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BmoreArt News: Amy Sherald, Sweaty Eyeballs: Animation Adjacent, Baltimore Jazz

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This week’s news includes: Amy Sherald profiled in NYT, Sweaty Eyeballs: Animation Adjacent coming to Area 405, Little Havana’s Hemingway Room plays host to Baltimore jazz performers, VisArts Wingate Grant to fund craft studies, Miss Maryland Bailey Ann, Jason Buckwalter named new General Director of Maryland Opera, Black Power and Palestine lecture at Banneker-Douglass Museum, Art with a Heart moves to Hampden, 2024 Grit Fund winners, Mt. Vernon Plein Air show, Dan Rodricks returns to the BMA, Baltimore MET Gala, new exhibition at MoCA, New/Next Film Fest opening with ‘Messy,’ and celebration at Chinquapin Run Park — with reporting from Baltimore Magazine, Baltimore Fishbowl, Baltimore Brew, and other local and independent news sources.

Header Image: Four of Amy Sherald’s portraits, clockwise from top left: “Kingdom,” “To Tell Her Story You Must Walk in Her Shoes,” “If You Surrendered to the Air, You Could Ride It,” and “For Love, and For Country.” The last image, of two men embracing, revisits Alfred Eisenstaedt’s photo of a sailor kissing a woman in nurses’ whites on V-J Day at Times Square. Credit…Amy Sherald and Hauser & Wirth

YARN | fighting, screwing and reading the news. | Anchorman: The Legend of Ron Burgundy (2004) | Video gifs by quotes | a3a1779c | 紗

Amy Sherald, on the eve of a major show at the San Francisco Museum of Modern Art, says she is delighted to “rid myself of the critical self I grew up with.”

Amy Sherald, Brazen Optimist
by Nancy Princenthal, Photographs by Dana Scruggs
Published September 9 in The New York Times

Excerpt: A painter of luminous figurative compositions, Amy Sherald thinks like a filmmaker. When I visited her Jersey City studio this summer, she put it plainly: “I’m directing in the paintings.”

Sherald became famous after her portrait of the former first lady, Michelle Obama, was unveiled in 2018. Attention grew with Sherald’s portrait of Breonna Taylor, the Black medical worker who was killed in 2020 by police in Louisville, Ky., during a raid on her home. It remains one of the best known pictures of protest and resilience to come out of the Black Lives Matter movement.

But Sherald’s reputation as a portrait painter is misleading. In fact, she almost always invents her subjects. The work begins, she explained, with finding sitters — actors, really — to support characters and stories of her own devising. Her subjects, all Black, are friends, strangers and, lately, people found through casting agents, whom she clothes and poses (often amid props), then submits to hundreds of photographs. In the paintings that result, they generally gaze straight out at the viewer and establish a commanding silence.

 

 

Sweaty Eyeballs: Animation Adjacent | Expanded animation and associated artifacts
Press Release :: September 9

AREA 405 Gallery, 405 East Oliver Street, Baltimore, MD, 21202
Sept 13 – Oct 20, 2024

Animation is an all-encompassing artform, embracing any medium and process an artist can come up with. Each frame of an animated film is an artwork in its own right, but when that artwork extends beyond the screen into the gallery, expect the unexpected. Sweaty Eyeballs: Animation Adjacent, opening Friday, September 13 at Area 405, highlights work by artists from the Baltimore, D.C. and Philadelphia regions, manifesting as an extension of their animation that finds its best home off the screen and outside the theater. The animator is concerned with the sequencing of the individual image and the illusion of movement created by playing those images in rapid succession, but not all of those images end up on a screen.

A walk through the Area 405 gallery will lead you to touchpoints in animation’s very beginning, including praxinoscopes and zoetropes, pre-cinema optical devices that have been expanded and adapted by artist and historian Robby Gilbert. Viewers have the option of creating their own hand-drawn praxinoscope sequences and seeing them burst into movement in the machine. Juxtaposed with these historical entertainment devices are two interactive, generative installations by Timothy Nohe and McCoy Chance. Both artists use sound translated into electronic signals as the catalyst for animation. Similarly, the viewer is invited to be the “animator” by activating the works with their voice and movement with markedly different outputs in each work.

Animation is an exploration of the uncanny – things that touch the humanity inside us but take us to imaginary spaces beyond our physical limits. Among the works, the viewer will encounter Things That Don’t Have Names by Stephanie J. Williams. The floor to ceiling soft sculpture hangs like the uncanny offal of an imaginary creature, enticingly beautiful and shimmering. Taylor Goad offers us his alter ego, a multi-bodied character he has been exploring through masks and character animation, while the thumb sized sculptures by Eva Grandoni incite a wry meditation on the body’s deterioration through “clayging”.  Also working in miniature, Jim Doran presents an assemblage of fragmental stories contained in small containers. Inviting us into a speculative underwater world, Eric Millikin’s Augmented Ocean has a hidden animated life that can be viewed through the free Artivive augmented reality app. Generated through Millikin’s self-trained artificial intelligences, the extended landscape may or may not be a place for humans to exist. Also using the Artivive app to extend the viewer’s experience, the augmented prints by the collective SKRFF_ology peel through the layers of a 40 year old graffiti wall in Vienna, Austria, releasing an explosion of artistic expression.

Kelly Bell’s installation Enchanted Jangle, is the epic cardboard fort your five-year old self dreamed of. With dancing patterns projected and mapped to the sides of this slightly too cheerful structure, we aren’t sure if we are being invited inside or meant to keep our distance. Tapping into her own family history and diasporic longing, Kat Navarro’s The view from my childhood window collage of vinyl and tufted sculptures invite us into a different experience of memory. The meditation on far away places that are sometimes too close to home resonates in the ceramic phenakistoscope plates and tapestry in the chinoiserie Lanterns by Amy Lee Ketchum.

Whether made during film production or as an adjacent practice, the artists in this exhibition expand the meaning and experience of animation. In addition to Friday’s Opening Celebration during the Station North Art Walk, Area 405 will host the Animation Adjacent Variety Show and Film Screening on October 11, supported through a FreeFall Baltimore programming grant. The venue will also play host to some Sweaty Eyeballs Animation Festival Events during the final weekend of the show, October 18-20th.

Animation Adjacent is presented in partnership with Baltimore’s homegrown Sweaty Eyeballs Animation Festival, and is curated by Corrie Francis Parks, a Baltimore based animator and Associate Professor of Visual Arts at UMBC.

Essential Information
https://www.area405.com/
https://www.sweatyeyeballs.com/

Gallery Hours
Thurs, Fri, Sat 12-4pm

Exhibition Programming
September 13, 2024 – Station North Second Friday Art Walk

Opening Reception
5-9pm, FREE
Opening remarks at 7pm

Join us at AREA 405 during the Station North 2nd Friday Artwalk to celebrate the opening of the exhibition.

October 11, 2024 – Station North Second Friday Art Walk

Variety Show and Film Screening
7-9pm, FREE

In this modern interpretation of the vaudeville format, artists who are exhibiting in the exhibition, or who practice performance arts closely related to animation, will take the stage for a series of  5-10 minute acts of eclectic delight. An animation screening of short films by artists in the exhibition will follow the live acts with a short Q&A. These artists push the boundaries of animation as an artform, making films that incorporate experimental techniques, alternative narrative and non-narrative approaches, and a span of new and old technology. Visitors are welcome to attend all or part of the event.

Sponsored by FreeFall Baltimore, Area 405, and Sweaty Eyeballs Animation Festival

Sweaty Eyeballs Festival Programming
October 18, 2024, Time TBA

Festival opening party
October 20, 2024, Time TBA

Artists’ Talk and Closing Celebration

Artists:

Kelley Bell
McCoy Chance
Jim Doran
Robby Gilbert
Taylor Goad
Eva Grandoni
Amy Lee Ketchum
Eric Millikin
Kat Navarro
Timothy Nohe
Stephanie J. Williams
SKRFF_ology

Curator: Corrie Francis Parks

Corrie Francis Parks is an inventor of animation approaches, driven to discover new methods of movement through an exploratory studio practice. Her short films and installations adopt, adapt and undermine the illusion of life through hybrid digital/physical methods. She is an Associate Professor of Visual Arts at University of Maryland, Baltimore County and author of the book, Fluid Frames: Animating Under the Camera with Sand, Clay, Paint and Pixels.

 

 

Photography by J.M. Giordano

Pop-Up Jazz Club on Key Highway Is An Incubator for Local Performers
by Mike Unger
Published September 9 in Baltimore Magazine

Excerpt: Ed Baldi spends his days surrounded by sound. As a freelance producer, event promotor, and musician, his Locust Point studio is packed with keyboards, computers, and monitors from which melodies emerge. And just a few doors down, he’s now bringing music to the masses.

Baldi is a cofounder of Sonic Lifeline, a passion project that he started with his nephew, photographer Nick Moreland, during the pandemic. They wanted to provide an artist-centric opportunity for young musicians and strengthen Baltimore’s reputation as an important East Coast city for jazz.

A Federal Hill resident, he didn’t have to look far for a venue, approaching his friend Marc Gentile, managing partner at the restaurant Little Havana, about using its back room to stage a new concert series.

“I walked in there, clapped my hands, and heard the reverberance,” says Baldi. “The room sounded like an instrument. I said, ‘I want to hear a horn being blown in here.’”

 

 

image from VisArts website

VisArts Awarded Windgate Grant to Expand Center for Craft Studies
Press Release :: September 5

VisArts is thrilled to announce it has been awarded a two-year, $300,000 grant from the Windgate Foundation to augment its Center for Craft Studies initiative. This generous funding will significantly enhance VisArts’ commitment to celebrate and advance craft arts throughout the region.

The Windgate Foundation’s support for this program over the past two years has been pivotal in integrating craft into various VisArts programs, with the launch of an inaugural Craft Arts Residency, expansion of its educational offerings to include a broader array of craft-related courses, and enrichment of its summer camps with new textile and printmaking projects. Craft remains a strong focus of VisArts’ galleries and exhibition programs.

Continued support from the Foundation will allow VisArts to significantly broaden the scope and impact of the Center for Craft Studies. Funding will enable the expansion of programs designed to support artists at all levels, from emerging talents to established professionals.

This includes refinement of the Certificate Program in Mastery in Craft and Creative Industries, which will offer more flexible and diverse learning opportunities; introduction of a new Craft Apprenticeship Program, which will provide valuable technical and teaching experiences; continuation of Craft Art Residencies, which will extended support to resident artists, including studio space, teaching opportunities, and exhibition opportunities; and introduction of a new series of meetups called Craft + Conversation, which are designed to foster connections with craft experts and collectors as they explore contemporary craft genres in an intimate setting.

Robert Devers, Center for Craft Studies Coordinator and a key figure in founding the Center, shares: “Receiving this grant from the Windgate Foundation is a game-changer. It validates the hard work we’ve put into developing and launching the program and will allow us to elevate our craft offerings, expand our reach, and provide even more opportunities for artists and craft enthusiasts. We’re excited to continue growing and evolving our programs with this support.”

Alice Nappy, Executive Director of VisArts, adds: “We’re grateful to the Windgate Foundation for their ongoing commitment. Their support is transforming VisArts’ ability to offer outstanding craft programs and opportunities. We’re excited to build on the innovations and strong foundation we’ve established.”

 

 

Miss Maryland USA Bailey Anne. (Fadil Berisha)

Defying the odds: First transgender Miss Maryland USA on changing the world
by John-John Williams IV
Published September 8 in The Baltimore Banner

Bailey Anne’s mom was apprehensive when she told her she was going to compete for the Miss Maryland USA pageant.

Her mom thought her transgender daughter might be harassed and ridiculed, and worried about her safety.

“I told her that the world is changing,” recalled Bailey Anne, who doesn’t use her last name because her identity has unfortunately also come with threats from people who don’t agree with it.

And so she competed this year and became the state’s first trans woman titleholder. She was also Maryland’s first Asian American winner and the oldest contestant to represent the state in the Miss USA pageant.

“I’m glad I took that step,” she said. “All the people who have reached out to me, I’m able to be an influence for them as well.”

Bailey Anne says she can’t remember a time she didn’t feel like a woman. She recalls playing with makeup in elementary school.

By high school, she said she was living “my authentic self.”

“It was wonderful,” she said.My family knew. I always knew.”

Maybe it’s that confidence and support that has prepared the barrier-breaking beauty queen, who not everyone has embraced.

She said she has been the target of constant online attacks from trolls, and death threats to her and to her family and friends.

“There have been times that I wanted to clap back so bad,” she said. “People don’t know me. If they would give me a chance, we would be in a better place, and we wouldn’t have so many trolls and mean comments. We are all human and learning to learn and adapt. I can understand that.”

Bailey Anne calls becoming Miss Maryland a full circle moment in that it marked 20 years since she immigrated to the United States at age 11. Members of the Asian community in Silver Spring where her family first settled were some of her biggest supporters.

“The Asian community — especially the Cambodian community — tends to stick together. That’s part of our culture,” she said.

She has nine months left in her reign, and plans to use it to continue opening people’s minds.

That means being the grand marshal of a parade in Cottage City, a small town in Prince George’s County; reaching out to fashion designers this month for modeling and collaboration opportunities during New York Fashion Week; and even lending her voice to talk about youth mental illness at The Baltimore Banner’s annual iMPACT Maryland big ideas event next month.

She knows that increasing her visibility in society will help make visibility and existence easier for the next generation — whether that be LGBTQIA+ people, women of color or housewives.

“There has been a lot of pushback and negativity in the media. Although I am very strong minded — I am still human. I am not doing this just for myself.”

Here are some other interesting facts Bailey Anne shared about herself:

Family and friends are off-limits

Bailey Anne declined to go into much detail about life with her husband, an active duty officer of the U.S. Marines, but said he is supportive.

“He didn’t sign up for this. I try and be very respectful of his personal life — and professional,” she said. She added the military community has also been more supportive than people give them credit for.

The two have been together since 2017 and had a courthouse wedding during the pandemic.

Who does she most admire?

Bailey Anne calls Marsha P. Johnson, the late trans woman and LGBTQ rights activist, a “she-roe.”

“A lack of acceptance should not prevent a person from being themselves. It’s important to recognize the past, present and future. I am thanking the past because without the past I would not be here. I am taking up space in the most positive way,” she said.

She wants to inspire other housewives

Anne does not want the role of a wife to be reduced to simply supporting their spouse. She wants wives to pursue their own hopes and dreams — regardless of age, which is why she ran for Miss Maryland when she did.

She wants to emulate the same strength and grace that Michelle Obama did as first lady and in life in general.

“I hope my win can encourage them to never give up on themselves. Go out there and finish school. Or go out there and find their next calling. … You don’t have to give up on your childhood dream, and pursue any dream you have.”

On Beyoncé

“My favorite singer is Queen Bey. That’s not even a question. There have been so many women in American music who have done so much for minority women and minorities,” she said.

Her standard morning routine

After waking up and drinking a cup of coffee, she makes a breakfast of a Cambodian-style omelet like the one her mother makes — filled with green onions, peppers and other spices.

“It’s very yummy,” she said. “I eat that with rice. I’m Asian. I love rice.”

She loves Popeyes

“I’m the queen of Popeyes. I told my husband, whatever happened at the Miss USA pageant, the first thing I wanted to eat is Popeyes. So after Miss USA, he [had] Popeyes DoorDashed to my hotel. You have to have it with mambo sauce, and sweet heat sauce.”

She loves her pups

“My goldendoodle’s name is Captain Jack Sparrow. We call him Jack. He looks like a Jack. My labradoodle’s name is Elizabeth Swann. Her nickname is ‘Lizzy monster’ because she’s a brat in the most cutest way.”

Carole Gist is her favorite pageant winner

She wants to give flowers to Gist, the first Black woman to be crowned Miss USA in 1990 and Kenya Moore, who was crowned Miss USA in 1993.

“I wouldn’t have this stage without them,” she said.

Her reading recommendations

Deborah Miller, the state director and producer for Miss USA and Miss Teen USA in Maryland, encouraged her to read “The Confidence Code: The Science and Art of Self-Assurance — What Women Should Know” by Katty Kay and Claire Shipman. The book helped give her confidence and deal with not winning the Miss USA title.

“I also love ‘A Father’s Dream: My Family’s Journey in Music’ by Abraham Quintanilla. It speaks to how much he has sacrificed to get his daughter to where she is. I hope I can do the same with the next generation — be a good representation. I hope I have done a beautiful job for our community.”

Miss Maryland USA Bailey Anne will be a panelist at The Banner’s second annual iMPACT Maryland conference on October 1. Tickets are available for purchase here.

This story was republished with permission from The Baltimore Banner. Visit www.thebaltimorebanner.com for more.

 

 

Maryland Opera names Jason Buckwalter as General Director
Press Release :: September 6

Maryland Opera is excited to announce the appointment of Jason Buckwalter as the company’s new General Director.

Jason has been a fixture in the classical music world in Baltimore and the surrounding region for the past 20 years, having first arrived in Baltimore in 2004 to attend Peabody Conservatory.  There, he earned his Master’s degree and Graduate Performance Diploma in Vocal Performance, graduating in 2008.  While at Peabody, Jason built relationships throughout the region, performing with organizations including Baltimore Opera Company, Lyric Opera Baltimore, Baltimore Concert Opera, Young Victorian Theatre Company, Annapolis Chorale, Annapolis Opera, and Washington National Opera.

In 2018, Jason joined Maryland Opera as its Administrative Aide, a position in which he proved himself an invaluable asset to the company, working to address the challenges caused by the COVID-19 pandemic.  Jason has developed a passion for arts administration, and, in doing so, has proven his dedication, versatility and forward thinking, leading to a natural expansion into the role of General Director.

“My passion for opera has been a constant in my life, but moving from a performing focus to an administrative role has only served to ignite that passion further,” said Jason.  “To me, the future of opera is in education and outreach, seeking a way to connect with our community.  Maryland Opera maintains a strong outreach program visiting schools, head start centers, senior centers, and other venues as well as making education a part of our mainstage productions.  This artform is for everyone and connects us all on a deeply human level.  I look forward to fostering new audiences to ensure the future of opera.”

Jason also works as the Building Administrator at the Roland Park Community Center in North Baltimore and as a Kung Fu teacher at Goh’s Kung Fu.

For more information, visit marylandopera.org.

About Maryland Opera

Maryland Opera offers quality opera performances, innovative artistry, support for social awareness and change, education and outreach programming, commitment to underserved communities, and a vehicle for talented young vocalists to follow their dreams.  Maryland Opera builds on Baltimore’s century-old opera tradition that garnered critical acclaim for grand productions that featured opera’s greatest celebrities.

Maryland Opera is passionately invested in bringing the excitement and beauty of live opera–traditional programming as well as innovative and modern approaches–to diverse audiences, including historically underserved audiences throughout Maryland.  They do so through numerous outreach programs, including Opera-to-Go, Opera Cares and Opera Camp.

 

 

Banneker-Douglass Museum and Maryland Humanities present “Black Power and Palestine: Transnational Countries of Color” on September 14
Press Release :: September 4

The Banneker-Douglass Museum, in collaboration with Maryland Humanities, will host Black Power and Palestine: Transnational Countries of Color, an enlightening lecture and discussion event, on Saturday, September 14, 2024 from 1:00pm to 3:00pm at the Banneker- Douglass Museum in Annapolis, MD. Following the lecture, a panel discussion with authors Dr. Michael Fischbach and Susan Muaddi Darraj will be moderated by guest curator Thomas James. To RSVP, visit https://bit.ly/BDMBlackPowerandPalestine.

The free program will feature expert and author Dr. Michael Fischbach as he examines the historical ties, ideological parallels, and mutual support between the Black Power and Palestinian movements. Drawing on his extensive research, Dr. Fischbach will explore the impact of these connections on social justice movements, globally, and will illuminate this hidden history of the Arab–Israeli conflict’s role in African American activism and the ways that distant struggle shaped the domestic fight for racial equality.

Through this program, we aim to illuminate the shared histories and struggles of Black and Palestinian marginalized communities. This program not only explores the resilience of these respective communities but also underscores the importance of solidarity in our collective pursuit of freedom,” said Director of Programs Sabriyah Hassan-Ismail. “By engaging in meaningful dialogue, we hope to inspire a new generation to advocate for equality and human rights for all.

As the State’s dedicated museum for African American history and culture, our institution serves as a vital hub for connection, education, and the exchange of insights into the profound impact of African American history across Maryland and far beyond. This upcoming lecture and discussion will offer a compelling and insightful look into how our historical experiences resonate with the current challenges faced in the Middle East,” shared Executive Director Chanel C. Johnson.

Program Details

Black Power and Palestine: Transnational Countries of Color
Date: Saturday, September 14, 2024<
Time: 1:00pm – 3:00pm
Location: Banneker-Douglass Museum | 84 Franklin Street, Annapolis, MD 21401
Admission: Free, Open to the public, RSVP required
Link to RSVP: https://bit.ly/BDMBlackPowerandPalestine

For more information and upcoming events, visit the Banneker-Douglass Museum events page.

 

 

This 3-feet-by-5-feet mosaic artwork of the late U.S. Rep. Elijah Cummings was created in 2021 by Art with a Heart and members of the Elijah Cummings Youth Program in Israel. The artwork hangs at the Cummings Courthouse in Baltimore. It features a quote from Cummings: "Our children are the living message we send to a future we will never see." Photo courtesy of Art with a Heart.

Art with a Heart to open second location on The Avenue in Hampden
by Marcus Dieterle
Published September 6 in Baltimore Fishbowl

Excerpt: Baltimore-based arts non-profit Art with a Heart will open a second location in Hampden, where it will display and sell artwork by students and volunteers, and operate its workforce development program.

The non-profit is expanding to 1104 W. 36th St. on “The Avenue” in Hampden, where they will be taking over the lease at the Hampden Family Center.

Art with a Heart will maintain its location at 3000 Falls Road, Mill No. 1. The space on The Avenue will function as the organization’s satellite location and will house its social enterprise store, HeARTwares, and its workforce development program, HeARTworks.

 

 

Announcing the 2024 Grit Fund Winners
Press Release :: September 6

The Peale is excited to present the 2024 Grit Fund winners. Grit Fund was established in Baltimore with generous funding from the Andy Warhol Foundation for the Visual Arts to support “vibrant, under-the-radar artistic activity” through the city. Over the next few weeks, we’ll introduce another grantee. First up is Meshwork!

$10,000 Award: Meshwork is a metamorphizing group of interdisciplinary artists, scholars, and activists based in Baltimore. Since 2013, they have collaborated in many formats, from curating and performing, to writing and scholarship, to mutual aid and support. They are interested in embodied knowledge-making and mediumship. Meshwork focus on using the body, intuition, ritual, and intersubjectivity to connect with sources of knowledge beyond what is codified in dominant knowledge systems. Meshwork is inherently a collective, occult practice, grounded in communion with the living and the dead, and with histories that reside in materials and places.

 

 

Mount Vernon Place Plein Air Art Show Returns to the Garrett-Jacobs Mansion
Press Release :: September 1

The “Mount Vernon Place Plein Air Art Show” will be held at the Garrett-Jacobs Mansion, 11 W. Mount Vernon Place, Baltimore, Maryland, on Sunday, Sept. 22, from 1 to 4 p.m. The fundraiser for the Garrett-Jacobs Mansion Endowment Fund (GJMEF) will feature paintings by the Mid-Atlantic Plein Air Painters Association (MAPAPA). Tickets are $15 online at baltimoreheritage.org or $20 at the door and include a wine and cheese reception and tours of the mansion. For further information, please contact Sally Johnston at 410-467-1074 or [email protected].

The Garrett-Jacobs Mansion Endowment Fund (GJMEF)—along with co-sponsors the Mount Vernon Place Conservancy, Baltimore Heritage, Charles Street Development, Mid-Atlantic Plein Air Painters Association (MAPAPA), and The Engineering Society of Baltimore—is pleased to announce the 2024 “Mount Vernon Place Plein Air Art Show.” The event will be held at the Garrett-Jacobs Mansion (home of The Engineers Club) on Sunday, Sept. 22, from 1 to 4 p.m. The event, a fundraiser for the GJMEF, will showcase the beauty of Mount Vernon Place as seen through the eyes of dozens of talented artists whose work will be displayed within the magnificent 19th century Garrett-Jacobs Mansion.

During the spring and summer, members of the Mid-Atlantic Plein Air Painters Association (MAPAPA)—en plein air refers to painting outdoors—have been setting up their easels throughout the squares of Mount Vernon Place, one of America’s most beautiful urban spaces. Mount Vernon Place is renowned for its magnificent 19th century mansions and cultural institutions, including the Peabody Conservatory and the Walters Art Museum. Its centerpiece is the 200-year-old Washington Monument. Artists have found ample sources of inspiration—including gardens, magnificent architecture, statuary, fountains, and walking paths—from the four park squares and the mansions that surround the Washington Monument.

During the September 22 art show, painters will display their work for view and purchase in the enclosed light-filled courtyard of the Garrett-Jacobs Mansion. “We are pleased to have the opportunity to share the elegance of the Garrett-Jacobs Mansion, and feel it is fitting that paintings reflecting the beauty of Mount Vernon Place will be displayed within it,” said GJMEF Board President Carl Eastwick. “We look forward to attendees admiring these artists’ works, along with the mansion’s Tiffany windows, carved spiral staircase, and gilded ballroom.”

Tickets are $15 for pre-registration (online at baltimoreheritage.org) or $20 at the door and include entrance to the event, wine and cheese refreshments, opportunities to meet artists and purchase artwork, an awards presentation, and tours of the mansion.

About Plein Air Painting

With the inventions of transportable paint tubes and the box easel, artists were able to leave the studio and enter the landscape itself. The freedom of painting en plein air, or “in open air,” was embraced by French Impressionists, whose work valued the ephemeral and changing nature of light. Today, plein air painting is flourishing, and artists who gather for “Paint Outs” experience the same freedom and satisfaction as painters from the past.

About the Garrett-Jacobs Mansion

The Garrett-Jacobs Mansion was initially a wedding gift from B&O Railroad President John Work Garrett to his son Robert Garrett and daughter-in-law Mary Sloan Frick. The mansion was a lifelong project for Mary Frick Garrett Jacobs, through her first husband’s illness and death, widowhood, and her marriage to second husband Dr. Henry Barton Jacobs. Ultimately, the mansion incorporated four existing houses and contains 40 rooms, 100 windows, and 16 fireplaces. It housed Mary Frick’s illustrious art collection, donated at her death to the Baltimore Museum of Art and now displayed in the museum’s Jacobs Wing. Since 1962, the mansion has been home to The Engineers Club.

About the Garrett-Jacobs Endowment Fund

The mission of the Garrett-Jacobs Mansion Endowment Fund is to preserve and restore the Mansion as a National Historic Landmark and to share the historical, architectural, and civic legacy of the Mansion for the benefit and education of the public.

The Garrett-Jacobs Mansion Endowment Fund (GJMEF), a 501 (c)(3) organization, was formed in 1992 with the sole mission to preserve the architectural and historical character of this important and unique structure. The ongoing rehabilitation preserves the Garrett-Jacobs Mansion, a showcase of Gilded Age design and craftsmanship, and returns it to its rightful role as a gathering place for social, business, and civic functions. A “Friends of the Mansion” public membership program brings additional financial support to the mansion and welcomes visitors to enjoy its beauty and programs. The Engineers Club and GJMEF work cooperatively to present concerts, theatrical performances, symposia, and educational programs for the benefit of the public.

 

 

Dan Rodricks in Baltimore, You Have No Idea. Photo by Todd Douglas

BMA to Host Five Performances of Dan Rodricks’ Baltimore, You Have No Idea in December
Press Release :: September 5

Award-winning journalist Dan Rodricks brings his popular Baltimore, You Have No Idea play back to the Baltimore Museum of Art (BMA) for five performances in December 2024. The production includes a full company of actors who bring Rodricks’ poignant and amusing stories to life, plus an original song about Baltimore and two new scenes. Performances are held in the BMA’s Joseph and Rebecca Meyerhoff Auditorium Wednesday through Sunday, December 11–15, and tickets are available at YouHaveNoIdea.org beginning September 15. Ticket prices are $35 per person; BMA Members receive $5 off with discount code.

Baltimore, You Have No Idea is a 90-minute multimedia production that brings to life Rodricks’ one-of-a-kind stories from more than four decades as a columnist for the Baltimore Sun, as well as his many years as a local radio and television host. Baltimore characters are portrayed with a blend of emotion, insight, respect, and humor, and their stories are accompanied by live music and audio clips, as well as projected images and video. Audiences will experience stories like Rodricks’ very first column on the ex-wife of a local burglary fence and her bemusing legal predicament, his award-winning “Dear Drug Dealers” columns as a desperate gambit to reduce criminal violence, plus his many funny observations and touching interactions with people around Baltimore every day.

Baltimore, You Have No Idea was written by Dan Rodricks, directed by Will Schwarz, and features original music by Mat Lane. It debuted at the BMA in December 2022, and returned in December 2023. In both runs, every performance sold out. […]

 

 

Photo from Baltimore MET Gala's Facebook Page.

Baltimore MET Gala this Saturday will take you to Eden and back
by Aliza Worthington
Published September 10 in Baltimore Fishbowl

Excerpt: The Third Annual Baltimore MET Gala (BMG) will celebrate the best of Charm City in a multi-sensory, elaborate production taking place on Saturday, Sept. 14, 2024, at The HALL – LIVE! Casino & Hotel Maryland. The theme is “Adam & Eve: Enter the Garden.”

Executive producers and culture creators LaRian Finney and Derrick Chase are the driving force behind the BMG, motivated by the desire to build and elevate local businesses and entrepreneurs through art and culture.

The Finn Group has led major activations around the country, with Baltimore being our home base since 2000,” Finney said. “Our focus is to provide strategy and solutions to further develop businesses that have a mission for inclusion and economic impact, by being culturally sensitive, relevant, and tying directly to the vitality of the community.”

 

 

Jovencio de la Paz, The big one and the little one 2.1, 2023, Handwoven, Jacquard textiles and cotton, 58 x 58 x 1.5 in. Courtesy the artist and Chris Sharp Gallery.

Museum of Contemporary Art Arlington opens Assembly 2024: Horizon Scanning
Press Release :: September 11

Museum of Contemporary Art Arlington is proud to announce the opening of Assembly 2024: Horizon Scanning, the third iteration of the museum’s biennial exhibition series. Assembly 2024: Horizon Scanning will run from September 28, 2024 through January 26, 2025, with Art After Hours, the opening celebration, taking place on Saturday, October 5 from 4pm-8pm.

The exhibition is organized by MoCA Arlington Curator of Exhibitions Blair Murphy and guest curator Jared Packard. Launched in 2019, Assembly highlights current material and conceptual trends among contemporary artists. Since 2022, the exhibition has had a national focus, showcasing work by some of the country’s rising stars and giving them a platform on the doorstep of the nation’s capital.

Assembly 2024: Horizon Scanning includes artwork by Nyame O. Brown (Oakland, CA), Everything is Collective (Chicago, IL, Salt Lake City, UT, & Lubbock, Texas), Allegra Hangen (Omaha, NE and Mexico City, Mexico), Elisa Harkins (Tulsa, OK), Marnie Ellen Hertzler (Baltimore, MD), Jesús Hilario-Reyes (New York, NY and New Haven, CT), Cesar Lopez (Kansas City, MO), Jovencio de la Paz (Eugene, OR), Kenya (Robinson) (Gainesville, FL), Benjy Russell (Dowelltown, TN), Shelby Shadwell (Laramie, WY), Keith Tolch (Los Angeles, CA), Lily Xie (Philadelphia, PA), and X (Los Angeles, CA).

Assembly 2024: Horizon Scanning opens on the eve of the presidential election, four miles from the center of Washington, DC. In this time of multiple, overlapping, and seemingly perpetual crises, and with that proximity in mind, the exhibition brings together artists whose work can help us grapple with our tumultuous present by offering strategies to navigate and reimagine the future.

The exhibition assembles thirteen artists and one artist collective hailing from 14 states who represent a range of art-making approaches including painting, drawing, film and video, sculpture, animation, and community organizing. While eclectic in their materials and processes, these artists are unified in creating work that contends with our unstable social and political climate. Throughout their varied practices, they interrogate prevailing cultural narratives, established power hierarchies, and under-considered histories.

“Horizon Scanning”, the exhibition’s subtitle, is an analytical, forecasting tool used by government agencies, futurists, and policy-makers to predict future threats and opportunities. This forecasting tool is typically employed by large institutions to uphold their own authority and maintain the status quo. Assembly 2024, on the other hand, borrows the term to argue that artists and their creative practices are integral to helping us collectively envision new futures and strategies to realize them.

The exhibition will be accompanied by a print catalog. Additional public programs to accompany the exhibition will be announced soon.

Assembly 2024: Horizon Scanning
Curated by Blair Murphy and Jared Packard
Main Level and Lower Level Galleries

Featured artists: Nyame O. Brown (Oakland, CA), Everything is Collective (Chicago, IL, Salt Lake City, UT, & Lubbock, Texas), Allegra Hangen (Omaha, NE and Mexico City, Mexico), Elisa Harkins (Tulsa, OK), Marnie Ellen Hertzler (Baltimore, MD), Jesús Hilario-Reyes (New York, NY and New Haven, CT), Cesar Lopez (Kansas City, MO), Jovencio de la Paz (Eugene, OR), Kenya (Robinson) (Gainesville, FL), Benjy Russell (Dowelltown, TN), Shelby Shadwell (Laramie, WY), Keith Tolch (Los Angeles, CA), Lily Xie (Philadelphia, PA), and X (Los Angeles, CA)

Marisa Stratton: You Will Never Be Forgotten
Curated by Amanda Jirón-Murphy
Wyatt Resident Artists Gallery, Upper Level

Best in Class: MoCA Arlington Artist Instructors
Jenkins Community Gallery, Lower Level

Featured artists: Sarah Emily Balough, Jade Fiedtkou-Leonard, Jason Horowitz, Melanie Kehoss, Stephanie Lane, Molly McCracken, Lindsey Mueller, and Marisa Stratton

ONGOING EXHIBITIONS

Reclining Liberty
Through September 28, 2025
Front Lawn

PROGRAMS

Art After Hours
Saturday, October 5, 4pm-8pm

Join MoCA Arlington to celebrate the opening of our new fall exhibitions! Inside the museum view the new exhibitions, meet exhibiting artists, visit resident artist studios, and enjoy refreshments from the cash bar. Local artists and artisans will participate in a Made in Arlington Market on the museum’s front lawn.

 

 

New/Next Film Fest Announces Opening Night Film Messy
Press Release :: September 9

New/Next Film Festival, presented by Baltimore Public Media and taking place October 3-6, 2024 in Baltimore’s historic 5-screen Charles Theatre, announced its opening night film today as the world premiere of Messy, while also launching All-Access Pass sales.

Alexi Wasser’s feature film debut as writer/director/star, Messy, is a neurotic sex comedy romp about a promiscuous love addict named Stella who moves to New York after a bad breakup, and her quest to find love and purpose—one disappointing date at a time. Wasser stars as Stella, with a supporting cast that includes Adam Goldberg, Mario Cantone, Ione Skye, Thomas Middleditch, Jack Kilmer, Ruby McCollister, and Merlot.

Messy strikes the perfect notes to kick off this year’s festival,” says New/Next co-founder and director of programming Eric Allen Hatch. “It’s a fresh, hilarious, sex-positive NYC romantic comedy working in the tradition of such classics as Girlfriends, An Unmarried Woman, and Annie Hall. Alexi Wasser’s singular voice as a writer and presence as an actor are taken to new heights by this directorial debut. We couldn’t be more proud to offer its world premiere.”

Messy is executive-produced by David Lowery (A Ghost Story, The Green Knight) and Augustine Frizzell (Never Goin’ Back, Euphoria); produced by Rebekah Sherman-Myntti of Simone Films and Alexi Wasser; lensed by Barton Cortright (The Feeling That the Time for Doing Something Has Passed); and scored by Kotomi (Love, Victor). Appearing in supporting roles are KJ Rothweiler and Curtis Everett Pawley, aka film-culture podcasters and meme-lords The Ion Pack, who will DJ New/Next’s Opening Night party following the world-premiere screening of Messy.

Sales are now live for New/Next Film Festival all-access passes; individual tickets to New/Next’s Opening Night screening of Messy with Alexi Wasser; and individual tickets to Messy with the Opening Night Party with The Ion Pack, all at newnextfilmfest.com/tickets.

Following its world premiere at New/Next, Messy will have its official New York premiere at The Downtown Festival, a celebration of emerging and established independent artists across film, music, and culture, on Saturday, October 5 at Roxy Cinema. The New York premiere screening will be followed by a Q&A moderated by Chloë Sevigny.

Alexi Wasser is a writer, director, actor, and producer. Alexi is driven to tell personal stories by comedically exploring the intricacies of interpersonal relationships & the awkward, embarrassing, shame filled disappointment & existential suffering that life can bring. Born & raised in Hollywood, California. Currently residing in New York City. Messy is her feature film directorial debut.

New/Next Film Festival’s lineup announcements will continue over the next two weeks, with individual ticket sales to follow. For updates, please visit newnextfilmfest.com | Twitter and Instagram: @NewNextFilmFest

Support for New/Next Film Fest comes from the William G. Baker, Jr. Memorial Fund, creator of the Baker Artist Portfolios; The Abell Foundation; The Baltimore Community Foundation; The State of Maryland; The Leidy Foundation, Maryland Film Office, Royal Books and The Maryland State Arts Council.

 

 

Celebration Event at Chinquapin Run Park Marks Milestone for Baltimore’s Green Spaces
Press Release :: September 9

Rails to Trails Conservancy (RTC), Baltimoreans United in Leadership Development (BUILD) and the Northeast Community Organization (NECO) hosted a celebratory event, reflecting on the recent investment in Chinquapin Run Park. The $270,000 raised from the France-Merrick Foundation, Kentfields Foundation and Lockhart Vaughan Foundation, along with several private donors, will support the planning of a 1.8-mile multiuse trail through Chinquapin Run Park, enhancing access to local green spaces and active transportation routes for Northeast Baltimore residents.

This investment is the first step in reactivating 76 acres of park space, providing community members safe walking and biking access to jobs, reliable public transit, schools and outdoor opportunities for physical activity and recreation. The participatory planning process to reinvigorate the greenspace has united Baltimore neighborhood groups, faith communities and community associations adjacent to the space, who are eager to see this investment through to completion with the support of city and state leaders.

This event celebrates a major milestone in Baltimore’s ongoing commitment to enhancing green spaces and active transportation options. The generous grants from the France-Merrick Foundation, Lockhart Vaughan Foundation and Kentfields Foundation are a significant step forward in ensuring Chinquapin Run Park becomes a vibrant, safe and accessible space for all.

The event featured Baltimore City Recreation & Parks Director Reginald Moore; City Councilman Mark Conway; Delegate Elizabeth Embry; representatives from BUILD and RTC; and members of local neighborhood organizations that are connected to the park.

Background:      Chinquapin Run Park, spanning 76 acres, is the focus of a community-driven revitalization effort. The new multiuse trail will provide a crucial pedestrian and bicycling connection between Morgan State University, Lake Montebello and Herring Run Park, as well as connections to northeast Baltimore neighborhoods. This project is part of a larger vision to connect the area to the Baltimore Greenway Trails Network, offering safe walking and biking access to jobs, public transit, schools and outdoor recreation for more than 75 of the city’s neighborhoods.

BUILD and local organizations, including NECO, have united neighborhood groups in the Chinquapin Run Park area. These efforts have ensured the revitalization project reflects the common needs and goals of local residents.

The Baltimore Greenway Trails Network is one of Rails-to-Trails Conservancy’s TrailNation™ projects, comprising regional trail networks that represent diverse people, places and approaches to building connected trails across city, county and state lines. TrailNation is a national initiative that brings together model projects, leaders, champions and resources to accelerate the pace of equitable trail development nationwide, creating new access to this essential infrastructure and the benefits it brings for everyone in America. Learn more about TrailNation at railstotrails.org/trailnation.

The $200,000 grant from the France-Merrick Foundation will be supporting the preliminary design of Chinquapin Run Park Trail. Following completion of preliminary design, RTC and project partners will pursue state and federal funding for the final design and construction. Sources for this funding include Kim Lamphier Maryland Bikeways Grant Program, Carbon Reduction Program, Transportation Alternatives and Active Transportation Infrastructure Investment Program, among others.

 

 

Header Image: Four of Sherald’s portraits, Credit...Amy Sherald and Hauser & Wirth

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