, dance floors throughout Station North were packed into the early hours of Sunday morning in celebration of the fest’s 40th anniversary.

Spots including Metro Baltimore, 1722, The Royal Blue, Club Car, Mobtown Ballroom, and The Crown—which sadly celebrated its final Artscape before it closes for good later this month—kept revelers busy with everything from drag shows and all-night DJ dance parties to experimental bands and metal acts performing in conjunction with Subscape.

Check out scenes from the Station North clubs after dark, below:

See also:

PHOTOS | Despite stormy weekend, Artscape 40 fills Baltimore streets and venues with creativity and community
by Baltimore Fishbowl Staff
Published August 5 in Baltimore Fishbowl

PHOTOS: What Baltimoreans did when Artscape got rained out
by Sam Levin
Published August 4 in The Baltimore Banner

 

 

Artscape is the largest free arts festival in the nation. Community leaders and elected officials alike celebrated the 40th edition of the annual community oriented, creativity fueled gathering from Aug. 2 to Aug. 4. Shown here, the men of DuPont Brass on the Artscape main stage on Aug. 3. (AFRO Photo / Alexis Taylor)

Artscape returns to Baltimore for celebration of art, music and culture
by Aria Brent
Published August 5 in The AFRO

Excerpt: Artscape recently returned to Baltimore, drawing thousands to the event that has become a hallmark of artistic expression and community spirit. Held from Aug. 2 to Aug. 4, 2024, artists and art lovers from around the region and beyond descended on Baltimore in hopes of experiencing good music, great food and innovative art exhibits.

This year’s Artscape festival lived up to its reputation as the largest free arts festival in the nation. Over the three day event, attendees were treated to an electrifying mix of artistic exhibitions, performances and interactive experiences that showcased the rich diversity of Charm City’s creative scene.

See also:

Is Artscape cursed? Let’s examine the evidence.
by Hallie Miller, Lillian Reed and Adriana Navarro
Published August 6 in The Baltimore Banner

 

 

SubScape co-organizer Michael Habif says Silk Leash, pictured, "is probably one of my favorite current bands in Baltimore, but not enough people know about them.” (Sean Reilly)

SubScape revives the tradition of underground alternatives to Artscape
by Al Shipley
Published August 2 in The Baltimore Banner

Excerpt: Artscape, America’s biggest free arts festival, has held a special place in Baltimore summers since its inception in 1982. Over the last two decades, though, a secondary tradition has emerged: unofficial sister festivals that celebrate underground music on the same weekend, always sharing the “-scape” suffix.

This year’s festival spin-off is SubScape, held on Artscape weekend from Aug. 2 to Aug. 4. The lineup features mostly Baltimore bands, ranging from punk to metal to experimental music, in free, all-ages shows at both The Crown and Metro Baltimore.

One headliner is the legendary Canadian punk band D.O.A., which formed in 1978 and helped create an early touring circuit for hardcore punk in the ‘80s, as well as their summer tourmates, the Baltimore feminist punk band War On Women. The eclectic bill includes the avant jazz band Microkingdom and the abrasive electronic sounds of DicqBeats, but the focus is primarily on the city’s thriving “heavy music” scene, from punk to metal.

… this story continues. Read the rest at The Baltimore Banner: SubScape revives the tradition of underground alternatives to Artscape

 

 

Reginald F. Lewis Museum Unveils New Exhibit: iWitness: Media & the Movement
Press Release :: August 1

The Reginald F. Lewis Museum of African American History & Culture (830 E Pratt St, Baltimore, MD 21202) is proud to announce the opening of its latest exhibit, “iWitness: Media & the Movement,” on Thursday, August 8, 2024. This captivating exhibit delves into the pivotal role of media—radio, television, photography, and the press—in shaping and advancing the modern American Civil Rights Movement.

The exhibit commemorates the 60th anniversary of the landmark Civil Rights Act of 1964 and highlights the significant contributions of activists, community leaders, and organizations in Maryland. These individuals and groups utilized the media to expose injustices and galvanize public opinion towards the cause of civil rights.

“’iWitness: Media & The Movement” is a compelling exploration of how media served as a powerful tool for change during the civil rights movement,” said Robert Parker, the museum’s Chief Curator & Director of Interpretation, Collections, and Education. “This exhibit not only commemorates the pivotal events and figures of the era but also underscores the ongoing relevance of media in the fight for social justice. As we approach a critical election, it’s essential to reflect on the lessons of the past and recognize the power of the media in shaping public discourse and advocating for civil rights.”

The Lewis Museum will also host a free community day on Saturday, August 10, 2024 in
celebration of the new exhibit. Visitors are encouraged to visit www.lewismuseum.org to register
to attend in advance.

See also:

New exhibit at Reginald F. Lewis Museum focuses on media in the Civil Rights Movement
by Aliza Worthington
Published August 6 in Baltimore Fishbowl

New Reginald Lewis Museum exhibit shows power of media in the Civil Rights Movement
by John-John Williams IV
Published August 7 in The Baltimore Banner

 

 

Sedat Pakay’s 1965 photo of Baldwin in Kilyos, Turkey

Tracing James Baldwin’s Legacy Through His Friendships on His 100th Birthday
by Maya Pontone
Published August 1 in Hyperallergic

Excerpt: August 2 marks the centennial anniversary of James Baldwin’s birth. As one of the most influential voices to come out of the 20th-century Civil Rights Movement, his words bore witness to the racial strife and homophobia he and countless others experienced in the United States. Nearly four decades after his death at 63, books and plays like Go Tell It on the Mountain (1953), The Fire Next Time (1963), Blues for Mister Charlie (1964), and If Beale Street Could Talk (1974) continue to echo truths in the face of today’s injustices and inspire new generations of writers, artists, and activists globally.

At the Smithsonian Institution’s National Portrait Gallery, the recently opened exhibition This Morning, This Evening, So Soon: James Baldwin and the Voices of the Queer Resistance traces his life and lasting influence through a global network of friends — many of whom were other queer activists and artists — drawing from a wealth of archival media, documents, and artworks.

 

 

The SNF Parkway Theatre is located at the corner of North and Charles streets. The theater, which first opened its doors on Oct. 13, 1915, has undergone several renovations, rebrandings, and rebirths over the decades -- including a new vision for the institution that was unveiled in May 2024. Photo by Maggie Jones.

Renewed, robust vision for the SNF Parkway Theatre focuses on community
by Aliza Worthington
Published August 2 in Baltimore Fishbowl

Excerpt: In May 2024, the SNF Parkway Theatre unveiled a renewed, energized, and community-centered vision the iconic art house cinema, which first cranked up the movie projector nearly 110 years ago.

Camille Blake Fall is the vice chair of the board of directors of the SNF Parkway, which is home to the Maryland Film Festival (MdFF). She has been working with the MdFF in some capacity since 2005. Scot Spencer, board chair and a proud 30-year resident of Baltimore City, has an affiliation with MdFF that reaches back to 2018 when he joined the board. They spoke with Baltimore Fishbowl to flesh out and amplify their renewed vision.

The Parkway opened its doors as a movie theater on Oct. 13, 1915. An anchor building at the corner of North and Charles streets, the theater underwent several renovations, rebrandings, and rebirths over the decades until it closed its doors seemingly for good in 1978 after struggling for years. Decades later, the Maryland Film Festival (MdFF) acquired the Parkway from the City of Baltimore, aiming to turn it into a year-round film center with a restored original auditorium and two new screens.

 

 

A variety of clothing items and accessories are seen on display at secondhand clothing store The Zone (Ronica Edwards/The Baltimore Banner)

In with the old, out with the new: How Baltimore’s vintage items are saving the world
by De’Andre Young
Published August 5 in The Baltimore Banner
It’s been hot enough in Baltimore this summer to make folks nostalgic for the good old days. A time before the effects of climate change were a daily part of our painful reality. Before intense mass production. Before synthetic materials were disseminated around the country.

Fortunately, people yearning for the past is one of the best things for the environment.

Ecologically conscious Baltimoreans’ investment in buying old stuff has become integral to sustainable living. That’s particularly true when it comes to clothing and the fight against fast fashion, which overflows landfills with production waste.

Fast fashion refers to garments that are mass-produced quickly and cheaply to satisfy the increasing demands of consumers. Brands that utilize that process, such as Forever 21, H&M and Shein, all have significant environmental impacts.

The fashion industry is on track to increase its greenhouse gas emissions by more than 50% by 2030, according to the nonprofit Ellen MacArthur Foundation. Fast fashion accounts for 10% of yearly carbon emissions globally, which is more than all international flights and maritime shipping, according to the foundation.

For Mount Vernon vintage shop owner Donna Jenkins, “classic, well-made garments” are the way to go, especially when surrounded by synthetically made pieces.

“I strive to buy natural fibers. So, I have linens and silks, there are some polyesters, but I strive for something that’s going to last longer than, say, something that’s made by Shein,” the Enigmatology owner said. “I feel like people who want something secondhand want … a better-quality item that will last them longer.”

A study led by Peter Ross of the Ocean Wise Conservation Association in Canada revealed in 2020 that roughly 73% of microplastic particles in the Arctic Ocean were from polyester.

“It’s not a good deal if you’re getting something for under $10 and its 100% polyester — well, 100% petroleum oil — and it’s not going to last and you’re not going to feel comfortable in it,” Jenkins said.

When she was starting out in the 1970s and ’80s, warehouses kept bales of up to 1,000 pounds of recycled clothing from the 1920s and ’30s. Those “rag houses” in and around the Washington, D.C., area were an example of what could be done about textile waste and an escape from the polyester prison of popular disco wear, according to Jenkins.

The shop owner has seen attitudes change over time, including the way increasing numbers of customers shop more sustainably.

“I saw, when I started, kids would come in and their parents would go, ‘This is secondhand, I’m not paying $5, it’s used,’” Jenkins said. “And now, parents come in and they shop, too, because they don’t want to buy new stuff.”

The Ellen MacArthur Foundation reported that the fashion industry uses enough water to meet the needs of five million people, and 20% of wastewater comes from dyeing and treating textiles.

Nancy Hotchkiss, who has a background in conservation education, is the site director of Pigtown’s SCRAP Creative Reuse, a nonprofit network that wants to build community and fill the “craft desert” gaps by recycling donated materials and using creativity to promote sustainability.

“America has a buying problem, and businesses have a packaging problem. Because if you’re buying pompoms for your kid’s school project, I don’t need 100 pompoms,” Hotchkiss said. “They’re packaged in ways that create a lot of excess and then here we are making sure it doesn’t end up in the landfill, and knowing that somebody’s going to use it.”

Hotchkiss said SCRAP has been successful in keeping around 70 tons of waste out of Baltimore landfills since starting up in the summer of 2016.

“We’ve all gotten very spoiled by, ‘Oh I can just click on the computer and it will show up tomorrow.’ We don’t think about all the different steps that go into that,” Hotchkiss said. “You order it, it gets manufactured in another country, it gets shipped over here, it then goes to a warehouse, and then gets into a truck and that then gets to your house.”

Mount Vernon resident Sonya Norko upcycles and has shopped at SCRAP for project materials. She’s also a frequent customer at The Biddle, a Black-owned thrift shop near Penn Station. Norko uses some of the pieces she buys to make her own designs, sewing together different garments to make new ones.

She believes it’s important that secondhand shopping is accessible if it’s to be good for the planet. She said the amount of material bought and sold through the Biddle shop is abundant, and people are invested in staying away from buying brand new products.

“If I find something that inspires, I’ll buy it, I’ll change it up. If it’s slightly damaged, I’ll fix it,” Norko said. “Buying new is unsuccessful a lot. I don’t find often a lot of the stuff that I want.”

Shopping at local thrift stores has been a way of being involved with the community while also dismissing the major corporate clothing retailers looking to maximize profit that intrinsically creates more waste, Norko said.

Danyell “Danny” Williams, owner of Illicit Rag Vintage near Belvedere, also understands the difference in quality of life for the producers behind long-lasting garments versus the people who work to produce fast fashion garments for large companies.

“Stuff that I wear, a lot of it, somebody’s grandmother made it,” Williams said. “She took her time, she put her heart into it, she put her soul into it, when there are people that are getting paid like $10 a month and barely that.”

One commonality the vintage shops share is a lot of environmentally conscious young customers interested in lessening the impact garments have. Students from Baltimore School for The Arts, Maryland Institute College of Art and others tend to be some of their most frequent clientele.

Williams said the younger crowds her shop attracts are sometimes looking to buy vintage because they are aware of the waste associated with clothing manufacturing, while others may be looking for a good deal. But their impact still matters.

“I have four colleges within like a 5-mile radius, so I have a lot of the kids that are coming in, and that’s what they’re looking for, they’re looking for vintage. Some of them are just looking for vintage Levis, but like I said, that’s a start,” Williams said.

The preservation of quality fashion and materials for their history can be an “archeological” pursuit, Hotchkiss said.

Whether someone is looking to create a new article of clothing from the older remnants of others, or just find a classic piece, shopping at vintage and thrift stores continues to be an avenue for creativity, education and unified waste reduction. By buying garments from the past, there’s potential for everyone to still look cool in the future.

This story was republished with permission from The Baltimore Banner. Visit www.thebaltimorebanner.com for more.

 

 

Baltimore filmmaker John Waters at the Academy Museum of Motion Pictures. Photo by Greg Gorman.

Closing Sunday, the ‘John Waters: Pope of Trash’ museum exhibit paid tribute to the filmmaker and his hometown
by Ed Gunts
Published August 2 in Baltimore Fishbowl

Excerpt: For anyone wondering where filmmaker John Waters shot all of his movies, a visit to the Academy Museum of Motion Pictures in Los Angeles provides more than a hint.

In the first gallery of the museum’s blockbuster exhibit, “John Waters: Pope of Trash,” visitors are treated to a movie montage in which characters say the name of the city where each film was shot: “God, I love Baltimore. It’s a real city of diversity.” (“A Dirty Shame”).

Read BmoreArt’s review of the exhibition here.

 

 

Ham and Cheese Studio (Chelsea Henery and Sami Seezox) Community Garden is a tribute to the architecture and community of Southwest, featuring buildings carried by snails and hellebore flowers which symbolize growth amid disruption.

East City Art Features—A Transformative Vision for Southwest: Reimagining the Fourth Street Underpass as a Community Art Gallery
by Phil Hutinet
Published July 22 in East City Art

Excerpt: In Southwest DC, a once bleak and unwelcoming underpass has undergone a remarkable transformation. The Fourth Street underpass, a previously nondescript crossing beneath the Southeast-Southwest Freeway, has been completely reimagined as a vibrant community art gallery. This ambitious project, spearheaded by the Southwest Business Improvement District (SWBID), in collaboration with local artists and community members, stands as a testament to the power of public art in reclaiming and revitalizing urban spaces.

The vision for this project was born out of a desire to reflect the rich diversity and unique character of the Southwest neighborhood. Lexie Albe, Managing Director of the SWBID explains, “Southwest is such a unique place. It’s so diverse that there’s no one universal anything within this community. We felt that one artist or one story or one mural in this underpass just wouldn’t do it justice.” This sentiment led to the creation of a larger public gallery, the Gallery of Southwest, created as a series of murals which collectively tell the multifaceted stories of the people who live, work, and have roots in Southwest.

 

 

A still from Oreoluwa Akinyode’s “SHINING, IN PLAIN SIGHT”

Emerging Black Filmmaker Series FRESH BLACK FILMS Lands in Baltimore on August 15th
Press Release :: August 6

In our ever-growing media landscape, over-saturation of content through streaming, expanded cable stations, and social media apps has made it increasingly difficult for up & coming filmmakers to get their work noticed as public attention is pulled in numerous directions and audiences are unable to connect with compelling content that speaks directly to and for them.

This lack was a chief motivator for The Luminal Theater to bring back FRESH BLACK FILMS (FBF), its emerging Black filmmaker series. Fresh Black Films exists to help bolster the recognizability, audience connections, and patrons for the work of early career filmmakers by hosting dedicated screenings of their work. After stops in Brooklyn, Atlanta, and Durham earlier this summer, FBF will make its fourth stop in Baltimore, screening five short films on August 15th at 7pm at Le MONDO in the BROMO Arts District.

Highlights of Fresh Black Films – NORTH (2nd ed.) includes additions from Baltimore and DC-based filmmakers, featuring films from Britt Sankofa (“Baby Doll”), Sha-Shonna Rogers (“Impressions of Asher”), and Oreoluwa Akinyode (“Shining, In Plain Sight”).

Following the screening will be a filmmaker talkback, preceded by the audience voting for their favorite film via QR code. See the full lineup below and get tickets at www.luminaltheater.org/events or via TicketLeap at https://bit.ly/FBF24N2-b

Jacqui K. Brown, Director of Special Projects for The Luminal, further defines the critical nature of FBF’s efforts to present these emerging works: “We define ‘emerging’ as filmmakers, regardless of age, who are either fairly new to directing & producing their own films and/or have had only intermediate success on the film festival circuit, and also have not had films acquired by major distribution or streaming platforms.” Jacqui goes on to say, “All our selected filmmakers have unique perspectives that are aching to be seen and discovered and supported by audiences and by film industry professionals – and we are making that happen for them.”

The Luminal Theater’s Fresh Black Films is sponsored in part by the National Endowment for the Arts, and venue partner Le Mondo, with sponsored prizes to our audience-chosen favorite films from sponsors Final Draft and Coverfly.

FRESH BLACK FILMS NORTH – Baltimore Lineup

DOLL BABY

By Britt Sankofa
Part live-action, part stop-motion animation, this film takes a hard look at gender, its imagination, and its functionality

portal(s)

Directed by Victor Arumemi
Two travelers navigate borders and boundaries, in pursuit of radical change.

SIDE B

Directed by Brandon Jones
During the holidays, “Side B” tells the story of a record-store owner finding catharsis from her past through the healing power of music.

IMPRESSIONS OF ASHER

Written, Directed, Edited by Sha-Shonna Rogers
Some people are born with a certain level of confidence and some people learn it along the way. Asher tells his journey through his memory.

SHINING, IN PLAIN SIGHT

Directed by Oreoluwa Akinyode

A collection of rituals, research, and recollections of experiences that explore Black Queer and Trans people’s relationships within African Spirituality.

About THE LUMINAL THEATER
The Luminal Theater is a nomadic cinema that provides fully-curated exhibitions of diverse cinema and media of the Black/African diaspora, allowing these artists to present their work within our unique brand of shared audience experiences, and centered in predominantly Black communities. The Luminal serves an eager population of filmmakers, mediamakers, film enthusiasts, multiple discipline artists and art-minded people, all looking to use Black cinema to reignite imagination and media storytelling in the Black community. The Luminal’s long-running series include BLK Docs, dedicated to showcasing new works from Black US-based documentarians and instilling a documentary culture in the African-American community, and the Caribbean Film Series, celebrating nine years of bringing diverse Caribbean cinema to New York City.

About FINAL DRAFT
The first-choice tool of professional screenwriters everywhere, Final Draft is the industry standard for seamless script writing. Used by screenwriters, studios and production companies around the world, it’s the only tool that lets you fully customize your writing environment, streamlines your process, maximizes your productivity, and correctly formats your work. All so you can focus on what matters most—writing.

About COVERFLY

Coverfly allows you to build your screenwriting resume, connect with other writers and industry professionals, access exclusive resources and opportunities, and find the best competition and coverage options for you. Take charge of your screenwriting career with Coverfly.

About LE MONDO
Le MONDO is an artist-owned bar & performance venue for artists and art-lovers with diverse arts programming, artist studios, and event space. They support their creative community by providing affordable, flexible space to make and present new art. The project was founded by local artists in 2014 to address the ongoing lack of safe, accessible, artist-owned spaces to make and present work in the city. From the seeds of that vision, Le Mondo has grown into a grassroots initiative that is redeveloping three vacant buildings into an artist-owned multi-use hub for performing arts and radical community collaborations.

 

 

Header Image: Dancing continued after midnight at The Royal Blue. (Sam Levin / The Baltimore Banner)

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