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BmoreArt News: Christopher Myers + George Ciscle, Turnstile, Dr. Carla Hayden

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This week’s news includes: Honorary MICA degrees for Christopher Myers and George Ciscle, Baltimore turns up for Turnstile, reactions to Dr. Carla Hayden’s firing, coleman a. jordan | ebo at the 2025 Venice Architecture Biennial, the lasting legacy of Black Cherry Puppet Theater, Maryland History Day Contest winners announced, Maryland Opera at Boordy Vineyards, Baltimore Fishbowl wins MDDC awards, BNHA announces award winners, and Hot Bits Film Festival at the Parkway     — with reporting from Baltimore Magazine, Baltimore Fishbowl, The Baltimore Banner, and other local and independent news sources.

Header Image: from The Balitmore Banner’s coverage of Turnstile’s Wyman Park Dell concert (KT Kanazawich for The Baltimore Banner)

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MICA Announces Honorary Degree Recipients for the 2025 Commencement Ceremony
Press Release :: May 13

The Maryland Institute College of Art (MICA) is pleased to announce the 2025 honorary degree recipients, who will speak during the Undergraduate and Graduate Commencement Ceremonies on Monday, May 19.

The 2025 honorary recipients include:

Undergraduate Commencement

Christopher Myers is a Brooklyn-based interdisciplinary artist and award-winning children’s book illustrator. His global, storytelling-centered practice spans media like tapestries, sculpture, and writing. Collaborating internationally, his work has appeared at major institutions including the Art Institute of Chicago and the Kennedy Center, exploring history and mythology as tools for cultural exchange and transformation.

Graduate Commencement
George Ciscle is a Baltimore-based artist, curator, and educator known for founding MICA’s pioneering MFA in Curatorial Practice. A longtime leader in Baltimore’s art scene, he has collaborated on exhibitions with a number of institutions, including the Walters Art Museum and the Baltimore Museum of Art. Recently, he curated an exhibit of mixed-media fiber works by Elizabeth Talford Scott, entitled Eyewinkers, Tumbleturds, and Candlebugs.

Both Commencement ceremonies will take place on Monday, May 19, at the Joseph Meyerhoff Symphony Hall next to MICA, and will be streamed live on the College’s Commencement site. The Graduate Commencement starts at 10 a.m. and the Undergraduate Commencement starts at 3 p.m. The honorary degree recipients will address the Class of 2025 with short remarks at the respective ceremonies.

Commencement will mark the end of MICA’s annual ArtWalk event – Baltimore’s largest public display of visual art – which begins on Friday, May 16 and includes the ArtWalk Commencement Exhibition. The ArtWalk Opening will take place from 5:30 – 8:30 p.m. that evening.

Please note: MICA commencement is not open to the public, but special accommodations can be made for the media.

///

About Christopher Myers

Christopher Myers is a Brooklyn, New York-based interdisciplinary artist, playwright, and author and illustrator of children’s books. His practice, which includes tapestries, sculpture, stained glass, illustration, and writing, is rooted in storytelling and artmaking as means of cultural exchange and transformation.

Chris’s work is global in scope. He has worked with traditional and contemporary artists in Indonesia, Sudan, Vietnam, Kenya, Ghana, Egypt, and Denmark, as well as the United States. His work has been presented at MoMA PS1, the Kennedy Center, the Art Institute of Chicago, and Institute of Contemporary Art in Philadelphia. In addition to many other honors, Chris is the recipient of the American Library Association’s Caldecott Honor and Coretta Scott King Award for his book illustration.

About his practice, Chris says: “History is the story of where you have come from, mythology is the story of why and where you are going. My work as a storyteller and as an artist centers on pulling mythologies apart from official records.”

About George Ciscle

George Ciscle is a Baltimore-based artist, curator, and educator who has profound and longstanding connections to MICA and Baltimore. He is the founding director of MICA’s MFA in Curatorial Practice program, the first MFA of its kind in the country. In 2017, George was named Curator-in-Residence Emeritus at MICA. Before joining MICA as a guest curator and adjunct faculty member in 1997, George was the founding director of the Contemporary, Baltimore’s “Museum Without Walls.” He was also a founding trustee of the American Visionary Art Museum and the Greater Baltimore Cultural Alliance.

George has curated many notable exhibits and programs in collaboration with institutions that include the Walters Art Museum, Baltimore Museum of Industry, the Reginald F. Lewis Museum, and the Peale Museum, to name just a few. Recently, he curated an exhibit of mixed-media fiber works by Elizabeth Talford Scott at the Baltimore Museum of Art.

Throughout his career, George has challenged students to examine the relationship between artists’ work and the larger community, and the way that art impacts people’s everyday lives.

 

 

From an overlook, crowd members attending the Turnstile concert wave to their friends in Wyman Park Dell on May 10, 2025. Photo credit: Maggie Jones.From an overlook, crowd members attending the Turnstile concert wave to their friends in Wyman Park Dell on May 10, 2025. Photo credit: Maggie Jones.

Baltimore’s Turnstile unleashes joyful chaos in the park — and raises $35k for a cause
by Wesley Case
Published May 12 in The Baltimore Banner

Excerpt: Jesus Villa of Pomona, California, had never traveled east of Texas. The chance to see the Baltimore band Turnstile play a free concert in their hometown convinced him to fly the 2,200-plus miles on Friday night.

When asked why he couldn’t miss Saturday’s show at Wyman Park Dell, the 37-year-old smiled. “I’m getting a little bit of chills right now,” he said, sitting under a tree as one of the first concertgoers to arrive. It was six hours before the first note was played. “Whenever they come on, there’s an electricity in the air. You can’t really describe it. You just feel it.”

That palpable magic wafted through the 16-acre park on the gorgeously sunny day, with thousands in attendance to mosh, dance, headbang and sing along with one of the biggest and best bands to ever call Baltimore home.

… this story continues. Read the rest at The Baltimore Banner: Baltimore’s Turnstile unleashes joyful chaos in the park — and raises $35k for a cause

:: See Also ::

Baltimore is Still in a Daze Over Turnstile’s Historic Hometown Concert
by Lydia Woolever
Published May 13 in Baltimore Magazine

PHOTOS | Fans of Baltimore-native punk band Turnstile raise $35K for Health Care for the Homeless during concert at Wyman Park Dell
by Marcus Dieterle
Published May 13 in Baltimore Fishbowl

 

 

Carla Hayden, the nation’s first female and first Black Librarian of Congress, was fired Thursday by President Donald Trump. No reason was given. (Al Drago/Press Pool)

Carla Hayden let Lizzo play a Founding Father’s flute. Is that why Trump fired her?
by Tim Prudente and Wesley Case
Published May 9 in The Baltimore Banner

Maryland’s librarians had come to Ocean City this week for their annual convention, and after sessions on everything from fundraising to K-pop fans, unsettling news swept through the crowds.

Carla Hayden, one of their own who had promoted literacy and free access to books, who had ascended from Baltimore’s Enoch Pratt Free Library to become the first female and first Black Librarian of Congress, who had dared to let a pop star play a Founding Father’s crystal flute, had been fired. By email. No reason given.

Hayden’s predecessor had served under five presidents across nearly three decades — there have been little more than a dozen Librarians of Congress since 1802. Her impersonal dismissal late Thursday on behalf of President Donald Trump alarmed the librarians, who had considered the highest honor of their profession to be beyond the reach of politics.

“The last day of the conference definitely began with this heavy feeling,” said Morgan Miller, Maryland’s state librarian.

A copy of the email obtained by The Associated Press offered no explanation for the decision to fire Hayden. She could not be reached Friday.

Hayden, appointed to her post in September 2016 by President Barack Obama, had become a recent target of the Conservative American Accountability Foundation.

The nonprofit published a report last month titled “Liberals of the Library” that listed her history of political donations, including to Obama, but mostly to Democratic candidates for local and statewide offices.

The political group labeled her as “woke, anti-Trump, and promotes trans-ing kids,” on X, the site formerly known as Twitter. The group’s report cites her remarks in an October 2023 interview with Smithsonian Magazine in which she spoke against the practice of banning books.

Among her quotes: “And sometimes it’s essential to be able to have access to different topics, different points of views.”

Hayden had previously provoked the ire of conservatives when she invited star singer and rapper Lizzo — also a classically trained flutist — to play a 200-year-old flute made for President James Madison.

“How do you play ‘Oochie Wally Wally’ on this?” the four-time Grammy winner said in September 2022, referencing a raunchy Nas song while holding one of the 1,700 wind instruments in the Library of Congress’ vault. Lizzo later showed off her flute skills with an impromptu performance in the Great Hall of the Library’s Thomas Jefferson Building.

In an email to The Baltimore Banner on Friday, American Accountability President Tom Jones thanked Trump for firing Hayden and echoed his criticisms of her, calling the decision to lend the flute “disastrous.”

To the librarians, the move fell in line with Hayden’s career-long mission to bring library collections, whether books, a crystal flute or the contents of Abraham Lincoln’s pockets — out from behind closed doors and to the people.

“She was really focused on turning outward and opening the doors and making the institution available to everybody,” said Sonia Alcántara-Antoine, the CEO of Baltimore County Public Library, who worked under Hayden for seven years at the Enoch Pratt. “It’s unfortunate that this has all become politicized.”

Hayden, 72 and a Baltimore resident, served 23 years as Enoch Pratt Free Library’s chief executive and is credited with elevating Baltimore’s library to its national reputation today.

When protesters filled the streets after the death of Freddie Gray, she famously refused to close the doors of the library at the center of the unrest.

“I knew that the libraries are community resources,” she said of that decision in an interview with the American Libraries magazine. “I knew that they are anchors in so many communities. In a lot of communities in Baltimore, especially challenged ones, we are the only resource. If we close, we’re sending a signal that we’re afraid or that we aren’t going to be available when times are tough. We should be open especially when times are tough.”

The branch manager at the time, Melanie Townsend Diggs, recounted the scene on social media Friday after hearing that Hayden had been fired. Townsend Diggs wrote of how Hayden visited the branch to check on the staff and thank them for staying open.

“Dr. Hayden, You Rock!!! And though many may not understand your ‘why,’ I know you will continue to Shine! No one can break who you ARE!!! Thank you for Being YOU!” she wrote on Facebook.

The Pratt Library stands in “unwavering support” of Hayden and “will always be proud to call her one of our own,” CEO Chad Helton and Board Chair Chris Espenshade said in a statement.

Carla Du Pree, executive director of the Baltimore nonprofit organization CityLit Project, said she was “stunned” and “very emotional” over Hayden’s firing.

“We were so proud that she would lead this country and kind of open the doors for what a Librarian of Congress could do for this nation and she did just that,” said Du Pree, who described Hayden as her “literary sister.”

Hayden deserved much more than an unceremonious firing, she said.

“How dare she be terminated by a simple email?” Du Pree said. “How horrific and disrespectful.”

Du Pree described the firing as a “cultural slap to the face.”

“I don’t care what the [Trump] administration feels about her. She will remain a Maryland treasure. She’ll remain the nation’s treasure as our librarian,” she said.

Former Mayor Kurt Schmoke, who appointed Hayden as the Enoch Pratt library’s 10th director in 1993, said her abrupt firing from the Library of Congress was unfortunate but not surprising, given how President Trump has continued to remove officials who do not align with his politics.

“She did not deserve to be treated in this fashion,” Schmoke said. ”She’s an outstanding leader, and it’s a shame that Trump didn’t recognize that.”

State Del. Sandy Rosenberg, a Baltimore Democrat, said the Library of Congress is “losing a real professional and real leader,“ and described Trump’s handling of the dismissal as “unfortunate to say the least.“

“You don’t just have somebody email the head of the Library of Congress — who‘s done, by every indication, an outstanding job there — her termination notice,” Rosenberg said. “It’s not how the presidency should be run.“

Added Alcántara-Antoine of the Baltimore County Public Library:

“She is a rockstar, and she will always be a rockstar. The library community stands in solidarity with her.”

Correction: A previous version of this article misquoted the librarian Melanie Townsend Diggs.

This story was republished with permission from The Baltimore Banner. Visit www.thebaltimorebanner.com for more.

 

Pratt Library statement re: Dr. Carla Hayden
May 9

In Support of Dr. Carla Hayden:

The Enoch Pratt Free Library stands in deep admiration and unwavering support of Dr. Carla Hayden. A visionary leader and tireless advocate for equity in access to information, Dr. Hayden’s legacy is felt across every corner of our city, and far beyond it.

As CEO of the Enoch Pratt Free Library for over two decades, Dr. Hayden led our institution through transformative growth, ensuring libraries remained vital civic spaces open and welcoming to all. Her leadership during crises — from budget shortfalls to civil unrest — reflected a steadfast belief in the power of libraries to bring communities together, provide refuge, and spark opportunity.

When Dr. Hayden became the 14th Librarian of Congress — the first woman and first African American to ever hold that position — she once again broke barriers and redefined what leadership in libraries could look like. Her tenure at the Library of Congress has been marked by expanded public access, modernization, and a commitment to making one of the nation’s most treasured institutions more inclusive and accessible.

Dr. Hayden’s contributions to Baltimore, to the library profession, and to the nation are indelible. We honor her trailblazing service and thank her for the path she has carved for future generations of librarians and public servants. The Pratt Library will always be proud to call her one of our own.

We stand with Dr. Hayden with gratitude, respect, and admiration.

— Chad Helton, CEO and Chris Espenshade, Board Chair.

:: See Also ::

Thousands sign petitions urging reinstatement of Dr. Carla Hayden as Librarian of Congress
by Ed Gunts
Published May 14 in Baltimore Fishbowl

 

 

ReCall & Response: coleman a. jordan | ebo, Presents a Resonant Pavilion at the 2025 Venice Architecture Biennial
Press Release :: April 29

Title: ReCall & Response
Artist/Director: coleman a. jordan | ebo
Dates: May 10 – November 24, 2025
Special Event Program Title:
ReCall & ResponseA Procession of Rhythm, Memory, and Celebration
Date: June 21, 2025, 6:30 PM (Art Night in Venice)  The march begins at the Viale Giuseppe Garibaldi neighborhood
Exhibit Venue: Venice Architecture Biennial – Giardini della Marinaressa, Venice, Italy
Hours of Exhibition:
Tuesday–Sunday, 10 AM – 6 PM
Admission: Free

coleman a. jordan | ebo will present a new body of work titled ReCall & Response at the 2025 Venice Architecture Biennial, hosted by the European Cultural Centre, from May 10 to November 24, 2025. The pavilion explores themes of African and African Diaspora resilience, communication, and continuity through interactive architectural design inspired by the djembe and talking drum traditions.

Constructed with modular, sustainable sourced timber, ReCall & Response transforms the African drum into a living archive – an interactive space that invites communal storytelling, sonic engagement, and cultural reflection. Designed by jordan and his practice, studio caj.e in collaboration with students and alumni from Morgan State University, Tuskegee University, and Clemson University, the pavilion foregrounds themes of cultural restitution, sustainability, and transnational solidarity.

Our partners and professional collaborators who made this project possible are Harvard University’s Faculty of Arts and Science and the Cameroon American Council’s African Immigrant Media Network. Our professional collaborators are R3B of Venice, Italy, and Talking Hands from Treviso, Italy.

The pavilion is a sonic vessel—an architecture that remembers,” says jordan. “Through rhythm, form, and collaboration, we bridge centuries of cultural disjunctions and reclaim space for Black expression and ancestral wisdom.

The exhibition opens with a public reception and dynamic performance on Art Night in Venice – June 21, 2025, beginning at 6:30 pm. The evening features a live procession led by Senegalese drummer Moulaye Niang and the Morgan State University Marching Band, culminating in performances at the pavilion including spoken word by The Space Makers, a ceremonial libation led by a Ghanaian chief, and a celebratory gathering with music and food.

About the Artist: coleman a. jordan | ebo is an interdisciplinary designer and FAS Dean’s Visiting Professor of History of Art and Architecture at Harvard University for 2024–25. He teaches at Morgan State University’s School of Architecture and Planning, where his research explores the spatial histories and aesthetics of the Black Atlantic. His work bridges architecture, performance, and cultural memory, advocating for decolonial futures through academic and community-based design. His professional practice studio caj.e, focuses on social justice and environmental sustainability.

 

 

—Photography by Christopher Myers

MICA Students in Need of Summer Jobs Founded Black Cherry Puppet Theater, Now a Local Institution
by Ron Cassie
Published May 4 in Baltimore Magazine

Excerpt: “Before I moved away from Baltimore, I didn’t realize that other cities do not have their own enchanted rowhouses of puppetry,” joked musician Eric Voboril in a short documentary about Hollins Street’s Black Cherry Puppet Theater that came out several years ago.

Michael Lamason, Black Cherry’s 68-year-old executive director, had never attended a puppet show—much less performed with a marionette—when he founded the original troupe with Corliss Cavalieri, Bill Haas, Rick Weiss, and Michael Richardson in the summer of 1980. They were just college kids at MICA and needed jobs and got creative.

Hired by legendary recreation and parks director Virginia Baker, who had been appointed by Mayor William Donald Schaefer to direct a special office he named Adventures in Fun (can we bring that back?), the motley collection of printmakers and painters put on 107 shows for city kids over school break that year.

 

 

The spam chips and French onion dip at Pink Flamingo. (Christina Tkacik/The Baltimore Banner)

The Dish: Will Pink Flamingo fill the Dizz-shaped hole in our hearts?
by Christina Tkacik
Published May 14 in The Baltimore Banner

Excerpt: There are certain bars and restaurants Baltimoreans have never gotten over losing.

Chief among them is The Dizz, a corner pub in Remington that closed in 2019 after many years in business. Customers loved its food, its fireplace and the welcoming ambiance set by longtime owner Elaine Stevens.

So it was encouraging news last year when industry veterans and Dutch Courage owners Brendan Dorr and Eric Fooy announced they were buying the building at 300 W. 30th St.

“Eric and I are like one of those bands that put out an album every five years,” said Dorr, who studied opera at the Peabody Institute. He and Fooy, who also has a musical background, approach their business with an artist’s obsession for detail. “We want to make sure that the business runs right before we‘re on to the next thing.”
… this story continues. Read the rest at The Baltimore Banner: The Dish: Will Pink Flamingo fill the Dizz-shaped hole in our hearts?

 

 

Maryland Students Across Eighteen School Districts Share Their Knowledge at the Maryland History Day Contest
Published May 13 in Maryland Humanities News

Excerpt:  Maryland Humanities is delighted that more than 500 middle and high school students shared a year’s worth of history research at the 2025 Maryland History Day State Contest on May 3.

The competition, held at the University of Maryland, Baltimore County (UMBC), serves as the culmination of Maryland Humanities’  Maryland History Day program. Students who participate in the program create original documentaries, exhibits, performances, research papers, or websites exploring a historical topic of their choice, based on an annual theme. Maryland History Day is an affiliate of National History Day, whose work includes selecting each year’s theme. For 2025, the organization chose the theme of “Rights and Responsibilities in History.”

Maryland History Day sparks critical thinking in students, and helps them develop their skills in research and analysis, writing, and public speaking. Last year, more than 28,000 Maryland students participated at the school level. The program is open to public, private, parochial, and homeschool students in grades 6 through 12.

 

 

Maryland Opera Presents First Fridays at Boordy Vinyeards
Press Release :: May 12

Maryland Opera once again presents opera in the outdoors with “First Fridays at Boordy Vineyards” in Hydes, MD.  At 7:00 pm on each First Friday from June through October (June 6, July 11, August 1, September 5, and October 3), Maryland Opera’s artists will perform in this beautiful, idyllic setting.  Wine sales will be available throughout the evening as well as the Lib’s Grill or Brookside Market food truck.  The July concert will be held on the second Friday (July 11) due to the Independence Day holiday.

These 75-minute concerts will include selections from Opera, Operetta, and Broadway, featuring renowned and exciting young vocalists.  All selections will be accompanied on the piano by Maryland Opera Artistic Director James Harp.

“These marvelous al fresco programs at gorgeous Boordy Vineyards have become a signature of Maryland Opera, committed to bringing the full spectrum of opera performance to our community,” said Harp.  “Internationally renowned opera singers will share their exciting and inspiring artistry in the great outdoors and, as always, we will continue to feature our young Opera Camp alumni as well, offering a view of the glorious present and future of Opera.  The spectacular evening backdrop of the summer sky provides the ‘theater’ for our arias, and the immersion of our devoted audiences completes the grand opera experience.”

Tickets are $29 ($16 for students) and are available on Maryland Opera’s website, marylandopera.org, or by calling 484-678-6041, and at the door on the day of the performance.  Ample free parking is available.  The programs are rain or shine.  In the event of rain, the performance will be held in the newly renovated Boordy Vineyards Barn.

The September 5 concert is Teachers’ Night when Maryland Opera will highlight education and celebrate Maryland’s educators.  Teachers should email [email protected] to receive a 50% discount on their tickets for the September concert.

For more information, visit marylandopera.org.

COMPLETE EVENT DETAILS

All programs will be accompanied on the piano by Maryland Opera Artistic Director James Harp. Repertoire will be announced from the stage and the program and performer information will additionally be available on the Maryland Opera website.

First Fridays at Boordy Vineyards
12820 Long Green Pike
Hydes, MD 21082

Friday, June 6, 2025 at 7 p.m.
Friday, July 11, 2025 at 7 p.m.
Friday, August 1, 2025 at 7 p.m.
Friday, September 5, 2025 at 7 p.m.
Friday, October 3, 2025 at 7 p.m.

About Maryland Opera

Maryland Opera offers quality opera performances, innovative artistry, support for social awareness and change, education and outreach programming, commitment to underserved communities, and a vehicle for talented young vocalists to follow their dreams.  Maryland Opera builds on Baltimore’s century-old opera tradition that garnered critical acclaim for grand productions that featured opera’s greatest celebrities.

Maryland Opera is passionately invested in bringing the excitement and beauty of live opera–traditional programming as well as innovative and modern approaches–to diverse audiences, including historically underserved audiences throughout Maryland.  They do so through numerous outreach programs, including Opera-to-Go, Opera Cares and Opera Camp.

 

 

Baltimore Fishbowl wins 28 MDDC awards, including Salesperson of the Year second time in a row
by Marcus Dieterle
Published May 9 in Baltimore Fishbowl

Excerpt: Baltimore Fishbowl won 28 awards, including Salesperson of the Year for the second consecutive year and two Best of Show honors, in the 2024 Maryland, Delaware, District of Columbia (MDDC) Press Association Contest.

This was Baltimore Fishbowl’s sixth year participating in MDDC’s contest, and our second year competing in Division C with news publications of a similar audience size, including Carroll County Times, Daily State News, Maryland Matters, The Catholic Review, and The Daily Times.

First- and second-place awards were distributed within each division, while Best of Show honors were bestowed upon each category’s top winner overall across all divisions.

 

 

The Baltimore National Heritage Area Announces 2025 Small Capital and Neighborhood Placemaking Awards
Press Release :: May 8

Today, the Baltimore National Heritage Area (BNHA) proudly announces the recipients of the FY2025 Small Capital and Neighborhood Placemaking Grants. The Small Capital Grant program is made possible through the City of Baltimore’s Capital Improvement Program and supports small, yet strategic, investments in heritage tourism resources in Baltimore City. The Neighborhood Placemaking Grant program supports Baltimore’s neighborhoods’ cultural heritage tourism (non-capital) projects, such as community revitalization, festivals, interpretative signage, greening projects, and heritage-themed art projects. The 2025 awardees are:

Small Capital Grant Awards:

Nosreme Baltimore, Inc: Henrietta Lacks Heritage Mural

$20,000

Afro Charities, Inc.: Waterproofing the AFRO Archives at the Upton Mansion

$20,000

Historic Sharp Leadenhall: Celebrating Frances Ellen Watkins Harper 200th Anniversary 1825-2025 through Signage

$9,994

Pride of Baltimore, Inc.: Navigating the Future: Investing in Safety with New RADAR for PRIDE II

$12,708

South Harbor Renaissance, Inc.: Historic Preservation, Education, and Engagement at Federal Hill Park

$13,138

The B&O Railroad Museum, Inc.: Restoration of the Pullman Porter-Operated B&O No. 3316 Observation Car Interior

$20,000

The Peale Center, Baltimore’s Community Museum.: Historic Garden Renovations to Upgrade Outdoor Programming Space

$14,154

Neighborhood Placemaking Grant Awards:

The B&O Railroad Museum, Inc.: Enhancing Perimeter Security at the B&O Railroad Museum

$3,000.00

Friends of Patterson Park, Inc.: Fall for Opera in Patterson Park

$4,997.00

Dickeyville Community Association: Dickeyville Traffic Calming Art Project

$5,000.00

Federal Hill Neighborhood Association: Federal Hill Neighborhood Tree Planting

$5,000.00

Charles Street Development Corporation: Charles Street Promenade

$3,501.50

Friends of Herring Run Parks: The Heritage Trail: Bridge to the Next Generations

$3,501.50

“BNHA is proud to be able to award this year’s Small Capital and Neighborhood Placemaking Grant Awards,” states Executive Director Shauntee Daniels, “This is just a sample of the many projects submitted. There is never enough funding to support all the projects, unfortunately.”

“These small, but strategic, grant awards are critical for Baltimore’s historic communities.What is so remarkable about our different grant programs is that they all shed light on hidden gems, bring partners and resources together, and give a voice to Baltimore’s deep heritage and culture fueling economic development, tourism, and community investment, ” states Danielle Walter-Davis, Deputy Director for Grants Administration.

Additionally, BNHA provides support to the Maryland Heritage Areas Authority Grant Program. This year, 24 full applications were received with a total request of $1.5M. These applications are currently under local and state review through two grants review committees. Awards will be announced in July 2025.

BNHA’s grant programs are critical tools to enhance and preserve historic, cultural and natural resources. Since 2009, BNHA has proudly awarded $8,623,000 to numerous institutions in our community. For more information about BNHA grants and programs, visit https://www.explorebaltimore.org/grants.

 

 

Hot Bits Film Fest Returns to Baltimore
Press Release :: May 9

Hot Bits is a queer erotic film festival centering QTIBIPoC (queer, trans, intersex, Black, Indigenous, People of Color) self-determined desire, joy, and pleasure. We highlight underrepresented bodies, acts and stories often marginalized by mainstream society in celebration of anti-oppressive queer/trans erotic life and art.

In addition to the films, we are taking over the Parkway Theatre with a sex positive vendor fair, a curated selection of periodicals and more from the Mid Atlantic Annex of the Carter Johnson Library and Collection (2nd floor lounge), happy hours, and 3rd floor lounge as a trauma informed low sensory zone.

Flyer also included for our all QTIBIPoC erotic visual art show across the street at the Club Car.


Must be 18 years or older to attend.

TICKETS:

Each screening block (Friday eve, Saturday matinee, and Saturday eve) feature a completely different lineup of erotic short films. (Films listed at bottom of each ticket page and in the graphic above.) Save $ and don’t miss a thing with a Festival Pass. All ticket holders granted free entry to the official after parties, Fri and Sat eve.

All Access Festival Pass $50.00 in advance | $60.00 Starting May 16 

QTIBIPOC* Festival Pass $40.00 in advance | $48.00 Starting on May 16*Discounted admission to QTIBIPoC (Black, Indigenous, or other People of Color/Global Majority that identify as Queer/Trans/Intersex).

Individual Evening tickets (Fri or Sat) $20.00 in advance | Day of Price $25.00
QTIBIPOC Individual Evening tickets $15.00 in advance |Day of Price $20.00

Individual Matinee tickets $15.00 in advance | Day of Price $17.00
QTIBIPOC Individual Matinee tickets $13.00 in advance |Day of Price $14.00
Friday Night Show, 5/16 (Block 1 of Films)

Vendor Fair + Open Library + Happy Hour: 5 – 7 PM
Films: 7 PM
After Party: 10 PM at the Club Car

FILMS:

Alchemy of the Meat (8min)
Best Boys Only (5min)
Ecotopia (3min)
I Really Want To Get F*cked (6min)
INDULGENCE (10min)
Motorsexual (5min)
Na Toca (Into the Den) (6min)
The Abduction of Evalina (8min)
The Farmer’s Daughter (13min)
TOP SECRET (5min)

Saturday Matinee, 5/17 (Block 2 of Films)
Doors Open: 2:30PM
Films: 3 PM

Confesión Anónima (Anonymous Confession) (7min)
Breakfast Time (18min)
Les Corps Dansants (Dancing Bodies) (6min)
Dismantle Me (13min)
Gentrificação dos Afetos (Gentrification of Affections) (11min)
Ikaros Reborn (7min)
Mutations of Desire (5min)
Plug In, Fin Out (2min)
El Tercer Mundo Después del Sol (The Third World After the Sun) (20min)
Verarschung – a video lecture (4min)

Saturday Night Show, 5/17 (Block 3 of Films)
Vendor Fair + Open Library + Happy Hour: 4:30 – 7 PM
Films: 7 PM
After Party: 10 PM at the Baltimore Eagle

FILMS:

Agave Dreams (8min)
Beat It (3min)
Cumline (4min)
Cypress Knee Porno (4min)
Mommy (9min)
No Translation (5min)
Orgy #004: F*ck your Friends (16min)
Pain Is My Forte (7min)
The Architect (5min)
The Sumptuous Life of THE CRAZY CAT LADY and Her Salacious House Kittens (5min)

ACCESSIBILITY/COMMUNITY CARE:

  • All films with dialogue are open captioned
  • Live ASL interpretation
  • A limited number of Assisted Listening Devices will be available upon request to individually amplify film sound for Hard of Hearing audience members
  • This is a masked event, except when drinking/eating. Masks provided at door for free.
  • Gender neutral and ADA bathrooms
  • Priority seating for elders and folks with disabilities (email us with requests)
  • Wheelchair accessible venue (theatre entrance street level, wheelchair accessible seating options on ground and balcony; the balcony via an elevator and main floor of the theater via ramp)
  • Seats and seat backs are cushioned. Armrests are not movable. Seats are 18” wide (20.5” between armrests).
  • Low sensory trauma informed chill space available to all attendees
  • Safer sex supplies available
  • Narcan equipped and trained volunteer on site

If you test positive for COVID or are sick, stay home and Parkway will refund your ticket/pass. Requests for refund due to illness must be submitted to Parkway 2 hours prior to the start time of your ticket or festival pass. Refunds will be processed in 5-7 business days.

Email [email protected] with any questions/needs re: accessibility.

We have a limited number of tickets (sliding scale to free) available for Black trans folks in need of a lower rate.

We have a limited number of tickets (sliding scale to free) available for Deaf folks.

header image: from The Balitmore Banner's coverage of Turnstile's Wyman Park Dell concert (KT Kanazawich for The Baltimore Banner)

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