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This week, Baltimore's creative scene was profiled in Le Figaro, France's oldest newspaper, but the concept of a "Baltimore Renaissance" is false.
The cheekily titled If Books Could Kill (on view through August 5, 2025) focuses on toxic materials—mercury, arsenic, and lead—that were used by scribes, illustrators, and printers in a variety of historical contexts.
At MOCA Arlington, Marissa Stratton creates a dialogue that feels both familiar and estranging, as if one is scrolling through memories materialized on physical surfaces.
The best Baltimore art exhibitions of 2024 were groundbreaking, culturally relevant, and made me feel more connected to the place and time where I live.
Whether you’re a native Baltimorean, or someone who calls Baltimore home like me, you’ll find pieces of yourself everywhere you look in this exhibit. It’s a love song to Baltimore.
As we head towards 2025, it's worth remembering that artists see the future in ways the rest of us don’t, so we have to keep our attention focused on them so we can find new sources of strength and solidarity.
Soft Focus, Blurry Paintings Satisfy, Especially at Price Points Reflective of Younger and Emerging Artists
Curated by Lisa D. Freiman, "Levester Williams: all matters aside" is an expansive survey of the Philadelphia-based artist’s works-to-date. The show closes Dec 14th at UMBC's Center for Art, Design, and Visual Culture (CADVC).
Simmons’ process is guided by a contemplative, meditative conversation with the materials as his paintings take shape.
Exhibition at the Walters through December 15 explores medieval Europeans' interest in monitoring bodies, curing ailments, and attaining good health.
A Former MICA Professor's Lifetime Love Affair with Drawing and Improvisation
In I’m Not Your Superwoman, Pinkston explores the Black-woman-superhero-complex, Black women's labor, and the complicated trope of “resilience,” a word often romanticized, exploited, and conflated.
Increased wages, more paid time off, and better benefits were obtained for unionized colleagues.
Founded by Leonardo Martinez, a recent DC to Baltimore transplant, the new artist incubator, studio building, and gallery devoted to climate justice is nestled just behind the central branch library on Mulberry Street.
Fragile Beauty at Hillwood, Preoccupied at the BMA, Connie Imboden and Mark Kelner at the Katzen, and The Subversive Thread at Academy Art Museum