Schmidt works at a tiny scale so that viewers to have to get close to his paintings, to have an intimate and “one-on-one relationship with the surfaces.''
"I identify as interdisciplinary and sometimes I even go as far as to say non-disciplinary because I have a craft and DIY background. I don't necessarily feel like discipline is the right word to use. I love materials and I love playing with something new, I think that’s the thing that pulls me."
"I’m inspired by these musicians that weren’t satisfied with the presenting platforms or ensembles that existed, so they just created new ones."
“Someone told me years ago, you have to be your biggest fan and always remind yourself of that when you’re in doubt.”
Largely self-taught, Beale now mostly allows her intuitive process to guide her from design to realization of new pieces.
Fulton wants Sophomore to be a place for people to have experiences—some of them hopefully a little more profound than my remembrance of being sweaty and late—a place where friends can gather and conversations can be sparked.
Lucien’s work is an investigation of how everyday materials can function as metaphors recalling an absence or intimacy of the human body
"Our abilities are not proprietary and should not be hoarded. If someone needs assistance producing a mural, I try to make myself available."
It’s important to Bathgate that his works be makeable, at least by someone with his extremely specific skill set, which he admits only a few people in the world possess.
Hobbs is the rare sort of person who sets intentions and actually accomplishes them, who revels in being busy and can forgive herself when she falls short of her own extremely high standards.