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FOLLOWING is a series of profiles and interviews of the art world social media accounts that make us think, laugh, cry, love, or sometimes just “like.”
Welcome to FOLLOWING, a new series of profiles and interviews of the art world social media accounts that make us think, laugh, cry, love, or sometimes just “like.”
Unlike Basel, where you know the names of every single artist and gallery, at Maco there was so much space for discovery.
Material is a young art fair but is now all grown up, both figuratively and literally.
Enjoy Mexico City’s real weirdness while it lasts, and as a visitor, be careful not to buy into the theme-park-ification befalling nearly every global destination.
Last year, Zona MACO brought in over 62,000 visitors compared to ABMB’s 81,000. Although they’re similar on paper, MACO is a smaller fair in a much larger city—which is really what makes this week feel different.
@jerrygogosian: "You can still be an artist and find a way to support yourself without academia, grants, or gallery sales, and frankly, the bigger “world” needs the influence of artistic thinkers the most."
You know that weird feeling of panic you experience in a big-box store in the suburbs? When you look around a Walmart or Target and realize the sheer amount of ...
It's hard to believe Untitled Art Fair started in 2012, because the beachfront fair simultaneously feels young and new, but also institutional and grand. In many mental calendars, the curated ...
Mera Rubell may be the only art collector in Miami who has ridden the city’s oft-forgotten metro. And she’s a fan.
The new Middle East Institute Art Gallery, which opened its doors with a lively reception on September 14, certainly holds promise. It’s a handsome (if modest) space, in an enviable ...
I should have arrived earlier. The line stretched down the block to enter Hauser & Wirth, host to Amy Sherald’s first New York solo show, The Heart of the Matter..., a testament ...
“We don’t know the contour of feeling; we only know what molds it from without.” – Rainer Maria Rilke (1875-1926), Fourth Duino Elegy Ursula von Rydingsvard's soothing wooden sculptures were ...
The artist-activist collective FORCE: Upsetting Rape Culture disrupted a busy road in 2016 with stories from survivors of sexual assault and intimate partner violence. These stories, written and depicted onto ...
Wanting More from the Rodarte Fashion Exhibition at the National Museum of Women in the Arts by Dr. Jordan Amirkhani For the first time in its thirty years of programming, ...