Photographer
Justin Tsucalas is an award-winning photographer focusing on culinary, lifestyle, and portraiture photography in Baltimore, MD.
As a Baltimore native, he has spent over a decade photographing the people and scenes of his native city. From documenting the quirky life of a city dogwalker to capturing the culinary masterpieces of Baltimore’s celebrated chefs, he enjoys shooting a wide-range of subjects.
Current client list includes: National Geographic Traveler, Food Network, Surface Magazine, McCormick’s & Co., Beer Advocate, Baltimore Magazine, Baltimore STYLE Magazine, B-More Art Magazine, Maryland Film Festival, MICA, Visit Baltimore, Four Seasons, Consumer Reports, MIT, Penn Gazette, Michele’s Granola, Sightline, Peabody, Project Hope, Hopkins Medical Magazine, Aero Service Group, Bagby Restaurant Group (partial list).
A studio visit between art educators/artists Linda Popp and Karen Carroll
After four decades working in Baltimore County art education, Linda Popp focuses on her art, investigating relationships and the concept of time and place through mixed media.
The self-taught historian finding treasures in backyard privies
To arrive at their resting place, items found at the bottom of a privy had to fall often ten or more feet, often out of someone’s back pocket, the same way many of us have dropped a cellphone in the modern toilet.
The artist discusses obsession with images, audiovisual archives, and exploring the limits of technology
Her work tells a story of real objects typically recast in an otherworldly way.
An Interview with Max Lents of the Baltimore Spirits Company and Gallery
The Baltimore Spirits Co. Cocktail Gallery offers a chance for one of my favorite pairings: cocktails and art.
The painter and professor on parenthood, vulnerability, and why it's important to have a 'mindset of experimentation'
"While exploring new hobbies, I came across new materials [and] I had collected ideas over the years that I had always hoped to explore."
The maximalist mixed-media artist talks about taste, class, and asking questions of the world—and other artists—around her
"I think fundamentally artists are always interested in what comes next—what happens if I push this idea further, what happens if I try this new material, etc."
There is a feedback loop between Bill Schmidt's studio and his visual world, where mysterious shapes take on greater significance
Schmidt works at a tiny scale so that viewers to have to get close to his paintings, to have an intimate and “one-on-one relationship with the surfaces.''
An integral part of Gatlin's process is to look at a big idea in different ways and consider it from every angle
"I identify as interdisciplinary and sometimes I even go as far as to say non-disciplinary because I have a craft and DIY background. I don't necessarily feel like discipline is the right word to use. I love materials and I love playing with something new, I think that’s the thing that pulls me."
Why the director of the performance series In the Stacks and curator at Hopkins' Lester S. Levy Sheet Music Collection wants you to listen to Classical music
"I’m inspired by these musicians that weren’t satisfied with the presenting platforms or ensembles that existed, so they just created new ones."
The Barclay native discusses teaching and learning, art as sustenance, and starting grad school in her 60s
"I like to encourage them that this is yours; own it, own its greatness. I say there’s always a blessing in the lesson."
The artist and swimmer on navigating the business side of things, establishing routines, and dealing with the failure gremlin
“Someone told me years ago, you have to be your biggest fan and always remind yourself of that when you’re in doubt.”
How to make decisions, build community and kinship, and create spaces for liberation
Like a good therapist, Populoh’s inquisitive nature gets anyone in conversation with her to view the world from a new perspective.
