An Interview with painter, installation artist, singer/bassist of Natural Velvet
Ostermann’s visual art functions as a commentary on and celebration of celebrity culture and so-called feminine touches like roses and lipstick. Her paintings often mash up imagery of specific objects, like Kim Kardashian’s engagement ring, with stand-ins for fertility and farce, like sliced oranges
A Conversation With Artist Sandy Rodriguez
Through her investigative, bio-regional maps, artist Sandy Rodriguez engages a multitude of narratives across dimensions and time periods, inviting viewers to challenge power.
International Art English has enforced a hermeticism of contemporary art that is not particularly healthy
As a pragmatist and the editor of an independent publication that collaborates with artist groups and cultural institutions, I see so much room for improvement in the language and accessibility employed to attract new audiences
Cara Ober Interviews with Pope of Trash at his retrospective at the Baltimore Museum of Art
Indecent Exposure offers a distinctly Waters-esqe aesthetic and campy humor, with hundreds of images collaged from myriad film stills, as well as photography, sculpture, sound work, video, and a flower photo that will squirt water if you come too close.
What We All Lose with the Termination of The Contemporary
The Contemporary prioritized diversity and authentic conversation in a city that desperately needed it, and took the time necessary to do copious research and build respectful relationships, rather than bulldozing an ego-driven agenda or leveraging art
