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BmoreArt News: MCAAHC, Reginald F. Lewis, Tom Miller Week

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This week’s news includes: A post-election statement from MCAAHC, 2025 Sondheim Finalists Announced, Reginald F. Lewis exhibition at the Lewis Museum, Tom Miller Week returns, the future of BOPA, Angela Franklin and Chevelle Makeba Moore Jones at JELMA, tattoo artist Bill Waverly, The Sun one year later, National Gallery of Art’s Trump fundraiser, Chesapeake Shakespeare Company and VisArts receive NEA grants, Grassroots DesignFest is back, and Art with a Heart’s 25th Anniversary — with reporting from Baltimore Magazine, Baltimore Fishbowl, Baltimore Brew, and other local and independent news sources.

Header Image:  Tom Miller, “Summer in Baltimore,” 1994, Courtesy of Steven Scott Gallery, Baltimore

Funny Gifs : groundhog day Gif - VSGIF.com

 

A Post-Election Call-to-Action from the MCAAHC
Newsletter :: January 20

The Maryland Commission on African American History and Culture (MCAAHC) stands as a sentinel for preserving and advancing African American history and culture in Maryland. The recent outcome of the presidential election prompts us to reaffirm our mission and express concern about the potential threats to our initiatives under this administration. The MCAAHC recognizes the vital support we receive from Maryland’s Governor, General Assembly, and community partners and underscores the urgency of sustaining these relationships in the face of new challenges.

Our mission is to preserve Maryland’s African American heritage, promote public understanding and dialogue about African American contributions to society, and support organizations that share our objectives. The Commission operates the Banneker-Douglass-Tubman Museum (BDTM), the official African American museum for the state of Maryland, and manages the African American Heritage Preservation Program (AAHPP), which allocates millions of dollars annually toward capital improvement projects for sites of historical and cultural significance across the state. AAHPP grantmaking provides essential funding for the rescue and restoration of endangered legacies and traditions. However, our work is not only about preserving history – it is about ensuring that history reflects the diverse stories that make up the American narrative.

In recent years, national movements have pushed for a more inclusive retelling of U.S. history, shedding light on stories long obscured. The MCAAHC has contributed to this effort through groundbreaking scholarly symposia, book distribution campaigns, public outreach programs and museum exhibitions that explore African Americans’ pivotal role in shaping Maryland and the nation. Further, our Walter D. Hill Fellowship supports original historical research and encourages participation by African Americans in the field of archival science, ensuring the broad-based stewardship of collective memory in our state. As we move forward, the MCAAHC remains committed to this inclusive vision, connecting Maryland’s history to wider efforts to illuminate the African American experience within the broader American context.

However, the new administration’s alignment with Project 2025 and similar frameworks poses risks to the Commission’s educational and cultural preservation mandate and key programs. With a president-elect who has openly threatened to defund public education and diversity awareness and training efforts at the federal level, and who has supported the erasure of Black life and experience from K-12 curricula through book bans and policy changes, Marylanders must reinforce the critical role state-based agencies and civil society groups play in upholding historical truth-telling and maintaining a free society where the knowledge, cultures and traditions of marginalized communities can flourish.

Through successful partnerships with the General Assembly and the Maryland Historical Trust, the MCAAHC has also made significant gains in documenting the needs of historic African American cemeteries. These critical sites hold more than the remains of those who have gone before us; they also embody important stories, landscapes, and genealogical clues that connect descendants to their heritage. If the president-elect follows through on promises made during his first term, we are likely to witness the defunding or disbanding of publicly-funded institutions such as the Institute of Museum and Library Services, which funds our cemeteries initiative. Such actions would jeopardize ongoing efforts to preserve, research, and interpret African American burial sites and to advocate for ethical handling of ancestral remains. Similarly, the potential underfunding of the National Endowment of the Humanities and National Endowment for the Arts threatens the preservation of other types of African American historical sites, including museums, Black historic districts, and civil rights landmarks – all essential repositories of our nation’s rich heritage.

Governor Wes Moore has stated his intention to collaborate with national leadership where possible, but his administration has also committed to standing firm in protecting Maryland’s values when necessary. We acknowledge and are grateful for the steadfast support of his leadership and that of elected representatives in the General Assembly who have championed initiatives such as the renaming and renovation of the Banneker-Douglass-Tubman Museum and the proclamation of 2024 as Maryland’s Year of Civil Rights. These commitments provide hope and a blueprint for countering federal policies that may diminish support for Black studies, African American cultural institutions and economies, and diversity, equity, and inclusion initiatives.

How everyone can support this critical work

We implore lawmakers to maintain current funding levels for the administration of the MCAAHC, the Banneker-Douglass-Tubman Museum, and the African American Heritage Preservation Program, a vital resource that has funded over 150 projects preserving Black history and culture in Maryland. In addition, we urge the community to:

• Advocate for continued state-level support for the MCAAHC and similar initiatives.
• Engage with local representatives to prioritize funding for cultural and educational programming.
• Stand by and support the work of African American commissions in other states, especially in jurisdictions like Alabama, Kentucky, North Carolina and Arizona, where funding and public support may be at greatest risk.
• Partner with us to amplify the significance of African American history and culture amid changing political landscapes now and into the future.

The MCAAHC will remain vigilant and proactive, leveraging the support of Maryland’s leadership and the resilience of our community to navigate these uncertain times. Together, we will continue to honor and uplift African American heritage as a cornerstone of Maryland’s identity and history.

 

 

2025 Sondheim Finalists Announced
Press Release :: January 23

The finalists for the 20th edition of the Sondheim Art Prize are Aliana Grace Bailey, Amanda Leigh Burnham, Lillian Jacobson, Jacob Mayberry, and Wonchul Ryu. This prestigious visual arts honor is presented by BOPA in partnership with the Walters Art Museum and supported by the Maryland State Arts Council (MSAC).

The finalists were selected by this year’s panel of accomplished jurors — Jaqueline Cedar, Mike Cloud, and Jennie Goldstein — and their work will be exhibited in the Walters Art Museum April to July 2025. Over the next few months, finalists will work with Walters curators to select and install pieces for the Finalists’ Exhibition. The opportunity to collaborate with the curatorial staff at a world class museum like the Walters is an invaluable part of being a Sondheim finalist.

During the Finalists’ Exhibition at the Walters, the jurors will meet with each artist for up to 45 minutes in their exhibition space for a final interview. After the interviews, the jurors will meet and decide the recipient of the $30,000 Sondheim Art Prize. The selected artist will be announced at the award ceremony and reception hosted by the Walters.

Semifinalists who were not selected for final consideration for the prize will receive an exhibition at Artscape, May 24–25, 2025.

 

TITAN | The Legacy of Reginald F. Lewis
Newsletter :: January 17

TITAN: The Legacy of Reginald F. Lewis offers an in-depth journey into the extraordinary life and lasting legacy of Maryland native, Reginald Francis Lewis. Widely celebrated as the first African American to establish and lead a billion-dollar company, Lewis transcended the realm of business as a multifaceted figure—a devoted family man, skilled lawyer, and pioneering trailblazer. This exhibition unveils the many elements that define the remarkable life of a maverick.

TITAN unveils the lesser-known facets of Lewis’ life, chronicling his rise from a hardworking student to a global business leader whose impact extended far beyond boardrooms. Through personal artifacts, rare photographs, and intimate narratives, visitors will gain insight into the values that shaped his character, the obstacles he overcame with resilience and strategy, and the revolutionary spirit that guided his remarkable journey.

As the Reginald F. Lewis Museum commemorates its 20th anniversary of amplifying African American narratives in Maryland, TITAN stands as a powerful tribute to his enduring legacy. The museum, named in his honor, was funded by a public/private partnership between the State of Maryland, a $5 million lead gift from the Reginald F. Lewis Foundation as well as other private funding partners ensured that his mission of empowerment and opportunity continues to inspire future generations. His story remains a beacon of hope, emphasizing the importance of breaking barriers and striving for excellence.

 

 

Tom Miller Week Returns to Baltimore! February 15–22, 2025
Press Release :: January 21

The Fifth Annual Tom Miller Week will take place from February 15–22, 2025, with events hosted at the Eubie Blake National Jazz and Cultural Center, the Maryland Center for History and Culture, and the Reginald F. Lewis Museum. This weeklong celebration honors the life and work of renowned artist Tom Miller through community art-making, an oral history circle, and the auction of a never-before-seen screenprint.

A key highlight is Out of the Woodwork! Bringing Tom Miller’s Legacy to Light, an exhibition showcasing locally owned artworks and memorabilia, many of which have surfaced from unexpected corners of the community since the celebration began five years ago.

The event also includes an online auction of a striking screenprint Miller created in 1995 for the Monumental City Bar Association (MCBA) of Baltimore. This 24” x 28” piece, portraying Lady Liberty in a Black form lifting her veil to gaze upon Baltimore residents, has never been publicly displayed. The auction will be hosted through Give Butter and is sponsored in partnership with the Black Art Today Foundation. Proceeds from the auction will be equally divided between the MCBA and Blackives, LLC. The funds will support the creation of a Friends of Tom Miller group, dedicated to celebrating Miller’s legacy and preserving his artwork throughout the city. Don’t miss this unique opportunity to own a rare piece of art!

On February 18, Blackives, LLC, in partnership with the Eubie Blake Cultural Center,
will host Tom Miller Day, featuring a reading of Can A Coal Scuttle Fly by a special
guest (soon to be announced) and a live performance by Rufus Roundtree and Da B’More Brass Band. The week concludes on February 22 with a family-friendly art-making activity and oral history circle.

Tom Miller Day was first declared by Baltimore Mayor Kurt Schmoke in 1995 after Miller
became one of the first African Americans from Baltimore to receive a solo exhibition at the Baltimore Museum of Art. Although Miller’s whimsical Afro-Deco style is celebrated in murals and museums across the city, no event commemorating his legacy had been held for two decades. In 2021, Blackives, LLC established Tom Miller Week to honor his contributions annually and preserve his contributions to the city.

Join the Celebration

Celebrate Tom Miller’s enduring legacy by attending this year’s events and donating to
the project. Your tax deductible donations will help fund the festivities, including
installations, catering, and contractor expenses.

Donations accepted through the Black Art Today Foundation. Checks can be made payable to Black Art Today, include a memo for Tom Miller Week 2025, and mailed to:

Black Art Today
9103 Woodmore Centre Dr. #207
Lanham, MD 20706

Thank you for your support and charitable contribution.

 

 

Performers march in Baltimore's 2019 Martin Luther King Jr. Day Parade. Photo courtesy of Baltimore Office of Promotion & The Arts.

BOPA approves two new board members, as organization looks ahead to future without city contract
by Marcus Dieterle
Published January 17 in Baltimore Fishbowl

Excerpt: The Baltimore Office of Promotion & The Arts is working to rebuild the membership of its board of directors following a mass exodus two months ago.

BOPA announced two new board members were approved during the board’s meeting Thursday.

The new members include Janeen Simon, the owner of downtown’s Blk Swan restaurant and the Self.ish Beauty spa in Pikesville; and Scott Tucker, founder and creative director of RAUNJIBA Design & Construction.

See also:

A slimmed-down BOPA outlines plan for the future
by Hallie Miller
Published January 16 in The Baltimore Banner

 

 

“Give and Take” 2024. Chevelle Makeba Moore Jones.

Former Morgan State Instructor and MICA Alum return to artistic roots with new Baltimore based exhibit; Getting to Grown: A Diaspora Journey
Press Release :: January 14

On January 24th, James E. Lewis Museum of Morgan State University in Baltimore, Maryland will open to the public Getting to Grown: A Diaspora Journey Exhibition featuring artists Angela Franklin and Chevelle Makeba Moore Jones. Curated by Schroeder Cherry, Getting to Grown  features a mix of textile works, paintings, and collaged images depicting the ways one might navigate life to become “grown.” These works of art highlight moments like, raising families, living abroad, and transitioning loved ones to death. Inspired by the African diaspora, familial memories and lived experiences, the artists use depictions of nature and humanity to speak to the development of their inner worlds as it relates to the changes they’ve experienced in the outer world.

Getting to Grown opens Friday January 24th and will feature a presentation from Morgan’s theater department on Sunday, March 2nd at 2pm. An artist talk is scheduled for Wednesday, March 5, 2025 at 11 AM in the James E Lewis Museum.

Angela Franklin earned her BA in Art from Xavier University, Cincinnati, Ohio, her MFA from Bradley University in Peoria, Illinois and a MA in Education Management at Hamdan Bin Mohamed e-University in Dubai. She is a former instructor in the art department at Morgan State University, and has lived and worked in higher education in Senegal, Nigeria, Abu Dhabi and the Marshall Islands. Her works are narrative tales that explore, chronicle, and testify to people of the African Diaspora and their shared experiences and philosophies regarding themselves and other cultures. Franklin has exhibited her works in various national and international public and private art venues including the Art Hub-Abu Dhabi; Musee Boribana, Dakar, Senegal; DAK’Art Biennale National Exhibit in 2018 and the DAK Art Off Exhibit in 2024; the Renwick Gallery-Smithsonian Institution, and the National Afro-American Museum, Wilberforce, Ohio.  Since 2020, she has been commissioned to create large-scale works for Xavier University, Cincinnati, Ohio and Acres of Ancestry, a multidisciplinary, cooperative nonprofit ecosystem rooted in Black ecocultural traditions and textile arts.

Chevelle Makeba Moore Jones earned a BFA from MICA, (Maryland Institute, College of Art), Baltimore, Maryland, and has exhibited her works in various public and private arts venues throughout the mid-Atlantic region and beyond. Her art invites discourse around mental health and self-care. She is the recipient of several Maryland State Arts Council Individual Artist awards, and a National Endowment for the Arts/Mid-Atlantic Arts Foundation fellowship in painting. The city of Baltimore has also honored the artist with five Individual Artist awards. Chevelle’s work is in the collection of several private collectors including but not limited to, the Lancaster Museum of Art, the City of Baltimore, and the collection of Absolut Vodka of Sweden.

 

 

Photography by Christopher Myers

Bill Stevenson, aka “Bill Waverly,” Has Been Inking Baltimoreans For a Quarter Century
by Ron Cassie | Photography by Christopher Myers
Published January 15 in Baltimore Magazine

Excerpt: Bill Stevenson got his first tattoo in 1985 on Howard Street next to the old Greyhound bus station at a joint called Tattoo Tux, allegedly because of its owner’s sharp wardrobe.

There were not a lot of other options in Baltimore in those days. There was Tattoo Charlie’s, a parlor above the Midway Bar on The Block, which had been tattooing hula girls on the biceps of sailors since the 1940s. But the original Charlie had died by the time Stevenson was of legal age. There was the Dragon Moon Tattoo Palace in Glen Burnie and a few others, including Gypsy John’s, whose owner drove a tow truck by day and operated an underground Greektown shop at night because, it was suggested, the City Health Department closed at 5.

“Dan Higgs had just started working for Tattoo Tux and he’d tattooed like three people by then—himself, Harry McKenzie, and David Rhodes,” recalls Stevenson, now 60, in the licensed shop he owns, Waverly Tattoo Company, which also functions as a co-working art space, print shop, and indoor skatepark.

 

 

Photographer Amy Davis speaks with Baltimore Sun co-owner David Smith at a union action last month. (Fern Shen)

One year after Sinclair’s David Smith bought Baltimore Sun, union looks back
by Fern Shen
Published January 15 in Baltimore Brew

Excerpt: Marking a year since the Baltimore Sun was bought by Sinclair Broadcast Group executive chairman David D. Smith and conservative columnist Armstrong Williams, union leaders offered a grim assessment of what has transpired at the news organization.

“In just 12 months, Smith has made his agenda clear, with union-busting tactics and a disregard for journalistic integrity,” the Baltimore Sun Guild said today in a series of postings on “X.”

According to the union’s tally, 19 of its members have resigned, were laid off or were fired, including courts reporter Madeleine O’Neill, terminated after raising questions internally about coverage (an action the Guild has formally protested to the National Labor Relations Board).

 

 

National Gallery of Art, Washington, DC (photo by ajay_suresh via Flickr)

Why Is the National Gallery of Art Hosting a Trump-Vance Fundraiser?
by Isa Farfan
Published January 16 in Hyperallergic

Excerpt: The National Gallery of Art (NGA) in Washington, DC, is slated to host a fundraising dinner organized by the Trump Vance Inauguration Committee ahead of the president-elect’s official swearing-in on Monday, January 20, according to fundraising documents obtained by the Guardian

In an email to Hyperallergic, a spokesperson for the art museum confirmed it would “serve as a venue for an inaugural event at the request of the inaugural committee,” but declined to provide specific details. According to the Federal Elections Board, inaugural committees are appointed by the president-elect to lead the transition ceremony and connected events.

“While the National Gallery does not typically allow private events, exceptions have been made for official requests from across previous administrations. This includes inaugural occasions, such as an event held for President Bill Clinton in 1993,” the NGA spokesperson said.

 

 

Chesapeake Shakespeare Receives National Endowment for the Arts (NEA) Grant for 2025
Press Release :: January 17

Chesapeake Shakespeare Company (CSC) is delighted to announce it has been approved by the National Endowment for the Arts (NEA) for a Grants for Arts Projects award of $50,000. This grant will support the third season of Chesapeake Shakespeare Company’s newest community engagement initiative, Shakespeare Beyond, in summer 2025.

Shakespeare Beyond brings live performances of Shakespeare and educational arts experiences to public parks and spaces across CSC’s home city of Baltimore and the State of Maryland—all provided completely free of charge to the public. Dedicated to uplifting and building community, Shakespeare Beyond partners with local artists, nonprofits, and audiences to create collaborative and relevant arts experiences for all.

In summer 2025, CSC’s one-of-a-kind mobile “Shakespeare Wagon” will roll into more than twenty communities—from Charm City neighborhoods like Charles Village and Cherry Hill, to Western Maryland and the Eastern Shore—bringing joyful, accessible, and locally informed theatre to people across the State of Maryland. The Shakespeare Wagon will also set up shop in six neighborhoods for week-long residencies, providing community members with opportunities to engage in free performance and education experiences taught by local artists.<

“This summer, we are thrilled to give even more Baltimoreans and Marylanders the opportunity to see Shakespeare in their own neighborhoods, without the barriers of ticket costs or transportation,” says CSC Producing Executive Director Lesley Malin. “We believe in the power of classic theatre to unite us in empathy and community. With support from the NEA, we are excited to expand Shakespeare Beyond’s reach in summer 2025 and bring even more friends, neighbors, and communities together through art.”

In fiscal year 2025, the NEA will award 1,127 Grants for Arts Projects awards nationwide totaling more than $31.8 million. “The NEA is proud to continue our nearly 60 years of supporting the efforts of organizations and artists that help to shape our country’s vibrant arts sector and communities of all types across our nation,” said NEA Chair Maria Rosario Jackson, PhD. “It is inspiring to see the wide range of creative projects taking place, including Shakespeare Beyond.

For more information on other projects included in the NEA’s grant announcement, visit arts.gov/news.

 

 

VisArts awarded $15,000 grant from the National Endowment for the Arts
Press Release :: January 21

VisArts is pleased to announce that it has been awarded a $15,000 grant by the National Endowment for the Arts (NEA) in connection with its Grants for Arts Projects initiative.

The grant will benefit VisAbility Art Lab, VisArts’ supported studio for adults with physical and developmental disabilities pursuing careers in the visual arts, reinforcing VisArts’ commitment to reducing barriers to access and making the arts available to all.

VisArts launched VisAbility to address a community need for young adults with cognitive disabilities to develop skills for independent careers. Now in its ninth year, the program serves more than 40 artists in a collaborative community, offering unstructured, self-directed studio time where they explore various mediums and receive professional training in exhibition applications, pricing, and sales.

VisAbility fosters career growth through partnerships, mentorship, and exhibition opportunities, including VisArts’ annual showcase, open studios in VisArts’ Pop-Up, and venues like the American Visionary Art Museum, Round House Theatre, and the Ratner Museum. VisAbility artists have gained national recognition, press coverage, and significant sales, earning nearly $17,000 last year and more than $58,000 since the program’s inception.

As part of its fiscal year 2025 grants, the NEA awarded 1,127 Grants for Arts Projects nationwide, totaling more than $31.8 million.

“The NEA is proud to continue our nearly 60 years of supporting the efforts of organizations and artists that help shape our country’s vibrant arts sector and communities of all types across our nation,” said NEA Chair Maria Rosario Jackson, PhD. “It is inspiring to see the wide range of creative projects taking place, including VisArts’ VisAbility Art Lab.”

VisArts Executive Director Alice Nappy shared, “VisAbility Art Lab embodies VisArts’ commitment to inclusion and accessibility. We’re grateful to the NEA for this grant, which will help VisArts sustain and expand our outstanding programs and opportunities for neurodiverse artists.”

For information on other projects included in the NEA’s grant announcement, visit arts.gov/news.

 

 

image credit: Grassroots DesignFest

Grassroots DesignFest Pairs Baltimore Nonprofits and Designers for a Daylong Creative Collaboration
Press Release :: January 21

Grassroots DesignFest, a one-day “design-a-thon” that pairs over 100 volunteer designers with 16 Baltimore nonprofits, returns for its 7th year on March 29, 2025, at the Maryland Institute College of Art’s Brown Center.

The event produced this year for the first time by the Neighborhood Design Center, in partnership with Maryland Institute College of Art (MICA) and T. Rowe Price, connects small, or “grassroots,” Baltimore nonprofits with graphic designers, web developers, architects, and other creative professionals. During DesignFest, they will prototype logos, update websites, refine branding strategies, design signage and wayfinding systems, and address other design challenges.

“We’re excited to provide nonprofits with practical, effective tools—whether it’s a fresh logo or better on-site signage—to help them reach their audiences effectively and elevate their important work,” said Briony Hynson, Deputy Director of the Neighborhood Design Center.

Demand has been high, with organizers receiving more than 70 applications from Baltimore nonprofits seeking pro bono design support. With nonprofit selection underway, the event now calls on volunteer graphic designers, web developers, architects, and other creative professionals to sign up. Volunteer designer registration opens today, Tuesday, January 21, on the DesignFest website.

“DesignFest helps nonprofits fulfill critical communication, branding, and marketing needs, enabling them to serve the community more effectively,” said Raymone Jackson, head of Community Investment and Diversity, Equity, and Inclusion, at T. Rowe Price. “This connection of creative professionals and mission-driven organizations is a dynamic display of the talents of MICA students and local volunteers and the passion we share for our community.”

Organizers review all nonprofit submissions to ensure the nonprofits are a good fit and their projects are achievable within the event timeframe. The selected nonprofit organizations will be matched with design teams before the event, ensuring teams can arrive ready to work efficiently to produce targeted solutions to strengthen their visual and brand identities and outreach, allowing them to advance their missions more effectively.

“MICA is proud to host DesignFest,” said MICA Special Assistant to the President Kevin Moreno. “This event shows how artists and designers can drive positive change through creative problem-solving and meaningful partnerships with organizations that do good work in their communities.”

For more information, visit www.grassrootsdesignfest.org.

 

 

Art with a Heart 25th Anniversary Celebration
Press Release :: January 21

Art with a Heart (AWAH) will present its 25th Anniversary Celebration, Saturday, March, 29, from 6:30 to 10:30 p.m., at the M&T Bank Exchange at the France-Merrick Performing Arts Center (home of the Hippodrome Theatre – 401 W Fayette St., Baltimore, MD 21201).

With 300 to 400 guests anticipated, this “colorful cocktail” evening will feature heavy hors d’oeuvres and dinner stations from Rouge Fine Catering and an open bar. Adding to the fun will be a silent auction of one-of-a-kind masks created by Baltimore artists, immersive art stations and dancing to live music by Spectrum – a powerhouse band renowned for its high energy, audience engagement and seamless fusion of musical genres.

“We hope you will join the Art with a Heart community as it celebrates its 25th anniversary! We promise this event will be immersive, creative and FUN,” said Randi Alper Pupkin, AWAH’s founder and executive director. “Event proceeds will help us continue to provide the gift of art to those who need it most – thereby making Baltimore more innovative, creative, vibrant and beautiful.”

Individual tickets ($175/person or $125/person discounted for seniors) an be purchased online at www.artwithaheart.net. Corporate and individual sponsorships are also available. For more information about the event or sponsorship opportunities, contact Melissa Noonan at [email protected] or 410-366-8886.

About Art with a Heart
Art with a Heart’s mission is to enhance the lives of people in need through visual arts. Founded in 2000, the Baltimore-based nonprofit uses visual art for positive civic and economic change in its community programming, workforce development, community art, service learning and leadership development initiatives.

During the last year alone, Art with a Heart provided nearly 16,000 art classes to children, youth, adults, and families in schools, shelters, community centers, hospitals and senior facilities; provided over 270,000 individual art experiences; successfully completed and installed 16 community art projects with the dedication of over 3,900 volunteers; graduated a new cohort of leaders expanding the alumni network to 170 youth; expanded workforce collaborations; graduated 200 students, and opened a satellite location on The Avenue in Hampden for its HeARTwares social enterprise store and workforce development programming.

For more information, visit www.artwithaheart.net or follow on social media: @AWAHBaltimore on Facebook and @artwithaheart_ on X & Instagram.

 

 

Header Image: Tom Miller. Summer in Baltimore, 1994. Courtesy of Steven Scott Gallery, Baltimore

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