Issue 12: More is More

Issue 12: More is More

The maximalist mixed-media artist talks about taste, class, and asking questions of the world—and other artists—around her

"I think fundamentally artists are always interested in what comes next—what happens if I push this idea further, what happens if I try this new material, etc."

Cheon's multidisciplinary work describes the subtle dynamics of a divided country, embedding contradictory layers of information that political discourse leaves out

Cheon’s practice is rooted in the tradition of activism and protest central to the history of modern Korea.

How the Highlandtown arts center builds community with all kinds of bombast

For the team behind Creative Alliance, building trust is an ongoing process.

Photos by Elena Volkova from the release party for Issue 12, celebrating visionary, maximalist-leaning creatives

“More is More” is the theme for BmoreArt's Issue 12, where maximalism, inclusivity, exuberance, and accumulation become the modus operandi for a post-pandemic world.

There is a feedback loop between Bill Schmidt's studio and his visual world, where mysterious shapes take on greater significance

Schmidt works at a tiny scale so that viewers to have to get close to his paintings, to have an intimate and “one-on-one relationship with the surfaces.''

The Orbis Tertius "Hlaer To Jangr" Project is ICA's last in their current space

Overwhelming in every sense and incredible in scale, scope, and color, the Orbis Tertius -Hlaer-to-Jangr exhibition at ICA Baltimore is a feast for the senses.