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We all expended a tremendous amount of labor—myself, the artists, art handlers, the gallery director, friends, family—to get the show open. And now, the result of COVID-19 is that effort sits in a gallery unviewed.
You Wu and their art will undoubtedly survive any impending apocalypse.
Nestled on a lively strip in Mount Vernon, Akwaaba House is an 18th-century, three-story building that exudes a love of Black life.
"The canon has purposely left out certain creatives and we’re trying to rectify that. Let’s not see this moment as a trend."
"I feel like the city wouldn't be what it is without its artists or creative people."
"Don’t come if you don’t already know what you want to get out of yourself."
Painter Monica Ikegwu’s goal is to take “ordinary people and make them into art in the ordinary clothes that they're wearing.
Brown’s installation and photography work, which asks her audience “to confront race and identity in modern terms,” challenges some viewers to recognize microaggressions they may not have previously considered.
Thomas James sees curating as putting the works of different artists together in fresh combinations, creating new contexts and providing new inroads to the public to review.
A discussion about the power of performance to move people to tears, meditation as a daily practice anyone can do, and the rewards of truly listening to yourself.
“Amongst our people, education is a real value, because we haven’t always had easy access to it.”
Nick Primo spends his days measuring: how long it’s going to take on a given day to commute from Baltimore to his day job in Smithsonian American Art Museum’s (SAAM) ...
Victoria Pass recommends you stop buying cheap shoes. The MICA professor of visual culture has built her own impressive shoe collection over the last 15 years, buying only a pair ...
Due to insularity, technology, the art market, and a majority of writing about art, we now carry a bevy preconceived notions about the kind of art we are supposed to love, how to love it, and how it's supposed to make us feel.
Damon Arhos is a little obsessed with a particular shade of lavender. The hue appears again and again in his art, functioning, he explains, as a shorthand for the gayness ...