Contributing Writer
Teri Henderson (b. Fort Worth, TX, 1990) is a curator, co-director of WDLY, and the author of Black Collagists. Henderson holds a Bachelor of Science in Psychology from Texas Christian University. She formerly held a curatorial internship at Ghost Gallery in Seattle, Washington. During that time she also helped launch the social media campaign for the non-profit access to justice platform PopUpJustice!. She also previously served as the Art Law Clinic Director for Maryland Volunteer Lawyers For The Arts. She was published in the St. James Encyclopedia of Hip Hop Culture. Her work as co-director of WDLY addresses shrinking the gap between the spaces that contemporary artists of color inhabit and the resources of the power structures of the art world through the curation and artistic production of events.
Hot Sauce Artist Collective partners with BOPA to curate outdoor pop-up exhibitions
A group of printmakers, educators, neighbors, innovators, and curators are using their platform to bring outdoor art and culture events to different neighborhoods in Baltimore City.
Chris Cassius, Baby Kahlo, Logicoma, Stoop Baby Mo, Infinity Knives, Brian Ennals, Eze Jackson, Bailey Straughn
Though the feeling of being in a crowd at a show cannot be replicated, maybe reading the words and listening to the projects of these artists can bring you some semblance of that adrenaline and joy.
With each letter, Bobbi Rush elevates written language and transforms it into song
Short, spiritual, succinct, and sincere, Language of the Crow is a primer on liberation, self-discovery, introspection, and intuition.
How Cherry's art practice reflects his strength as a craftsman, historian, and storyteller
Cherry’s assemblage portraits create a sense of familiarity, especially through the everyday objects and materials he incorporates as symbols for larger questions and preconceived notions of American history and culture.
Liz Faust, Thomas James, Michael Benevento & Julianne Hamilton, Giulia Piera Livi
This edition of Quarantine Diaries features five Baltimore-based gallerists and curators who have adapted their practices to create new opportunities for artists to survive and thrive through quarantine
Three artists work within AFRO American Newspapers' archives
This new phase of programming allows us to congregate and experience art together safely, on the street or in our cars from a distance.
Jang’s practice embodies the mutable relationship between art and craft
Jang is a conceptual artist, a popular tattoo artist, and a renaissance creative with a grip on what it means to make exciting and thought-provoking contemporary artworks in various forms.
A Charles Village Home Filled with Contemporary Art
What doesn’t fit in their apartment waits in storage as they rotate pieces in and out, rendering their home as both a gallery and a domestic space, enriched by their love for art and artists.
Organized by Jamie Grace Alexander with Baltimore Safe Haven, a Street Mural Reclaims a Part of the Neighborhood
Three Baltimore-based Artists Exhibiting Together
This edition of Quarantine Diaries features three artists whose exhibition at BmoreArt’s Connect+Collect Gallery was postponed.
Heidi Daniel, Carla DuPree, Aaron Henkin, Peter Devereaux, and Sheri Booker
This edition of Quarantine Diaries focuses on five writers, editors, and literary advocates, and their strategies for surviving quarantine.
A Durational Performance Designed by Ada Pinkston
MAWU: TheEndisTheBeginningIstheEnd is an eight-hour durational performance that combines the history of Juneteenth with the legacy of Lucy Parsons, the revolutionary labor organizer who fought for the eight-hour workday.
