How do we break free? Giving our full attention seems a good place to begin.
Polyphemus, on view at Goucher College’s Silber Art Gallery, is an installation that takes its title from Homer’s Odyssey.
Nothing happens without the audience in The Institute for Counterfeit Memory, a play that arrives in a cardboard box
The experimental nature of this play is not simply for the sake of experiment but to highlight all of our assumptions that make us comfortable and therefore passive, forgetful, and complicit.
In Church’s world, bodies are much more likely to remain isolated than to touch
Now the textures of the art I have collected are more real, more tangible, than the textures of human faces.
If a good performance is one that resonates, then Collective Dreaming at MICA’s BBOX theater March 6 and 7, was spectacular, as the COVID-19 pandemic has made the performance unexpectedly relevant and poignant.
If a good performance is one that resonates, then Collective Dreaming at MICA’s BBOX theater March 6 and 7, was spectacular.
Lola Pierson's opera, with music by Horse Lords, finds humor in incomprehension
Lola Pierson, who wrote the text and directed the show, frequently had the audience laughing—often at the very confusion that opera (and language) might perpetuate.
Tragicomedy seems a fitting genre for a show about witchcraft, for what is more magical than being more than one thing at once?
As Budenz makes clear at the beginning of the show, there has always been some version of a fuckboy, always someone trying to slide into your DMs.
Zachary Z. Handler's Self-Styling Through Cultural Ephemera and Refuse
In Zevel, Zachary Z. Handler creates a shrine to his experience growing up in the ‘80s and ‘90s.
