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BmoreArt News: Artscape, Trans Visibility, Preakness

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This week’s news includes: Artscape updates, Trans Visibility quilt displayed on the Mall, Preakness past and present in photos, Joyce J. Scott receives honorary doctorate from UB, John Waters weighs in on Carla Hayden’s firing and how to (mis)behave at his book signings, Guns of Steel guns blazing for good, Amy Sherald in The New York Times, just when Katie Pumphrey thought it was safe to go back in the water… , Greedy Reads “Lost Weekend” festival, Baltimore creative Matthew Weiner, the war on bike lanes, and Tendrils artist journal launches — with reporting from Baltimore Magazine, Baltimore Fishbowl, The Baltimore Banner, and other local and independent news sources.

Header Image: Artscape 2025 Announcement!!

YARN | from a local news station in Baltimore. | Fresh Off the Boat (2015) - S02E21 Rent Day | Video gifs by quotes | 05aa7700 | 紗

 

A local artist market is seen along Charles Street at Artscape in 2023. (Craig Hudson for the Baltimore Banner)

Artscape 2025: All the changes you need to know, plus the music and forecast
by Wesley Case
Published May 21 in The Baltimore Banner

Excerpt: Artscape, the country’s largest free outdoors arts festival, is nearly here.

The event, which began in 1982 and takes place Saturday and Sunday, is undergoing a number of changes in 2025. Ahead of the festival, here’s everything you need to know.
This feels early for Artscape. Isn’t it usually in July?

Yes. For years, Artscape took place in July and always seemed to fall on the hottest weekend of the year (to the annoyance of many attendees).

More recently, the city tried to find the sweet spot in the calendar. They tried September in 2023 but canceled a full day of events due to Tropical Storm Ophelia. Last year’s Artscape, held the first weekend in August, also saw cancellations — including headliner Chaka Khan’s performance — because of dangerously hot and stormy weather.

 

 

New to Artscape: In Conversation Series and Beyond the Reel at Baltimore Center Stage
Press Release :: May 16

The Baltimore Office of Promotion & The Arts (BOPA), in proud partnership with Baltimore Center Stage, announces the “In Conversation Series” (sponsored by CareFirst) and “Beyond the Reel” — two powerful cultural programming tracks happening May 24–25, 2025, as part of Artscape. “The addition of the In Conversation Series and Beyond the Reel to Artscape reflects our commitment to embracing all forms of artistic expression,” says BOPA’s Interim CEO Robyn Murphy. “I am especially excited about these new programming tracks because they expand the tent of our vision: creating space for dialogue, discovery, and the diverse disciplines that make Baltimore’s creative community so dynamic.”

Hosted at Baltimore Center Stage, this collaboration creates a space for bold storytelling, critical dialogue, and artistic innovation. “Artscape is at the center of the artistic life of communities across our city, and it’s an honor to host this expanded programming at our theater,” says Baltimore Center Stage Managing Director Adam Frank. “Our mission is to spread joy and connection through the power of the arts, and we’re proud to be of service in showcasing these extraordinary artists and work that do just that.”

Audiences will experience film screenings, live conversations, and panels featuring leading local and national celebrity voices in a variety of artistic disciplines as well as media, sports, culture, health, and more. Baltimore-born actress and entrepreneur Lex Scott Davis of Suits LA is the Honorary Chair for Beyond the Reel and In Conversation Series and will host a VIP industry mixer to kick off the weekend. Davis will also join a panel with Derrick Adams and local art builders moderated by actor, entrepreneur, and cultural innovator Kofi Siriboe focused on building community among artists and creating spaces in which artists can retreat and thrive. This aligns with the work each is doing in Los Angeles, Baltimore, and New Orleans, respectively.

BEYOND THE REEL
Beyond the Reel is new to this year’s Artscape. It celebrates the impact of Baltimore’s film and television industry by showcasing dynamic films alongside live discussions. There are film blocks that explore the influence of nature and nurture through sports documentaries, the role of storytelling in driving meaningful social change, and the contributions of youth filmmakers. This programming takes place during festival hours on Saturday and Sunday at Baltimore Center Stage.

As an extension of the programming at Baltimore Center Stage, on Sunday from 12:00–2:00 p.m. at Ikonic Live, directly across from the Kidscape activation, a youth film programming and panel discussion segment of Beyond the Reel will take place. In conjunction with Wide Angle Youth Media, the showcase will consist of work from Baltimore area middle and high school students and the panel will be co-led and consist of the youth participants as well. The young filmmakers will discuss their process, inspiration, and craft in the changing world of storytelling and how they are preparing for a future in the industry.

Films set to screen as part of Artscape’s Beyond the Reel at Center Stage include, the Emmy-nominated documentary, “The Body Politic,” 2025 Sundance Directing Award winner “Ricky,” ESPN’s “Baltimore Boys,” the HBO series “The Cost of Winning,” and a slew of other features and episodics.

IN CONVERSATION SERIES
This curated dialogue series will feature unexpected pairings of thought leaders, artists, and cultural visionaries engaging in provocative discussions on the future of the arts, technology, culture, and creative economies — challenging perspectives and inspiring new ideas.

Featured panelists include artists Derrick Adams and Joyce Scott, television producer Matthew Weiner, actress Lex Scott Davis, model Broderick Hunter, entrepreneurs Monique Rodriguez of Mielle, author D. Watkins, fashion icons designer Bishmie Cromartie and celebrity stylist and writer for Vogue, Avon Dorsey, Mayor’s Advisor of Arts & Culture Tonya Miller Hall and more. Here is a first look at the conversation topics:

BUILDING CREATIVE COMMUNITIES: WITH KOFI SIRIBOE, DERRICK ADAMS, & LEX SCOTT DAVIS
Moderator: Kofi Siriboe, actor, entrepreneur, cultural innovator, and founder of TOLA in New Orleans
A dynamic and inspiring conversation led by Kofi Siriboe — actor, entrepreneur, cultural innovator, and founder of TOLA Artist Residency in New Orleans — alongside acclaimed visual artist Derrick Adams, founder of The Last Resort Artist Retreat in Baltimore, and actress/entrepreneur Lex Scott Davis, co-founder of Eagle Studios Lab in Los Angeles.

THE ART OF SPORT: FROM COURT TO CANVAS
Moderator: D. Watkins, sportswriter and historian
Where movement meets performance — this conversation explores the artistic nature of athleticism, the cultural stories shaped through sports, and how sports culture becomes a canvas for storytelling. A dynamic dialogue on the body as medium, message, and masterpiece.

LENSING THE BLACK MALE IMAGE: BLACK MEN’S STYLE CONTRIBUTIONS IN FILM & FASHION
Moderator: Avon Dorsey, celebrity stylist and writer
Description: With this year’s Met Gala theme focusing exclusively on Black dandyism and the importance of Black men’s fashion, this panel will discuss the contributions of local artisans making headway within the creative fashion and style industries.

SCIENCE & DANCE: ORBITING THE SELF — DANCE, MOTION, AND HUMAN POSSIBILITY
Moderator: Andrew Parlock, tech leader and engineer
Description: This dialogue draws parallels between choreography and scientific motion, examining how movement informs identity and expands our sense of possibility.

THE SCIENCE OF BEAUTY: STYLES BY SCIENCE — THE TECH BEHIND THE GLOW-UP
Moderator: Keisha McClain, entrepreneur
Description: This conversation explores how innovation is redefining personal style, self-expression, and self-care. From AI-driven fashion to high-performance haircare and next-gen tools, a trailblazing panel will unpack how science, tech, and design are shaping the future of beauty.

EMBODYING HER: THE FEMALE ARCHETYPE IN ART & DESIGN
Moderator: Rashida Bumbray, curator and choreographer
Description: This powerful conversation brings together artists, designers, and storytellers to explore how the female form and story are represented across creative disciplines. From visual art to wardrobe design in film and television to transformative makeup in cinema, we examine how women’s stories are crafted, embodied, and reimagined.

FEATURED PANEL — STATE OF THE ARTS: CULTURE IN A TIME OF CRISIS
Moderator: Cara Ober, publisher and writer
Description: In an era of political polarization and cultural pushback, the role of the arts is more vital — and more vulnerable — than ever. This panel explores the shifting landscape for artists, institutions, and creative communities as they navigate censorship, funding challenges, and the fight for free expression. How do the arts survive — and thrive — amid instability? What does cultural leadership look like in times of uncertainty?

All Beyond the Reel and In Conversation Series events will take place at Baltimore Center Stage on May 24th and 25th with the exception of the Youth Film and Theater Programming taking place on Sunday ONLY at Ikonic Live. All activities are free and open to the public. Learn more about Artscape 2025 at artscape.org and on social media (@artscapebmore).

:: See Also ::

Artscape 2025 adds two new tracks with Baltimore Center Stage: ‘In Conversation’ and ‘Beyond the Reel’
by Aliza Worthington
Published May 19 in Baltimore Fishbowl

 

 

Artscape After Hours Offers an Intimate Speakeasy Experience at Hotel Ulysses with Frenchie Davis
Press Release :: May 19

The Baltimore Office of Promotion & the Arts (BOPA) is excited to announce “Artscape After Dark,” a unique immersive after hours experience free for festival goers. The lineup features activations at Ikonic Lounge hosted by Baltimore-based performer and spoken word artist Eze Jackson and activities at nearby Hotel Ulysses featuring world renowned singer and Broadway performer Frenchie Davis and accomplished multidisciplinary artist Dr. Rebecca Dupas.

Artscape After Dark keeps the festivities going even after the sun sets with electrifying sounds from local artists, musicians, DJs, and spoken word artists at simultaneous activations to feature music, art, and poetry as a celebratory tribute to the arts. Artscape After Dark is where the boundaries between observer and participant blur, where inspiration flows as freely as the cocktails, and where the night itself becomes a canvas for connection and discovery.

“Artscape After Dark is where the city’s creative pulse turns electric—an immersive, late-night celebration of sound, soul, and storytelling at multiple locations,” says BOPA Interim CEO Robyn Murphy. “From DJ sets and dance parties to intimate speakeasy vibes with Frenchie Davis and powerful all-female spoken word, Artscape After Dark is our love letter to the city. This is Baltimore at its boldest, brightest, and most unforgettable.”

Hotel Ulysses in Mount Vernon gives festival goers an intimate encounter with music, poetry, and spoken word with The Speakeasy featuring vocalist and Broadway superstar Frenchie Davis in Bloom’s Cocktail Lounge on Saturday and Sunday nights.

“I’m excited, not only to be performing at Artscape, but I’m also really excited about being in community with the people who will be attending as well as with the other artists and performers,” says Frenchie Davis. “I believe that community is important, particularly in these times. I also believe that music is a huge part of how we foster a strong sense of community and lift one another up. I look forward to being part of creating that experience for people.”

A few steps away at Ikonic Lounge, the Eze Jackson & Friends Artscape After Party comes alive from 9:00 p.m. to 2:00 a.m. for a blend of rising stars and veteran performers in Baltimore’s diverse arts community for a celebration unlike any other. With performances from Miss Kam, Wish Granted, Jahiti, and Apex Tha Genius and sets by notable Baltimore-based DJs including DJ Duke, DJ Clutch, Ducky Dynamo, DJ Sun, and the Midnight Club Collective: Petty Penguin, Mr. Beast, S.Dot, and Kade Young attendees are sure to get better acquainted in the cultural nightlife.

“I’ve been doing this party for the past 10 years to celebrate Artscape, which is my favorite weekend in Baltimore,” says Eze Jackson. “My party always represents the unique, beautiful, and diverse Baltimore that I know, so I hope that this will encourage more people to come out to Artscape and celebrate the arts community. This year is the first year that the City is sponsoring the event, and with new leadership in place I feel that we are headed in a new direction. I’m looking forward to continuing this collaboration in the future.”

Artscape After Dark’s creative pulse keeps pumping into Sunday night with a poetry slam showcase dubbed Femme Frequency Spoken Word Night in Hotel Ulysses’ Ash-Bar for its all-female talent lineup that displays a variety of Baltimore’s top talent hosted by poet and author Dr. Rebecca Dupas. “Hotel Ulysses is excited to partner with Artscape After Dark, celebrating Baltimore’s rich cultural scene,” says Jessica Hudson, Events Manager for Hotel Ulysses. “Located in the cultural heart of the city, we’re proud to host the incredible artistry that makes this community so special.”

On Sunday, festival attendees can also take a short trip to Baltimore’s Riverside community for The Dave Couser All White Affair, a ticketed event hosted by none other than entertainment extraordinaire Dave Couser at the Museum of Industry which festival goers can listen to soulful sounds under the open sky and glowing visuals.

 

 

On May 17, quilts lined the National Mall in a display of trans joy and resilience. (all photos courtesy ACLU unless otherwise noted)

Massive Artwork for Trans Visibility Unveiled on National Mall
by Isa Farfan
Published May 20 in Hyperallergic

Excerpt: Nearly 260 quilt panels lined the National Mall on Saturday, May 17, spelling the message “Freedom To Be” as part of a temporary installation celebrating trans joy and resilience. Organized by the American Civil Liberties Union (ACLU), the display of six-by-six foot panels recalled the 1987 NAMES Project AIDS memorial quilt presented at the same location. The artwork was unveiled as the ACLU challenges a Tennessee ban on gender-affirming health before the Supreme Court.

Among the panel artists is Alexander Brodie Switzer, a transgender man living in Tucson, Arizona. On a video call earlier this month, Switzer said he was packing up his home.

“I got an RV, so the plan is to go to one blue state, and then if I have to leave again, I don’t have to sell all my stuff,” Switzer told Hyperallergic. “I’ll be able to hop around … in blue states, and see where feels the safest.”

 

 

—Photography by J.M. Giordano

Photos: The People and Pageantry of Preakness 150
by J.M. Giordano
Published May 19 in Baltimore Magazine

Excerpt: Baltimore got a bright, 85-degree day for the 150th running of the Preakness Stakes—a sunny sendoff for the spring tradition, which will head to Laurel Park next year while Pimlico Race Course undergoes highly anticipated upgrades. Still, photojournalist J.M. Giordano—who spent the day capturing and interviewing Preakness’s many personalities, from bettors and buglers to infield partiers and veteran photographers—shot in black and white.

“I like the way the light falls on everything,” Giordano explained from the paddock area, just before snapping the image below on his Nikon Zf. “I really think that black and white makes you look at the subjects, the people and the horses, more so than the hats and the colors.”

:: See Also ::

Photo Essay: Celebrating 150 Years of the Preakness Stakes
by J.M. Giordano
Published May 15 in Baltimore Magazine

 

 

Image credit: John Dean

Joyce J. Scott receives Honorary Doctorate from University of Baltimore
Newsletter :: May 19

We’re proud to announce that Joyce J. Scott, internationally acclaimed multimedia artist and MacArthur Fellow, and Maryland First Lady Dawn Moore will serve as keynote speakers at University of Baltimore’s Spring Commencement Ceremonies on May 21 at The Lyric in Baltimore.

Baltimore native Joyce J. Scott, represented by Goya Contemporary Gallery, will address undergraduate students, and will be awarded an honorary Doctor of Humane Letters by University of Baltimore President and former Mayor Kurt L. Schmoke.

Scott’s powerful and thought-provoking work has been showcased in major museums and collections around the world. In 2024, she debuted a landmark 50-year traveling retrospective, co-organized by the Baltimore Museum of Art and the Seattle Art Museum.

This marks Scott’s fourth honorary doctorate, joining those previously bestowed by the Maryland Institute College of Art (MICA), California College of the Arts, and Johns Hopkins University—a testament to her profound impact on the arts and culture.

Join us as we celebrate the achievements of the graduates, and these two inspirational leaders who continue to shape Maryland’s cultural and civic legacy.

 

 

Former Librarian of Congress Dr. Carla Hayden (left) and Baltimore filmmaker John Waters (right). Photo credits: Shawn Miller/Library of Congress and Greg Gorman.

John Waters on Carla Hayden’s dismissal as the Librarian of Congress: ‘It is a crime, a presidential crime’
by Ed Gunts
Published May 19 in Baltimore Fishbowl

Excerpt: Add Baltimore-based writer and filmmaker John Waters to the list of people who are outraged about President Donald Trump’s May 8 dismissal of Carla Hayden as the Librarian of Congress.

“I say in my show now, of all the things Trump has done, that is the very worst to me,” Waters said when asked his reaction. “And what is her offense? She got people to read more. She was fired for that reason, because he doesn’t want you to read. He didn’t write his own book or, I doubt, even read it.”

Hayden, 72, was in the ninth year of a 10-year term as Librarian of Congress. Appointed in 2016 by then-President Barack Obama, she was the first woman and the first African American to hold the position, and the first professional librarian in the post since 1974.

 

 

A line of fans waiting to meet John Waters trails out of Atomic Books and down Falls Road in 2023. Photo by Ed Gunts.

The Dos and Don’ts of a John Waters book-signing
by Ed Gunts
Published May 19 in Baltimore Fishbowl

Excerpt: A John Waters book release and signing event is a rare and festive literary occasion no matter where it occurs, but it’s especially memorable when it takes place in the author’s hometown of Baltimore.

The latest John Waters book signing is scheduled for Wednesday, May 21, when Baltimore’s famous filth monger appears at Atomic Books on Falls Road to greet fans and celebrate the publication of not one but three softcover books from Picador.

The signing events are always fun because Waters has a great sense of humor, is generous with his time, and will sign other items besides the books on sale, including bare skin, “within reason.” He also has some of the most creative, boisterous and uninhibited fans anywhere. Just don’t bring John Waters-themed items from Etsy or other unauthorized retailers and ask him to sign them – that drives him crazy.

 

 

Erin Stellmon, one of the founders of Gunz of Steel, and Katherine Wunderink practice arm wrestling at the Clifton Pleasure Club in Baltimore. (Jessica Gallagher/The Baltimore Banner)

At Gunz of Steel, women and nonbinary arm wrestlers flex muscles and mayhem
by Julie Scharper
Published May 17 in The Baltimore Banner

As the third hour of rehearsal began, The Toe and The Knee scuttled across the grass in matching flesh-colored bodysuits, coming to rest behind Purrrsonal Trainer.

The duo admired Purrrsonal Trainer’s costume: fuzzy ears, rainbow sweatbands and striped fur pelt. But one thing was a little off.

“Let‘s fix your butthole,” said The Toe, repositioning a saucer-sized circle of pink felt.

The comment might seem inappropriate elsewhere, but at this, the third and final rehearsal for Gunz of Steel, an arm-wrestling competition for women and nonbinary people, no one raised an eyebrow — or the assortment of mustaches and unibrows many had affixed to their faces.

The competition began when Erin Stellmon, 49, a former women’s arm wrestling champion from Brooklyn, New York, moved here to teach and make art in 2018. She soon met Amanda Dice, 52, a fellow educator, who had helped choreograph Baltimore’s delightfully weird Fluid Movement water ballet shows.

Like two arms clasped across a table, Stellmon and Dice united in a common purpose. Since then, the twice yearly shows, which feature fictional characters engaged in real arm wrestling, have grown increasingly elaborate.

Stellmon coaches participants in the finer points of the sport and presides over matches as her black-horned alter ego, Atomica. Dice choreographs the bits of dance and theater threaded throughout the event and emcees the show in the character of sleazy wellness guru Mary Louise Miller, A.K.A. M.L.M.

A dozen costumed participants, many joined by a costumed manager, will lock arms across Stellmon’s custom-built arm wrestling table Saturday evening for four rounds of competition. The event is held at the Clifton Pleasure Club, a private membership organization which feels sort of like a queer Cheers plunked in the middle of a residential neighborhood. (The 175-year-old building is the city’s last remaining one-room schoolhouse and has housed a social club for the past 115 years.)

Each Gunz of Steel competition raises about $2,000-3,000 in donations for charities that focus on women or LGBQTIA+ people. The proceeds from Saturday’s event are slated to go to Baltimore Safe Haven, the city’s only trans-led drop-in center.

Most participants have never arm wrestled competitively before, but arrive looking to have fun and meet “like-minded weirdos,” Stellmon says.

“I don’t care about the arm-wrestling. I like the campy-kitschiness,” said Jossie Dowling, 36, of Charles Village. “It‘s an older woman queer crowd, which is what I’m drawn to.”

“It‘s how I made friends here,” said Katie Carey, 40, an archivist who moved to Baltimore in 2021. Her first character was Muff McGruff, the bitter ex-wife of McGruff the crime dog.

On Saturday, she’ll play the Pharma Rep, who hawks a drug with side effects that include “loss of earlobe tone, excessive farts, hygienic disassociation and radioactive discharge.”

“My inner child is satisfied,” said Carey, likening the creative process to making movies with her sisters as a kid.

Planning for this show began three weeks ago as participants brainstormed ideas for characters over beers and tacos at a wooden picnic table in the club’s honeysuckle-draped yard.

A.J. Janes, 35, who has previously appeared as a taco named Carnage Asada and a Broadway wannabe plumber called Pipe Dreams, was kicking around plans for a cow suit.

Massage therapist Sarah Strahorn, 49, discussed reprising her semi-villainous character, The Toe, short for “camel toe.” Her friend, Asa Keiswetter, 44, plays her sidekick and long-lost twin brother, The Knee, as they lead the audience in chants of “Toe-Knee, Toe-Knee.”

By Thursday’s rehearsal, the ideas had coalesced into show. There was a food theme and an animal theme and a subplot involving the paternity of a mustachioed Cabbage Patch Kid. Radioactive Jell-O shots, fake prescription pads, and individually wrapped slices of American cheese would be thrown to the audience.

“I’m going to need the cheese back, by the way,” the Gym Rat, A.K.A. Rachel Rosenberg, 30, of Charles Village, said at the rehearsal.

Janes was Beef Cakes, a bull inspired by the story of Ferdinand. The Toe and The Knee passed an inflatable doll back and forth while spinning languidly to music from “Dirty Dancing.” Other characters include Bad Bird, Big Bird’s Jungian shadow, Pepper Ann Prepper, doomsday prepper, and Miss Terry Meat, a lunch lady with dubious standards.

Strahorn’s partner, Katherine Wunderink, 46, a power lifter, will appear as Horse Girl, a rider of toy ponies. “She’s gonna win,” said Strahorn, rolling up Wunderink‘s sleeves to reveal her bulging biceps.

Kate Dunn, who was celebrating her 41st birthday, planned to reprise her character, Third Degree Tear-or, who arrives at the wrestling competition in labor, clad in a hospital gown and mesh medical underwear, an epidural taped to her back. She twirls a crocheted placenta attached to a doll at one point in a show.

“The audience really connects with it,” said Dunn, a nurse, explaining that they had first thought up the act after giving birth.

Saturday’s event will happen rain or shine, organizers said. A $15 donation is suggested, as is bringing a folding chair. For those who can’t make it, perhaps due to that other sporting event scheduled for Saturday, there are regular queer arm wrestling events in Philadelphia. The fall Gunz of Steel show is slated to be held at The Current Space in October.

Rosenberg, the Gym Rat, said she was drawn back each time to the “quirky Baltimoreness” of the event. “It‘s one of the things that makes Baltimore a place I love,” she said.

This story was republished with permission from The Baltimore Banner. Visit www.thebaltimorebanner.com for more.

 

 

Amy Sherald, “A God Blessed Land (Empire of Dirt),” 2022, oil on linen.Credit...via Amy Sherald and the Tymure Collection; Photo by Joseph Hyde

Amy Sherald’s Blue Sky Vision for America
by Deborah Solomon
Published May 15 in the New York Times

Excerpt: It has been Amy Sherald’s fate to be known for one painting only. Her portrait of Michelle Obama, commissioned in 2018 by the National Portrait Gallery, brought the artist overnight fame. Ignoring the conventions of academic portraiture, a genre associated with pale men standing in front of burgundy drapes, Sherald liberated America’s first lady from the fusty, cigar-brown rooms of the past. Obama, dressed in a sleeveless gown, leans forward in her chair, channeling Rodin’s “Thinker.” The background, a featureless expanse of powder blue, suggests fresh air.

The painting is an anomaly in Sherald’s oeuvre. “Amy Sherald: American Sublime,” a compact and rousing retrospective of 42 paintings at the Whitney Museum of American Art, brings us the work of an artist who is not primarily a recorder of first ladies or famous faces. Rather, Sherald is a painter of one-frame short stories, of fictions that bestow recognition on people you would not recognize. She can be preachy, but her paintings are saved from sentimentality by an unerring sense of geometric design and a taste for spare, simplified, super-flat planes.

Stepping off the elevator on the fifth floor of the museum, you find yourself contemplating a curved, rather amazing wall hung with five life-size portraits, each in a different sizzling color. “The Girl Next Door” (2019), my favorite, shows a young woman in a white polka-dot dress, silhouetted against an emerald green background. Compared with the effortlessly attractive girl-next-door we know from countless films, Sherald has painted a touchingly awkward woman, her red leather belt rising up from her waist to her chest. But you can see that she is trying to look her best. Her immaculate dress, her red lipstick, her fixed-up hair with its attractive side part, are careful efforts at self-presentation that speak volumes about American girlhood.

 

 

Katie Humphrey grins after completing her 24-mile journey at the Inner Harbor last year. (Kylie Cooper/The Baltimore Banner)

Katie Pumphrey cuts short 24-mile Bay swim due to poor conditions
by Clara Longo de Freitas
Published May 20

Excerpt: Katie Pumphrey, who planned to repeat her 24-mile swim from the Chesapeake Bay into the Inner Harbor today, ended the swim early due to safety concerns.

Pumphrey started the swim a little after 1 a.m. on Tuesday at Sandy Point State Park in Annapolis, according to an update on social media. But increasingly high winds and deteriorating conditions caused safety concerns.

“Around 2 a.m.— due to deteriorating conditions and increasingly high winds— we made the difficult decision to abort the swim,“ reads the post on social media. ”Katie was swimming strong, but everyone’s safety was a concern.”

… this story continues. Read the rest at The Baltimore Banner: Katie Pumphrey cuts short 24-mile Bay swim due to poor conditions

 

 

Bookseller Leela Chantrelle, Kosoko Jackson, and Gerardo Sámano Córdova at a previous Lost Weekend festival. —Courtesy of Greedy Reads

Greedy Reads’ Lost Weekend Literary Festival Returns with Largest Lineup Yet
by Ana Bak
Published May 15 in Baltimore Magazine

Excerpt: Like the spine of a hardcover, there’s something deeply woven into the fabric of Baltimore’s culture when it comes to books.

Back in 1987 when Mayor Kurt Schmoke dubbed us “The City that Reads,” the slogan was aspirational. But in the decades since, our community has become known for its rich literary scene—cultivating best-selling authors, innovative ways to make reading accessible to all (we’re looking at you, The Book Thing and Saint Rita), and an array of locally owned bookshops.

One of the pillars of the independent bookstore community is Greedy Reads, opened by owner Julia Fleischaker in Fells Point in 2018. A second location came to Remington in late 2019, highlighting an event space for the book community to gather. It was perfect for hosting the shop’s inaugural Lost Weekend Festival, which was dreamed up by Fleischaker and her team in 2022 out of a desire for connection, in the wake of Baltimore Book Festival and other event cancellations during the pandemic.

:: See Also ::

After losing money at a disastrous Baltimore book festival, they’re starting their own
by Leslie Gray Streeter
Published May 15 in The Baltimore Banner

 

 

Ben Ahlers stars as John Wilkes Booth in “John Wilkes Booth: One Night Only!” the new play from “Mad Men” creator and Maryland native Matthew Weiner playing Baltimore Center Stage until June 15. (Hand Me Down Films)

‘Mad Men’s’ Matthew Weiner talks new play ‘John Wilkes Booth’ and hating crabs
by Wesley Case
Published May 16 in The Baltimore Banner

Excerpt: It took Matthew Weiner seven years to get “Mad Men,” widely considered one of TV’s greatest series, onto the small screen. His latest project has required even more patience.

“You know, I’ve been working on this play for nine years,” Weiner said last week, somewhat astonished.

As TV fans impatiently wonder when Weiner — who won Emmys as both a writer/producer on “The Sopranos” and as the creator of “Mad Men” — will return to TV, the Baltimore County native has been focused on a new challenge. “John Wilkes Booth: One Night Only!” Weiner’s playwriting debut, is having its world premiere at Baltimore Center Stage. Previews began Thursday, while opening night is May 23. Despite the title, the show runs through June 15.

… this story continues. Read the rest at The Baltimore Banner: ‘Mad Men’s’ Matthew Weiner talks new play ‘John Wilkes Booth’ and hating crabs

 

 

State and Howard County officials will monitor whether a new, temporary bike lane along a section of US 1 makes the roadway safer for pedestrians and cyclists. (Daniel Zawodny/The Baltimore Banner)

What’s the latest victim in Trump’s war on woke? You guessed it — bike lanes
by Daniel Zawodny
Published May 16 in The Baltimore Banner

Excerpt: This morning, barring heavy rain, hundreds of people around Baltimore will participate in Bike to Work Day 2025, likely navigating controversial slivers of pavement along the way.

Plenty love the bike lanes and other infrastructure that Baltimore and surrounding counties have installed in recent years, and want more. But opposition always flares over new proposals: Don’t take my parking spot, bike lanes are dangerous, nobody uses them, cyclists don’t follow the rules of the road.

In Baltimore, as elsewhere, it’s become another us vs. them culture war issue. But the battle now appears headed to a broader front.

… this story continues. Read the rest at The Baltimore Banner: What’s the latest victim in Trump’s war on woke? You guessed it — bike lanes

 

 

New art & literary journal launches to help trauma survivors
Press Release :: May 19

A new trauma-focused art & literary journal, Tendrils, launches June 2025. Bringing together the worlds of art and healing, Tendrils explores the theme of “Trauma and the Body” in its premiere issue through visual art and short-form literature.

According to the National Council for Behavioral Health, “70% of adults in the U.S. have
experienced some type of traumatic event at least once in their lives.”* The physical- and
mental-health consequences of experiencing trauma have been well researched and documented. So has the positive healing effect of the arts.

Tendrils was created to encourage this healing. The premiere issue features 63 U.S.-based artists and writers in its print edition. A smaller curation of work will be featured on its online edition, tendrilsjournal.com. Each edition features a variety of mediums and styles, each exploring the various ways trauma is held, manifested, or transmitted in physical form.

About: Tendrils is dedicated to fostering healing and sparking conversations around trauma through its journal, as well as in-person events. Tendrils is published annually by Studio Civico, a design consultancy founded by Rebecca Pérez. In addition, Rebecca Pérez is also a fine artist, whose work has been exhibited in New York, New Jersey, Virginia, Maryland, and Washington, DC.
Notably, she is a recipient of an Arts and Humanities Fellowship Program Grant, from the DC Commission of the Arts and Humanities in 2025.

Contact: Rebecca Pérez, Tendrils Founder & Creative Director, [email protected], “How to Manage Trauma,” National Council for Behavioral Health

 

 

header image: Photography by J.M. Giordano for Baltimore Magazine

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