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An interview ahead of Smith's reading and performance at A Home for the Heart to Live In: an annual gathering of Cave Canem poets hosted by CityLit at Motor House on December 8.
Alex Ebstein has exhibited her work in New York, Paris, Stockholm, and Rome–but is better known in Baltimore for her many roles as a curator and arts administrator.
True Chesapeake restaurant and farm serve as a restorative powerhouse for the Chesapeake Bay and its wild oyster replenishment project.
Baltimore sculptor Elliot Doughtie has thought a lot about locker rooms and other liminal spaces in which one’s identity is in flux.
"We are very multifaceted and action oriented. We are striving to foster as many opportunities as possible for the artists."
"In a world of mass production, I believe it's important not to be too precious about the original. As an artist, I encourage others to borrow, alter, or even mess with my work. I find excitement in the idea that my work can evolve and change. It’s about the spirit of making art..."
This weekend is the closing night for Bynum's "Arcana Flux" exhibit at Clovr Collective. Saturday, October 5, 6-10. Come check out new works including prints and short film, "Anatomy of a Breakthrough."
Family traditions, community education, cultural preservation, and storytelling have influenced Cheatam and Flounders' work and inspired the creation of Islam & Print.
Maryland Cannot Afford to Turn the US Senate into Republican Control
Towson University's MFA in Studio Arts is a supportive environment that is affordable, nearby, and academically rigorous.
Yo La Tengo is a group that embodies a unique essence—their music is romantically heartfelt yet slightly whimsical, hiding a touch of noise within its melodic beauty.
"Central to all the work that I’ve done, is how do we acknowledge the value that we have as creators, and demand the compensation, space, and honor that we deserve?"
Ashworth emphasizes that while the space has technological origins, its primary mission is to serve as a venue for human creativity, allowing individuals to engage authentically and expressively in theater.
By working at such a large scale to cover not only walls, but at times the ground, ceiling, and pieces of furniture, Jessie and Katey are able to transform the surrounding environment, often gray and concrete, into an immersive chromatic experience.
You could call Fruit Camp a tattoo shop, but that would be reductive.